Attrib. James Holland OWS Study of Venice

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An original early 19th-century graphite drawing, Attrib. James Holland OWS, Study of Venice.

A delicate graphite drawing, outlining the forms of a number buildings in a typically Venetian back street view. Attributed on the verso to James Holland (1799–1870). Venice was an extremely popular artistic subject throughout the eighteenth and nineteenth century. One of the things that is unusual about this fine study, however, is the fact that it takes a relatively little-known corner of the city as its subject. Rather than the Grand Canal or St Mark's Square, this is a sketch of a fruit shop. The artist uses minimal means to trace the lines of the buildings: he is clearly interested in the shapes of a number of different Gothic arches, in particular.

On cream wove paper with distinctive watermark of a shield with a device of two clasped hands over an orb. This was possibly a French paper, as used by French artist Jean-Baptiste Isabey in 1823.

+ Read the Artist Research

James Holland OWS (1799–1870)

James Holland OWS (1799–1870) was born in Burslem, Staffordshire, where his father and other members of his family—including his brother Thomas, also an artist—were employed at the pottery works of William Davenport in Longport. James was employed there from the young age of twelve, for seven years, painting flowers on pottery and porcelain.

In 1819, Holland came to London where he continued to work as a pottery painter, but also gave lessons in drawing landscapes, architecture, and marine subjects. He first exhibited at the Royal Academy in 1824, became an associate exhibitor of The Society of Painters in Water Colours in 1835 and joined the Society of British Artists in 1843. In 1858 he was elected a full member of the Old Water Colour Society.

Holland travelled extensively on the Continent between the 1830s and the 1850s, and he became known for his topographical works which were reproduced in the illustrated travel annuals of the day. He visited Venice, Milan, Geneva, and Paris, Portugal, Normandy and North Wales—sketching their architecture and working up compositions in beautifully coloured watercolours. His pictures of Portugal were published in the book 'The Tourist in Portugal'.

He exhibited prolifically during his lifetime: thirty-two pictures at the Royal Academy, ninety-one at the British Institution, and 108 at the Society of British Artists. His reputation grew further after his death and his works, particularly those of Venice, became much sought after.

+ Artwork Details

Dimensions: Height: 19.9cm (7.83") Width: 11.3cm (4.45")

Presented: Unframed.

Medium: Graphite

Age: Early 19th-century

Signed: Inscribed verso: 'Jmes Holland of Venice'.

Inscribed: Inscribed lower right: 'Fruit Shop, Venice'.

Dated: --

Condition: There are adhesive marks in the corners, minor age toning, and some tiny spots of foxing. There is some light creasing to the paper towards the edges, and a small scratch to the paper verso, which is visible on the front in the upper sky area.

Stock number: JJ-253