E. Riall, Cahir Swiss Cottage, Ireland - Original 1824 graphite drawing
is on back order
An original 1824 graphite drawing, E. Riall Cahir Swiss Cottage, Ireland.
A sophisticated graphite drawing of the Swiss Cottage at Kilcommon, near Cahir, County Tipperary, Ireland. Built in 1810, the cottage would have been relatively new when this was drawn. It is one example of a cottage orné, or an ornamental cottage, and is loosely attributed to John Nash, the celebrated Georgian architect responsible for Brighton Pavilion and Buckingham Palace. ' J. Whatman' watermark running vertically in the upper right quadrant. E. Riall likely refers to Elizabeth Riall, daughter of Irish Reverend Samual Riall, who died in 1853.
Signed lower left. Dated lower right. Inscribed lower centre: 'Cahir Cottage'.
Foxing and tinting from historical application of gum arabic wash as shown. Thinning and abrasion to the paper in the lower right corner. Glue and paper remnants verso, from being historically laid down. Slight paper loss to the upper centre edge.
14.6cm x 19.2cm.
This work is one of a collection we have for sale from an early nineteenth-century album with a cover inscription that reads ’The Property of St. Cyres Guest House, Jersey’. The label is a bit of a misnomer, as the book was actually used as a commonplace album once owned by a Jane Dorothea Warde, daughter of the Reverend Richard Warde at Yalding Vicarage in Kent. Executed by a number of hands, and filled with rich prose, poetry and artworks spanning from 1812 to 1827, the works in this book form a microcosm of popular taste in the late Georgian world, but also of the cultivated intimacy that passed freely between family and friends.
The inscription on the first page reads ‘Jane Warde, from her brother R.R. (Richard Ramsay) Warde, June 26th, 1817’, indicating that it is likely that as a book of blank paper, the album was either found or bought and then gifted and reused by the then sixteen-year-old Jane as a place to collect personal items from family, friends and acquaintances. The book was likely printed some years earlier, in 1813, which would explain why a majority of the images in this collection bear an 1813 Molineux & Johnston (M&J) Prince of Wales paper watermark regardless of the date on the image. Jane appears to have moved in upper class circles - outside of many family members whose names can be traced in the book, it also includes works by high members of the Royal Navy, the children of wealthy landowners from Scotland and Wales, as well as a banker from Brighton, who later became infamous for swindling his investors in a widely publicised court case in 1842.
Though the skill level varies between artists, and the works range from impromptu drawings to copies of popular prints, each work is crafted with delicate attention to detail, with even the more cursory drawings containing an element of wit and vivacity. Each image tells a small piece of the story of its individual artist, and is an exciting piece of the historical record of late Georgian society.
Text copyright © 2017 Somerset & Wood Fine Art Ltd. All rights reserved.
Product code: JG-507