Henry Wright Kerr RSA RSW (1857–1936) was a fine recorder of Scottish character and arguably Scotland's most famous painter of portraits and genre scenes in watercolour
This week we have had the pleasure of discovering the work of the Lewis sisters, Isabel and Florence, who were leading artists for Royal Doulton in the 1880s
This vivid little Neapolitan School gouache shows the 1839 eruption of Vesuvius from a slightly unsual viewpoint—part-way up the mountainside rather than the more typical (and more elegant) vantage point of across the waters of the Bay of Naples
These colourful Dahlias, celebrated and prized for their long blooming period—carrying on until the autumn frosts—bring welcome cheer this week, as the rain in the UK seems to know no end
We have been down a vertitable rabbit hole this week—not in honour of a certain forthcoming bunny festival, but because we have entered the chaotic subterranean world of mycology
Delving below the surface this week, we've had interesting conversations about when art belies biography, as was the case, by all accounts, for tenacious and eccentric Channel Islands artist Ethel Sophia Cheeswright (1874–1977)
Fascinating cataloguing an intriguing group of early 19th-century views in Portugal this week, and thinking about the difficulty in verifying views in a time before photography and when the documentary evidence is scant
Fascinating to learn about Katharine Jowett (1883–1972), one of only a few Western female artists who chose to live and work in Japan, Korea and northern China in the years between the two world wars
The artists in our new Garbutt Hull collection read like a who's who of early-19th-century Hull, only these pictures are by the women behind the men who were the city's shipbuilders & brokers, timber merchants & sawmill owners, wine merchants & brewers
We have added interesting new pictures to our 19th-century Algiers collection by English eccentric and 'wayward philosopher' George John Cayley (1826–1878)
Our new collection of 1830s watercolours—depicting flowers, leaves, butterflies and other insects—were exquisitely painted by Louisa Hare (1776–1853), who was married to Captain James Hare (1772–1826) of Whittern estate at Lyonshall in Herefordshire
This early-Victorian drawing made us look twice this week—a quirky collaged image that combines hand-coloured engravings with layered paper and original watercolour
Late Romantic narrative illustrative art was highly popular in the second half of the 19th century, particularly amongst women artists, but its study has been neglected
Our Picture of the Month for December is a triumph in aesthetic elegance by the distinguished ceramics designer and potter Gordon Mitchell Forsyth RI ARCA (1879–1952)
With Christmas as we know it being largely a Victorian invention, the Victorian home—and even more so, the Victorian rectory—seems uniquely suited to this time of year
Some of you may recognise the cherubic red-head in this vision of Yuletide bliss as the spirited putto from Gaston Cervelli's satirical cartoons, Fighting and Bawling Babies (swipe left!)
We have enjoyed listing some charming pictures this week spanning four female generations of the Waller-Bridge family—of inimitable Fleabag writer and actress Phoebe Waller-Bridge fame
We're loving our new collection of Edwardian cartoons capturing a slice of life on the North Wales coast around Anglesey, Llandudno and Rhyl in 1912–13
This interesting view at Etna around 1837, by landscape painter James Bridges (1799–1865), shows the crater 'La Cisternazza', which formed dramatically when the top part of Etna collapsed during the 1797 eruption
We have enjoyed this week listing a fabulously stylish collection of ex libris relating to the Vienna Secession movement, featuring designs by some of the leading graphic artists of the Austro-Hungarian Empire at the beginning of the 20th century
Maria Hampshire Eaton (1862–1944) was a woman seemingly ahead of her time: awarded a medal by the South Kensington Schools, relocating to Canada for a period in the 1880s and by 1901 describing herself as an 'artist photographer [on her] own acc[ount]'
From our new collection of works, 'Souvenir of Naples', are these jewel-like renderings of the frescoes at Pompeii by a local early 19th-century artist