An original late 19th-century graphite drawing, Ralph Stubbs Ash Holm Works, Mulgrave Woods.
An engaging graphite drawing with white graphite highlights of the ruins of the Ash Holm Alum works in Mulgrave Woods, near Whitby in North Yorkshire. The artist has misspelled the title as 'Ash Home' instead of 'Ash Holm' in the inscription. According to historical document, the Ash Holm quarry was opened in 1612, but was closed in the 1730s when the Sandsend quarry rose in prominence. After 1811, when this scene was likely drawn, it was used as a cement stone quarry. On pale green paper.
This impressive large-scale drawing shows the sensitive draughtsmanship and preliminary workings of Yorkshire landscape artist Ralph Stubbs. The drawing’s large size and overall coherence suggest that the work is a preparatory study for a painting, and means that it forms a particularly attractive example of the graphite medium.
Unsigned. Inscribed lower right: 'Ash Home [sic], Mulgrave Woods'.
Foxing and overall age toning as shown. Binding tape present on the upper and lower edges as shown. Vertical creasing along the right side edge. Tear to the right side edge in the centre.
28.7cm x 41.9cm.
This work is one of a number of graphite drawings, mainly of Sandsend and the Mulgrave Woods near Whitby in North Yorkshire, attributed to the local artist Ralph Reuben Stubbs (1824-1879). Considering the similarity between these drawings and a number of previous Stubbs oils sold at auction, it is likely this collection was done as a set of preparatory sketches for his finished paintings.
Very little is known about the Yorkshire-born and based artist Ralph Reuben Stubbs. He appears to have come from an artistically inclined family – there is a Ralph Stubbs listed as an artist living in Hull in the previous generation (1774-1845), so it is likely our artist is his son. Ralph R. Stubbs appears to have had no formal training - obituaries list him as being ‘self-taught from Nature’, gradually honing his craft and gaining a reputation that saw him steadily move around the coast, from York to Scarborough and then to Whitby, to paint landscapes and nautical scenes, for which he was most well known.
Though he was celebrated in the Yorkshire area, he apparently did not exhibit publicly in London until very late in life, in the early 1870s, some few years before his death. He is known to have exhibited ‘three works at the Royal Academy, two at the British Institution and ten at Suffolk Street’. He premiered a work at the Royal Academy in 1873 entitled ‘Beggar’s Bridge’, which was in the collection of his local patron R. Collinson of Scarborough, which was ‘universally admired’. He died in Lewisham in April 1879.
His works can be found in The Ferens Art Gallery in Hull, Whitby Museum, Wakefield and Reading Museums, Hull University Art Collection and The Cooper Gallery.
Our collection is very specifically rooted in Stubbs’ much loved Yorkshire landscape. All images attempt to capture the expansive virility of that county’s land and sea - where figures are present, they appear small and minuscule, dwarfed by their Romantic surroundings. Though they are expressively drawn, they still show an attention to delicacy and detail that marked Stubbs’ later works in oil, and which made him a prevailing artist of his time.
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Product code: JH-143