{"title":"Etching","description":"","products":[{"product_id":"bennett-old-town-antibes-cote-d-azur-early-20th-century-etching-print-jk-655","title":"Bennett, Old Town, Antibes, Côte d’Azur – Early 20th-century etching print","description":"\u003cp\u003eAn original early 20th-century etching print, Bennett, Old Town, Antibes, Côte d’Azur.\u003c\/p\u003e\u003cp\u003eAn interesting etching showing two figures beside old buidlings at Antibes on France's Cote d'Azur. On laid paper with watermark F.G. Head \u0026amp; Co.\u003c\/p\u003e\u003cp\u003ePlate: 25 x 27.5cm. Sheet: 29 x 23cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51994407338313,"sku":"JK-655","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jk-655.jpg?v=1743166068"},{"product_id":"francesco-bartolozzi-ra-after-cipriani-four-putti-original-1787-etching-print-jl-677","title":"Francesco Bartolozzi RA after Cipriani, Four Putti – Original 1787 etching print","description":"\u003cp\u003eAn original 1787 etching print, Francesco Bartolozzi RA, Four Putti.\u003c\/p\u003e\u003cp\u003eA beautiful etching by Francesco Bartolozzi RA (1728–1815) after a drawing by Giovanni Battista Cipriani (1727–1785). Lettered in the plate 'G.B. Cipriani inv. F. Bartolozzi sculp. London Pub as the act directs Mar.h 1.t 1787 by F. Bartolozzi'. Etching and stipple engraving. \u003c\/p\u003e\u003cp\u003eThe sheet has been laid down on card, adhered at the corners and centre. There are pencil inscriptions on the back which appear to relate to framing, and partial inscriptions visible at the lower edge of the sheet, as shown.\u003c\/p\u003e\u003cp\u003eSheet: 25.2 x 31.3cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51994978713929,"sku":"JL-677","price":78.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jl-677.jpg?v=1743169530"},{"product_id":"amand-durand-after-sir-george-reid-highland-landscape-c19th-heliogravure-jt-428","title":"Amand-Durand after Sir George Reid, Highland Landscape –C19th heliogravure","description":"\u003cp\u003eAn original late 19th-century etching print, Charles Amand-Durand after Sir George Reid RSA, Highland Landscape.\u003c\/p\u003e\u003cp\u003eA fine heliogravure by Charles Amand-Durand (1831–1905) after the Scottish artist Sir George Reid PPRSA (1841–1913). Amand-Durand was a pioneer in France of making and publishing photogravure (héliogravure) reproductions of engravings and etchings.\u003c\/p\u003e\u003cp\u003eOn watermarked Arches laid paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017205117257,"sku":"JT-428","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-428.jpg?v=1743497560"},{"product_id":"arthur-pond-after-parmigianino-holy-family-with-st-john-original-1734-etching-print-jt-555","title":"Arthur Pond after Parmigianino, Holy Family with St John – 1734 etching print","description":"\u003cp\u003eAn original 1734 etching print, Arthur Pond after Parmigianino, Holy Family with St John.\u003c\/p\u003e\u003cp\u003eA fine etching in brown ink produced by the English painter and engraver Arthur Pond (c.1705–1758) after a 16th-century drawing by Francesco Mazzola, also known as Parmigianino (1503–1540). Pond visited Italy in 1725–7 with the painter George Knapton, the painter and poet John Dyer and the antiquary Daniel Wray. This print is from Pond's 1734 series 'Prints in Imitation of Drawings', which he produced in collaboration with George's brother, Charles Knapton, also an artist.\u003c\/p\u003e\u003cp\u003eParmigianino's graphic work was highly sought after and praised in England in the late 18th century. Sir Joshua Reynolds and Benjamin West were avid collectors of Parmigianino's drawings and original prints.\u003c\/p\u003e\u003cp\u003eAn associated inscription (see photo) gives the provenance of this drawing: Given to Mary Twopenny by her cousin David at Little Casterton in 1832. David Twopenny, commoner at Oriel College, Oxford and lifelong Vicar of Stockbury in Kent, was a collector of art (a sale of his collection at Christie’s included an extensive collection of fine engravings after Turner).\u003c\/p\u003e\u003cp\u003eTrimmed to the image and laid down on backing paper with wash line border.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017232871753,"sku":"JT-555","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-555.jpg?v=1743497628"},{"product_id":"gustave-fraipont-woman-in-a-feathered-hat-original-late-19th-century-etching-print-jy-679","title":"Gustave Fraipont, Woman in a Feathered Hat – late 19th-century etching print","description":"\u003cp\u003eAn original late 19th-century etching print, Gustave Fraipont, Woman in a Feathered Hat.\u003c\/p\u003e\u003cp\u003eA stylish fin-de-siecle subject by French painter, sculptor, illustrator and poster-designer Gustave Fraipont (1849–1923). Fraipont is particularly known for his French railway poster designs with an Art Nouveau aesthetic.\u003c\/p\u003e\u003cp\u003eGustave Fraipont (1849–1923) was born in Belgium but became a naturalised French citizen. He was a Professor of drawing at the Maison d'éducation de la Légion d'honneur and authored numerous books on the art of drawing. In the 1880s and 1890s he painted numerous posters for railway companies, including Chemins de fer de l'Ouest and Compagnie des chemins de fer du Nord. He also illustrated books on Paris and the French regions. In 1905, he was appointed Navy painter. During World War One, he produced several compositions for the newspaper L'Illustration.\u003c\/p\u003e\u003cp\u003eEtching with hand colouring. Numbered 26\/100.\u003c\/p\u003e\u003cp\u003eSheet size: 48.5 x 30.5cm. Plate size: 32.7 x 15.6cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019006308681,"sku":"JY-679","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jy-679.jpg?v=1743507813"},{"product_id":"vienna-secession-ex-libris-bookplate-by-franz-von-bayros-c-1910s-etching-jz-656","title":"Vienna Secession Ex Libris Bookplate by Franz von Bayros – c.1910s etching","description":"\u003cp\u003eAn original c.1910s etching print, Franz von Bayros, Vienna Secession Ex Libris Bookplate for Franz Winter.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around the 1910s and associated with the Vienna Secession movement.\u003c\/p\u003e\u003cp\u003eThe design shows a Roman soldier in a plumed helmet standing behind a seated beauty, pouring a libation on her. The image seems to represent Roman Virtus repressing Viennese erotic frivolity.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed for Franz Winter by the Austrian commercial artist and illustrator Franz von Bayros (1866–1924). Bayros trained at the Vienna Academy. He mixed in high society and was part of the circle of friends of Johann Strauss II, whose stepdaughter Alice he married in 1896. Bayros belonged to the Decadent movement, often utilising erotic themes and phantasmagoric imagery. In 1911, he created his most famous and controversial work, Tales from the Dressing Table, for which he was later arrested and exiled from Germany. His work can be found at the Metropolitan Museum of Art in New York.\u003c\/p\u003e\u003cp\u003eFranz Winter (1861–1930) was a specialist in Greek and Roman art history who lived in Vienna.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019762037065,"sku":"JZ-656","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-656.jpg?v=1743510860"},{"product_id":"vienna-secession-ex-libris-bookplate-by-franz-von-bayros-c-1910s-etching-jz-657","title":"Vienna Secession Ex Libris Bookplate by Franz von Bayros – c.1910s etching","description":"\u003cp\u003eAn original c.1910s etching print, Franz von Bayros, Vienna Secession Ex Libris Bookplate for Emma Steigleder.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around the 1910s and associated with the Vienna Secession movement.\u003c\/p\u003e\u003cp\u003eThe design shows a woman and two children in 18th-century costume, with the inscription 'Si vis amari, ama! Seneca' (Love, if you want to be loved).\u003c\/p\u003e\u003cp\u003eThe bookplate was designed for an Emma Steigleder by the Austrian commercial artist and illustrator Franz von Bayros (1866–1924). Bayros trained at the Vienna Academy. He mixed in high society and was part of the circle of friends of Johann Strauss II, whose stepdaughter Alice he married in 1896. Bayros belonged to the Decadent movement, often utilising erotic themes and phantasmagoric imagery. In 1911, he created his most famous and controversial work, Tales from the Dressing Table, for which he was later arrested and exiled from Germany. His work can be found at the Metropolitan Museum of Art in New York.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019762135369,"sku":"JZ-657","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-657.jpg?v=1743510862"},{"product_id":"vienna-secession-ex-libris-bookplate-by-alfonso-bosco-c-1910s-etching-jz-658","title":"Vienna Secession Ex Libris Bookplate by Alfonso Bosco – c.1910s etching","description":"\u003cp\u003eAn original c.1910s etching print, Alfonso Bosco, Vienna Secession Ex Libris Bookplate for Armida Quilico.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around the 1910s and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe design features a woman and baby, along with a harp, a bouquet of roses and a book.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by for Armida Quilico, an Italian musician and actress, by Alfonso Bosco (1858–1921), who was an Argentinian printmaker, graphic designer and illustrator of Italian descent. He lived and worked in Buenos Aires from 1882, where he was Artistic director of the Argentinian central bank's printery and designer of the Argentinian paper money. Bosco is considered as the inventor of colour etching in Argentina.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019762495817,"sku":"JZ-658","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-658.jpg?v=1743510868"},{"product_id":"a-p-f-the-rat-catcher-after-rembrandt-original-1825-etching-print-jz-911","title":"A.P.F., The Rat Catcher after Rembrandt – Original 1825 etching print","description":"\u003cp\u003eAn original 1825 etching print, A.P.F., The Rat Catcher after Rembrandt.\u003c\/p\u003e\u003cp\u003eAn interesting etching after Rembrandt's Rat-catcher etching of 1632.\u003c\/p\u003e\u003cp\u003eThis print derives from a collection relating to the Waller-Bridge family. At the upper edge an indistinct inscription states that it was etched for Maunsell, which a member of the \u003c\/p\u003e\u003cp\u003ePlate size: 17 x 12cm. Sheet size: 28.5 x 22cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019776356681,"sku":"JZ-911","price":68.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-911.jpg?v=1743511032"},{"product_id":"robert-dighton-henry-ford-a-view-from-magdalen-hall-oxford-1808-etching-ka-389","title":"Robert Dighton, Henry Ford 'A View from Magdalen Hall, Oxford' – 1808 etching","description":"\u003cp\u003eAn original 1808 etching print, Robert Dighton, Henry Ford 'A View from Magdalen Hall, Oxford'.\u003c\/p\u003e\u003cp\u003eA hand-coloured etching, drawn etched and published by Robert Dighton (c.1752–1814) in 1808. The character is Henry Ford (c.1753–1813), who held the positions of Lord Almoner's Professor of Arabic (1780–1813) and Principal of Magdalen Hall, Oxford (1788–1813).\u003c\/p\u003e\u003cp\u003eAn obituary in The Gentleman's Magazine praised Ford's 'great and varied acquirements in general science', his 'profound knowledge of Oriental literature' and his 'unaffected piety, gentleness, and benevolence.' It also described him as 'an affectionate husband and tender father.'\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020379418953,"sku":"KA-389","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-389.jpg?v=1743514219"},{"product_id":"joseph-pennell-st-martins-bridge-toledo-spain-original-1903-etching-print-ka-592","title":"Joseph Pennell, St Martin's Bridge, Toledo, Spain – Original 1903 etching print","description":"\u003cp\u003eAn original 1903 etching print, Joseph Pennell, St Martin's Bridge, Toledo, Spain.\u003c\/p\u003e\u003cp\u003eA superb etching by Joseph Pennell (1857–1926) showing St Martin's Bridge at Toledo in Spain. Printed in brown ink on laid paper, this was published by The Studio in an edition of only thirty.\u003c\/p\u003e\u003cp\u003eThere are copies in the V\u0026amp;A and The Morgan Library \u0026amp; Museum, New York.\u003c\/p\u003e\u003cp\u003eOn watermarked laid paper.\u003c\/p\u003e\u003cp\u003eImage size: 20 x 24.5cm. Sheet size: 22.6 x 27.6cm.\u003c\/p\u003e\u003cp\u003eJoseph Pennell (1857–1926) was an American-born printmaker and writer who was one of the major book illustrators of his time. Born in Philadelphia, after attending the Pennsylvania Academy of the Fine Arts, Pennell found work etching historic landmarks and illustrating travel articles and books for American publishers. In 1884 he went to Europe and settled in London. Here the Pennells were part of a group of artists surrounding the American avant-garde painter James McNeill Whistler. Whistler's style influenced Pennell's work and when Whistler moved to Paris in 1892, Pennell followed in 1893 and spent a period working with Whistler in his studio Also in this circle were writers such as H.G. Wells, Robert Louis Stevenson, Henry James and George Bernard Shaw.\u003c\/p\u003e\u003cp\u003eDuring his lifetime Pennell produced more than 900 etchings and mezzotints and more than 600 lithographs on architectural and landscape subjects ranging from the Panama Canal to the factories of England and the temples of Greece. He helped to spur the revival of printmaking and print collecting during the first two decades of the 20th century. Pennell moved back to the United States during World War I.\u003c\/p\u003e\u003cp\u003eHe was married to the writer and fellow Philadelphian Elizabeth Robins Pennell, who was an equal in terms of intellect and ambition.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020434436425,"sku":"KA-592","price":210.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-592.jpg?v=1743514364"},{"product_id":"robert-houston-rws-castle-stalker-argyll-scotland-early-c20th-etching-print-ka-826","title":"Robert Houston RWS, Castle Stalker, Argyll, Scotland – early C20th etching print","description":"\u003cp\u003eAn original early 20th-century etching print, Robert Houston RWS, Castle Stalker, Argyll, Scotland.\u003c\/p\u003e\u003cp\u003eA beautifully tranquil image by Robert Houston RSW (1881–1942). Characteristically, Houston uses a strong sense of form, dark and light, to give power to his subject.\u003c\/p\u003e\u003cp\u003eRobert Houston RSW (1881–1942) was born in Kilbirnie, Ayrshire and studied at Glasgow School of Art. He specialised in landscapes of the coasts and lochans of the west of Scotland and western isles. He was also a noted aquatintist and designed and executed railway posters, which particularly suited his sense of design and use of solid colour.\u003c\/p\u003e\u003cp\u003eHouston was elected a member of the Royal Scottish Society of Painters in Watercolours in 1936. He exhibited widely, showing at the Royal Academy, the Royal Scottish Academy, the Royal Scottish Society of Painters in Watercolours, and the Royal Glasgow Institute of the Fine Arts.\u003c\/p\u003e\u003cp\u003eOn wove paper.\u003c\/p\u003e\u003cp\u003ePlate size: 9.7 x 13.8cm. Sheet size: 14.4 x 23cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020489748809,"sku":"KA-826","price":52.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-826.jpg?v=1743514556"},{"product_id":"walter-edwin-law-pearce-lodge-university-avenue-glasgow-c-1900-etching-print-ka-827","title":"Walter Edwin Law, Pearce Lodge, University Avenue, Glasgow –c.1900 etching print","description":"\u003cp\u003eAn original c.1900 etching print, Walter Edwin Law, Pearce Lodge, University Avenue, Glasgow.\u003c\/p\u003e\u003cp\u003eAn interesting small etching by Walter Edwin Law (1865–1942) showing a view from the north-east of Pearce Lodge, part of the University of Glasgow. The building is of great historic importance to the university, because although it was built in the Scots Baronial style in 1885–8, it incorporated stonework from the 17th-century Old College. The building was designed by Alexander George Thomson, with financial assistance from the shipbuilder and politician Sir William Pearce.\u003c\/p\u003e\u003cp\u003eWalter Edwin Law (1865–1942) was a prolific etcher, whose main subjects were historic architectural landmarks in London, especially in Westminster. He also produced a number of Scottish subjects. He exhibited at the Royal Academy in 1904.\u003c\/p\u003e\u003cp\u003eWorks by Law can be found in the collections of Glasgow Museums and Glasgow University Library Special Collections.\u003c\/p\u003e\u003cp\u003eOn smooth wove paper.\u003c\/p\u003e\u003cp\u003ePlate size: 9.5 x 17.5cm. Sheet size: 21 x 14cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020492304713,"sku":"KA-827","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-827.jpg?v=1743514557"},{"product_id":"john-sell-cotman-norfolk-church-architecture-set-of-3-etching-prints-1816-kb-762","title":"John Sell Cotman, Norfolk Church Architecture – Set of 3 etching prints 1816","description":"\u003cp\u003eA set of three original etching prints, John Sell Cotman, Norfolk Church Architecture, West Barsham, Frenze, Maddermarket, 1805 and 1816.\u003c\/p\u003e\u003cp\u003eA handsome set of three large etchings from Cotman's Norfolk Architecture. Depicting heraldic architectural details at the churches of West Barsham, Frenze and Maddermarket.\u003c\/p\u003e\u003cp\u003eDrawn, etched and published by John Sell Cotman (1782–1842). The Maddermarket etching is dated 1805; the other two are 1816.\u003c\/p\u003e\u003cp\u003eEach sheet approx.: 38.5 x 27.5cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021498708297,"sku":"KB-762","price":210.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-762.jpg?v=1743521125"},{"product_id":"the-hon-booth-grey-thatched-cottage-with-chickens-late-18th-century-etching-kb-871","title":"The Hon. Booth Grey, Thatched Cottage with Chickens – late 18th-century etching","description":"\u003cp\u003eAn original 18th-century etching print, The Hon. Booth Grey, Thatched Cottage with Chickens.\u003c\/p\u003e\u003cp\u003eThe Honourable Booth Grey is listed as being 'Circle of Mary Delany', there being a series of ninety plant collages by the Honble Booth Grey (now mainly in the Yale Centre for British Art, New Haven, with a few examples elsewhere, notably the Metropolitan Museum, NY).\u003c\/p\u003e\u003cp\u003eThe exact identity of Booth Grey is uncertain, as there were various family members around this time with the same name. The British Museum suggests that it could be William Booth Grey (born 1773), the grandson, through his mother, of the 2nd Duchess of Portland, who was a great friend of Mary Delany (1700–1788). Yale however lists the artist as Booth Grey (1740–1802). There are two etchings by Booth Grey at Yale similar to the present print. Additionally, there was another Honourable Booth Grey (a politician) who was William's uncle. His son, also Booth Grey, married William's sister, Sophia.\u003c\/p\u003e\u003cp\u003eOn laid paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021513650505,"sku":"KB-871","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-871.jpg?v=1743521276"},{"product_id":"loren-holmwood-sami-with-reindeer-hostflytning-northern-norway-original-c-1936-etching-print-kc-979","title":"Loren Holmwood, Sámi with Reindeer 'Höstflytning', Northern Norway – c.1936 etching print","description":"\u003cp\u003eAn original c.1936 etching print – Loren Holmwood, Sámi with Reindeer 'Höstflytning', Northern Norway.\u003c\/p\u003e\n\u003cp\u003eA compelling portrait of a Sámi woman and children, engaged in the Höstflytning, or 'autumn flight', when reindeer herding families in Northern Norway move from coastal pastures to inland mountains and plateaus for winter.\u003c\/p\u003e\n\u003cp\u003eAmerican portrait artist Loren Holmwood (1892–1985), a member of the Laguna Beach artist colony, is known in particular for his depiction of children, in a manner evocative of his contemporary Norman Rockwell (1894–1978).\u003c\/p\u003e\n\u003cp\u003eRemarkably, in November 1936, Holmwood travelled from California to Hammerfest and North Cape in North Norway in search of source material; this etching is undoubtedly a result of this trip. Holmwood left his Berkeley studio in June 1936, travelling by motorcar to New York where he took the Swedish liner Drottningholm to Gothenburg. From Gothenburg he went to Oslo and subsequently travelled up the west coast of Norway, visiting Bergen, Aalesund and Trondheim on the way to the far north, then on to Stockholm and Copenhagen before returning to the United States.\u003c\/p\u003e\n\u003cp\u003eWhat prompted this adventurous mission we do not know, but it is interesting to note that later in life Loren Holmwood settled at Tahoe City, where he gifted fifty-two acres of his land along Ward Creek to the Washoe community in Nevada. His experiences amongst the Sámi were perhaps formative in a wider affinity for the cultures of indigenous peoples.\u003c\/p\u003e\n\u003cp\u003eHolmwood's large etching is both charming and impactful; the Sámi confront the viewer's gaze head-on and the cropped 'snapshot' composition creates a dynamic sense of reality beyond the artist's lens.\u003c\/p\u003e\n\u003cp\u003eEtching with colour.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":53534545674569,"sku":"KC-979","price":380.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KC-979.jpg?v=1766161662"},{"product_id":"f-cottinck-vienna-secession-ex-libris-bookplate-for-eugene-may-original-c-1910s-etching-print-kd-501","title":"Vienna Secession Ex Libris Bookplate for Eugene May – c.1910s etching","description":"\u003cp\u003eAn original c.1910s etching print – F. Cottinck, Vienna Secession Ex Libris Bookplate for Eugene May.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around the 1910s and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe design features a winged nymph playing a harp.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by F. Cottinck for Eugene May.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290441044297,"sku":"KD-501","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-501.jpg?v=1777476126"},{"product_id":"ferdinand-gotting-vienna-secession-ex-libris-bookplate-art-nouveau-original-c-1910-etching-print-kd-504","title":"Vienna Secession Ex Libris Bookplate by Ferdinand Götting – c.1910 etching","description":"\u003cp\u003eAn original c.1910 etching print – Ferdinand Götting, Vienna Secession Ex Libris Bookplate Art Nouveau.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around 1910 and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by Ferdinand Götting.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290442781001,"sku":"KD-504","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-504.jpg?v=1777476135"},{"product_id":"erhard-amadeus-dier-vienna-secession-ex-libris-bookplate-for-joe-kramer-original-c-1910-etching-print-kd-502","title":"Vienna Secession Ex Libris Bookplate by Erhard Amadeus-Dier – c.1910 etching","description":"\u003cp\u003eAn original c.1910 etching print – Erhard Amadeus-Dier, Vienna Secession Ex Libris Bookplate for Joe Kramer.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around 1910 and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by Erhard Amadeus-Dier for Joe Kramer.\u003c\/p\u003e\u003cp\u003eErhard Amadeus-Dier (1893–1969) was an Austrian painter, graphic artist, designer and composer who fought in the underground resistance movement during World War II. He was the designer of the Austrian Schilling banknotes from 1949 to 1954.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290465096009,"sku":"KD-502","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-502.jpg?v=1777476307"},{"product_id":"leopold-drexler-vienna-secession-ex-libris-bookplate-for-emma-bacher-original-c-1910-etching-print-kd-493","title":"Vienna Secession Ex Libris Bookplate by Leopold Drexler – c.1910 wood engraving","description":"\u003cp\u003eAn original c.1910 etching print – Leopold Drexler, Vienna Secession Ex Libris Bookplate for Emma Bacher.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around 1910 and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by Leopold Drexler for Emma Bacher.\u003c\/p\u003e\u003cp\u003eLeopold Drexler (b.1888) was an Austrian designer and artist associated with the Vienna Secession and Wiener Werkstätte in the early 20th century. He is known for designing jewelry (c.1905–1925) for Oscar Dietrich. Lithographs by Drexler are in the Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eThe photographer and gallerist Emma Bacher (1868–1953) was a friend of Gustav Klimt.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290466767177,"sku":"KD-493","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-493.jpg?v=1777476319"},{"product_id":"pickford-robert-waller-whistlerian-portrait-of-a-woman-original-c-1890s-etching-print-kd-511","title":"Pickford Robert Waller, Whistlerian Portrait of a Woman – c.1890s etching print","description":"\u003cp\u003eAn original c.1890s etching print – Pickford Robert Waller, Whistlerian Portrait of a Woman.\u003c\/p\u003e\u003cp\u003eThis charming etching is one of a group of female portraits by Pickford Waller, which show fascinating connections with painter James Abbott McNeill Whistler and his depictions of women at this time. Waller was an early patron of Whistler and became an avid collector of Whistleriana. Waller presents his women in Whistlerian pose—employing devices such as sweeping folds of drapery, sinuous rear profile views and compositions with mantelpiece, Chinese vases and Japanese fans. There is also strong influence of the Pre-Raphaelite depiction of women in his work, reflecting the cross-over of artistic groups and influences working towards the end of the 19th century.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290470797641,"sku":"KD-511","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-511.jpg?v=1777476345"},{"product_id":"pickford-robert-waller-victorian-girl-in-hammock-original-c-1890s-etching-print-kd-512","title":"Pickford Robert Waller, Victorian Girl in Hammock – c.1890s etching print","description":"\u003cp\u003eAn original c.1890s etching print – Pickford Robert Waller, Victorian Girl in Hammock.\u003c\/p\u003e\u003cp\u003eThis charming etching is one of a group of female subjects by Pickford Waller, which show fascinating connections with painter James Abbott McNeill Whistler and his depictions of women at this time. Waller was an early patron of Whistler and became an avid collector of Whistleriana. Waller presents his women in Whistlerian pose—employing devices such as sweeping folds of drapery, sinuous rear profile views and compositions with mantelpiece, Chinese vases and Japanese fans. There is also strong influence of the Pre-Raphaelite depiction of women in his work, reflecting the cross-over of artistic groups and influences working towards the end of the 19th century.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290472501577,"sku":"KD-512","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-512.jpg?v=1777476357"},{"product_id":"william-hayes-carolina-wood-duck-drake-bird-original-c-1780-etching-print-kd-676","title":"William Hayes, Carolina Wood Duck Drake Bird – c.1780 hand-coloured etching","description":"\u003cp\u003eAn original c.1780 etching print – William Hayes, Carolina Wood Duck Drake Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting a male wood duck, or Carolina duck, native to North America. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines on watermarked Whatman laid paper. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. This included birds belonging to one of Hayes's early patrons, the Earl of Sandwich.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609180164425,"sku":"KD-676","price":148.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-676.jpg?v=1781601285"},{"product_id":"william-hayes-ruff-bird-original-c-1779-etching-print-kd-677","title":"William Hayes, Ruff Bird – c.1779 hand-coloured etching","description":"\u003cp\u003eAn original c.1779 etching print – William Hayes, Ruff Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting a male ruff, a sandpiper native to northern Eurasia. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines on laid paper. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. This included birds belonging to one of Hayes's early patrons, the Earl of Sandwich.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609180590409,"sku":"KD-677","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-677.jpg?v=1781601308"},{"product_id":"william-hayes-female-yellow-knobbed-curassow-bird-original-c-1780s-etching-print-kd-678","title":"William Hayes, Female Yellow-knobbed Curassow Bird – c.1780s hand-coloured etching","description":"\u003cp\u003eAn original c.1780s etching print – William Hayes, Female Yellow-knobbed Curassow Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting a female curassow, native to Central and South America. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines on watermarked Whatman laid paper. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. This included birds belonging to one of Hayes's early patrons, the Earl of Sandwich.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609180754249,"sku":"KD-678","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-678.jpg?v=1781601318"},{"product_id":"william-hayes-male-yellow-knobbed-curassow-bird-original-c-1780s-etching-print-kd-679","title":"William Hayes, Male Yellow-knobbed Curassow Bird – c.1780s hand-coloured etching","description":"\u003cp\u003eAn original c.1780s etching print – William Hayes, Male Yellow-knobbed Curassow Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting a male curassow, native to Central and South America. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines watermarked laid paper. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. This included birds belonging to one of Hayes's early patrons, the Earl of Sandwich.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609180819785,"sku":"KD-679","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-679.jpg?v=1781601327"},{"product_id":"william-hayes-sea-pie-oystercatcher-bird-original-c-1775-etching-print-kd-680","title":"William Hayes, Sea Pie Oystercatcher Bird – c.1775 hand-coloured etching","description":"\u003cp\u003eAn original c.1775 etching print – William Hayes, Sea Pie Oystercatcher Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting an oystercatcher, historically known as a Sea Pie, native to the UK. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines on laid paper watermarked 'GR'. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. 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