Château de la Bâtie, Vienne, France - Early 19th-century graphite drawing

An original early 19th-century graphite drawing, Anna Knowles Château de la Bâtie, Vienne, France.

An intricate graphite drawing of the expansive view towards village of Vienne in southern France, with the ruins of the Château de la Bâtie visible to the upper left. 

Unsigned. Inscribed lower centre: 'Cheateau La Serve [?] near Vienne'.
Very minor foxing and some light age toning around the edges as shown. Vertical crease along the right side. Otherwise, in very good condition. 
12.3cm x 12.1cm.

This work is one of an early-19th century collection of drawings and watercolours that came to us bearing the inscription ‘Anna Knowles, Englefield Green, 24 June 1810’. The Knowles family appears to have been entrenched in Englefield Green in Surrey for some generations, and had interesting connections with the satirical writer Thomas Love Peacock, and by extension, Percy Bysshe Shelley, who was a close confidante of Peacock’s.

The majority of the works in the collection appear to be by the hand of Anna herself, who was born in 1790 and married one of Peacock’s schoolmates, Joseph Gulston, in 1809. Interestingly, however, one painting is by the hand of Anna’s sister Cecilia (whose married name was Cecilia Gidoin Jenkins ) – who, it has recently been discovered, was the famous author of at least ten popular books, such as ‘Miss Alymer' and ‘The Smiths: A Novel’, published anonymously in the first half of the century. Her most well known work - the three volume 'Wedlock: Or Yesterday and Today' - provides a detailed account of her relationship with Thomas Love Peacock, who supposedly proposed to her at one point, and of their joint interactions with Shelley.

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Product code: JH-535

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