Anon. Haughmond Abbey Chapter House, Shrewsbury

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An original c.1832 watercolour painting Haughmond Abbey Chapter House, Shrewsbury.

A fine and impressive large vignette watercolour in blue-grey and brown wash. The Romantic subject, featuring the 14th-century Chapter House at Haughmond Abbey in Shrewsbury, draws on Rev William Gilpin's aesthetic principles of the picturesque, exquisitely placed between the 'sublime' and the 'beautiful'. Interestingly, the view shows the roof area of the Chapter House considerably more intact than it is today.

The painting formed part of a series commissioned in 1832 by Catherine Johnstone née Brome (1775–1833), who was married to William Johnstone, Vicar of Culmington, Ludlow.

On buff-coloured paper laid down on backing paper.

+ Read the S&W Collection Research

Sublime Landscapes: Peak District & North Wales 1832

This beautiful painting forms part of a series of works that we have for sale depicting beauty spots, principally around the Peak District and Caernarvonshire and Cardiganshire in Wales: including Dovedale, Matlock, Betws-y-Coed and Capel Curig. The locations share common features of Rev William Gilpin's 'picturesque', exquisitely placed between the 'sublime' and the 'beautiful', such as rugged, towering crags and rushing waterfalls, delicately foliaged trees and old stone buildings. Such features made these locations a draw for Romantic tourists in the early 19th century, and also many artists, most notably J.M.W. Turner. A decade later, Betws-y-Coed would attract David Cox and see the formation of an artist's colony.

The series of paintings was commissioned by Catherine Johnstone née Brome (1775–1833), who was married to William Johnstone, Vicar of Culmington, Ludlow. Catherine's family originated from the Burton upon Trent area, which probably explains the inclusion of Derbyshire and Peak District subjects too. It appears that Catherine's sister Louisa was also a talented artist, and there are a small number of drawings in the collection by Louisa's son, William Hare.

+ Artwork Details

Dimensions: Height: 25.7cm (10.12") Width: 27.7cm (10.91")

Presented: Unframed.

Medium: Watercolour

Age: Early 19th-century

Signed: No.

Inscribed: Inscribed lower centre.

Dated: --

Condition: Some minor age toning as shown. The picture may have other minor imperfections such as slight marks, creasing or pinholes, commensurate with age. Please see photos for detail.

Stock number: KB-176