{"title":"Engraving","description":"","products":[{"product_id":"view-of-cathedral-original-early-19th-century-engraving-print-jj-547","title":"View of Cathedral – Original early 19th-century engraving print","description":"\u003cp\u003eAn original early 19th-century engraving print, View of Cathedral.\u003c\/p\u003e\u003cp\u003eA charming small engraving of a rural view. Trimmed to the plate and laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51993235915081,"sku":"JJ-547","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jj-547.jpg?v=1743155448"},{"product_id":"j-roberts-after-j-chatelain-south-west-view-willsdon-church-c-1750-engraving-jl-678","title":"J. Roberts after J. Chatelain, South West View Willsdon Church –c.1750 engraving","description":"\u003cp\u003eAn original c.1750 engraving print, J. Roberts, South West View of Willsdon Church.\u003c\/p\u003e\u003cp\u003eThis 18th-century view of Willesden Church derives from a set of fifty views of churches and villages that surrounded early Georgian London, drawn by topographical draughtsman Jean Chatelain (1710–1758), and engraved by James Roberts (1725–1799). The full set was first published by Henry Roberts in around 1750 under the title: 'Fifty small original, and elegant views of the most splendid churches, villages, rural prospects. and masterly pieces of architecture, adjacent to London'.\u003c\/p\u003e\u003cp\u003eThe print has been laid down on backing paper, with the addition of a wash line border. The backing paper has then been laid down, at a later date, on backing card.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51994978779465,"sku":"JL-678","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jl-678.jpg?v=1743169531"},{"product_id":"attrib-marmaduke-cradock-chickens-17th-century-engraving-with-watercolour-jp-873","title":"Attrib. Marmaduke Cradock, Chickens – 17th-century engraving with watercolour","description":"\u003cp\u003eAn original 17th-century engraving print, Attrib. Marmaduke Cradock, Chickens.\u003c\/p\u003e\u003cp\u003eAn intriguing hand-coloured engraving attributed to the 17th-century English painter of birds and animals Marmaduke Cradock (1660–1716). This is one of a pair of works attributed to Cradock that we have for sale with the provenance of William Drummond (Covent Garden Gallery, London), the renowned British drawings and watercolours dealer. The card mount bears an inscription in Drummond's hand, 'give to BM' (British Museum). There are to date only four known drawings by Cradock, three of which are in the British Museum, and two of which are in watercolour over graphite. All are studies of fowl and relatively small in scale, similar to the present study (see BM 1863,0110.232, 1863,0110.233 and 1863,0110.234, all thought to be Ex. Collection of John Henderson).\u003c\/p\u003e\u003cp\u003eMarmaduke Cradock (1660–1716) was born in Somerton, Somerset and moved to London, where he was apprenticed to a house-painter. He was, however, self-taught as an artist, specialising in bird and animal subjects. He depicted individual birds with great accuracy, and studies such as this—likely related to his oil paintings—indicate that he did observe directly from nature. Such authenticity is common in bird paintings of this date, a reflection of an increasing interest in the natural world, and a scientific drive to observe and classify different species. Cradock's work, however, is notable and distinct from many of his contemporaries in that he chose to depict humble native or farmyard species rather than the exotic birds favoured by artists painting for wealthy, courtly patrons. He preferred to work for those who paid him a daily rate, or for dealers, and—according to the antiquarian George Vertue—shunning the direct patronage of ‘Noblemen or Quality … supposing they wou’d confine his genius to their fancy’. As a result, Cradock's work has an accessible and humble appeal, despite his high accomplishment in oil.\u003c\/p\u003e\u003cp\u003eThis unusual engraving is printed in red-brown ink and appears to be a single-sheet print rather than one of a series reproduced for sale or publication. Although printing in sanguine reached a height of popularity in the 18th century, single colour intaglio prints were in continuous production from the late 15th century onwards. In the 17th-century, intaglio colour printing techniques were particularly practised in Dutch print workshops. Cradock's own bird subjects were influenced by still life paintings of the Dutch Golden Age and artists from or working in the Netherlands, such as Melchior d'Hondecoeter (1636–1695) and Jakob Bogdani (1658–1724). The ink colour in the case of this print was most likely chosen over conventional black for personal artistic reasons, to better represent the birds and possibly the result of artistic experimentation—fitting Cradock's individualist ethos. The extensive hand-colouring of the print further distinguishes the work as unique. Significantly, there is a further graphite sketch on the verso of the paper, which ties the print on the recto to the hand of the original artist.\u003c\/p\u003e\u003cp\u003eCradock died in London in 1717. Soon afterwards some of his works were sold at three or four times the price he had received for them in his lifetime. His oil paintings are now found in a number of public collections, including Tate; Dulwich Picture Gallery; National Trust; Museums Sheffield; and Yale Center for British Art, New Haven.\u003c\/p\u003e\u003cp\u003eOn laid paper, tipped on to backing paper and further backing card.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51998137680201,"sku":"JP-873","price":380.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jp-873.jpg?v=1743183532"},{"product_id":"j-thomson-lady-louisa-jane-russell-sculpture-as-a-young-girl-1826-engraving-jt-068","title":"J. Thomson, Lady Louisa Jane Russell, Sculpture as a Young Girl – 1826 engraving","description":"\u003cp\u003eAn original 1826 engraving print, J. Thomson, Lady Louisa Jane Russell, Sculpture Portrait as a Young Girl.\u003c\/p\u003e\u003cp\u003eA fine steel engraving by James Thomas after an intermediary drawing by Henry Courbold showing the young Lady Louisa Jane Russell in a sculpture portrait. On paper laid down on backing paper.\u003c\/p\u003e\u003cp\u003eAn associated inscription (see photo) gives the provenance of this drawing, given to Mary Twopenny by her cousin David at Little Casterton in 1832. David Twopenny, commoner at Oriel College, Oxford and lifelong Vicar of Stockbury in Kent, was a collector of art (a sale of his collection at Christie’s included an extensive collection of fine engravings after Turner).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017166811465,"sku":"JT-068","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-068.jpg?v=1743497445"},{"product_id":"raphael-facsimile-kneeling-figure-of-a-youth-c-1818-crayon-manner-engraving-jt-078","title":"Raphael Facsimile, Kneeling Figure of a Youth – c.1818 crayon manner engraving","description":"\u003cp\u003eAn original c.1818 engraving print Kneeling Figure of a Youth c.1503, Raphael Facsimile.\u003c\/p\u003e\u003cp\u003eThis early 19th-century crayon manner etching is a facsimile print after a drawing by Raphael (c.1502–3) now in the Ashmolean Museum, Oxford. The figure was initialled interpreted as St Stephen but is now generally thought that the drawing may be a study for a female figure, possibly Mary Magdalene.\u003c\/p\u003e\u003cp\u003eOn paper, trimmed and laid down on backing paper.\u003c\/p\u003e\u003cp\u003eAn associated inscription (see photo) gives the provenance of this drawing, given to Mary Twopenny by her cousin David at Little Casterton in 1832. David Twopenny, commoner at Oriel College, Oxford and lifelong Vicar of Stockbury in Kent, was a collector of art (a sale of his collection at Christie’s included an extensive collection of fine engravings after Turner).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017166909769,"sku":"JT-078","price":88.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-078.jpg?v=1743497448"},{"product_id":"interior-of-christchurch-hall-oxford-early-c19th-hand-coloured-engraving-jt-082","title":"Interior of Christchurch Hall, Oxford – early C19th hand-coloured engraving","description":"\u003cp\u003eAn original early 19th-century engraving print Interior of Christchurch Hall, Oxford.\u003c\/p\u003e\u003cp\u003eA delicately hand-coloured engraving with aquatint from the 'History of Oxford', engraved by J. Bluc after Augustus Charles Pugin.\u003c\/p\u003e\u003cp\u003eTrimmed to the image and laid down on backing paper.\u003c\/p\u003e\u003cp\u003eAn associated inscription (see photo) gives the provenance of this drawing, given to Mary Twopenny by her cousin David at Little Casterton in 1832. David Twopenny, commoner at Oriel College, Oxford and lifelong Vicar of Stockbury in Kent, was a collector of art (a sale of his collection at Christie’s included an extensive collection of fine engravings after Turner).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017166975305,"sku":"JT-082","price":88.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-082.jpg?v=1743497448"},{"product_id":"w-h-egleton-after-j-hayter-the-heiress-original-1849-engraving-print-ju-491","title":"W.H. Egleton after J.Hayter, The Heiress – Original 1849 engraving print","description":"\u003cp\u003eAn original 1849 engraving print, W.H. Egleton after J.Hayter, The Heiress.\u003c\/p\u003e\u003cp\u003eA charming subject.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017570054473,"sku":"JU-491","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ju-491.jpg?v=1743500564"},{"product_id":"album-heraldique-crests-mottos-in-linear-grid-designc19th-engraving-drawing-jx-011","title":"Album Héraldique Crests \u0026 Mottos in Linear Grid Design–C19th engraving \u0026 drawing","description":"\u003cp\u003eAn original mid-19th-century sheet of colour-engraved printed crests laid down on backing paper, with hand-drawn setting design.\u003c\/p\u003e\u003cp\u003eThe collecting of crests in albums, known as Albums Héraldiques, was a popular Victorian pastime from around 1862. The small colour printed crests, arms and monograms would be cut from 'crested stationery' (letterheads, notepaper and envelope flaps), which made its appearance in England after the introduction of uniform penny postage in 1840. Crests also began to be produced specifically for collectors, with series and sets on particular themes, such as army regiments and ships of the royal navy, arms and crests of peers and bishops, arms of schools, universities and city companies.\u003c\/p\u003e\u003cp\u003eThis colourful sheet deviates from a usual Victorian Album Héraldique sheet in that the setting designed for the printed crests is entirely hand-drawn; the resulting image therefore has particular hand-crafted charm and a much more personal connection to its collector\/maker. This sheet would be an interesting addition to a decorative scheme, whilst also being a fascinating artefact in relation to British heraldry and Victorian crafting.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018246484297,"sku":"JX-011","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-011.jpg?v=1743504867"},{"product_id":"henry-robinson-walter-scotts-clara-de-clare-1830s-engraving-print-jz-541","title":"Henry Robinson, Walter Scott's Clara de Clare – 1830s engraving print","description":"\u003cp\u003eAn original 1830s engraving print, Henry Robinson, Walter Scott's Clara de Clare after Thomas Phillips.\u003c\/p\u003e\u003cp\u003eHand-coloured stipple engraving after Thomas Phillips's illustration to Sir Walter Scott's Marmion: A Tale of Flodden Field.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019760562505,"sku":"JZ-541","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-541.jpg?v=1743510832"},{"product_id":"vienna-secession-ex-libris-bookplate-for-charles-feleky-c-1910s-photogravure-jz-639","title":"Vienna Secession Ex Libris Bookplate for Charles Feleky –c.1910s photogravure","description":"\u003cp\u003eAn original c.1910s engraving print Vienna Secession Ex Libris Bookplate for Charles Feleky.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around the 1910s and associated with the Vienna Secession movement.\u003c\/p\u003e\u003cp\u003eThe design shows a Star of David above a musical score and the inscription 'Musica lingua est omnium hominum (Music is the universal language).\u003c\/p\u003e\u003cp\u003eThe bookplate was designed for a Charles Felenky, possibly the actor Charles Felenky who joined the exclusive club for theatre people in New York, the 'Lambs'.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019761611081,"sku":"JZ-639","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-639.jpg?v=1743510851"},{"product_id":"jean-duplessis-bertaux-battle-of-the-granicus-river-early-c19th-engraving-jz-834","title":"Jean Duplessis-Bertaux, Battle of the Granicus River – early C19th engraving","description":"\u003cp\u003eAn original early 19th-century engraving print, Jean Duplessis-Bertaux, Battle of the Granicus River.\u003c\/p\u003e\u003cp\u003eEngraved by Jean Duplessis-Bertaux (1747–1819) after Charles Le Brun (1619–1690).\u003c\/p\u003e\u003cp\u003eOn card.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019770556745,"sku":"JZ-834","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-834.jpg?v=1743510978"},{"product_id":"royal-victorian-sussex-hotel-tunbridge-wells-kent-original-1840-engraving-print-ka-146","title":"Royal Victorian \u0026 Sussex Hotel, Tunbridge Wells, Kent – 1840 engraving print","description":"\u003cp\u003eAn original 1840 engraving print Royal Victorian \u0026amp; Sussex Hotel, Tunbridge Wells, Kent.\u003c\/p\u003e\u003cp\u003eAn interesting engraving showing the Royal Victoria and Sussex Hotel at Tunbridge Wells. Formerly the 'Sussex Hotel', the name changed after a visit of the Duchess of Kent and the future Queen Victoria in 1834.\u003c\/p\u003e\u003cp\u003eOn watermarked 1840 wove paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020350779721,"sku":"KA-146","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-146.jpg?v=1743514086"},{"product_id":"a-mcclatchy-asylum-for-female-orphans-westminster-original-1828-engraving-print-ka-166","title":"A. McClatchy, Asylum For Female Orphans, Westminster – 1828 engraving print","description":"\u003cp\u003eAn original 1828 engraving print, A. McClatchy, Asylum For Female Orphans, Westminster.\u003c\/p\u003e\u003cp\u003eThe female orphan asylum, Westminster Bridge Road, Lambeth. Hand-coloured engraving by A. McClatchy after T. H. Shepherd, 1828.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020356481353,"sku":"KA-166","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-166.jpg?v=1743514107"},{"product_id":"carl-linnaeus-equipped-for-his-tour-of-lapland-original-c-1805-engraving-print-ka-168","title":"Carl Linnaeus Equipped for His Tour of Lapland – Original c.1805 engraving print","description":"\u003cp\u003eAn original c.1805 engraving print Carl Linnaeus Equipped for His Tour of Lapland.\u003c\/p\u003e\u003cp\u003eCarl Linnaeus (1707–1778) was a Swedish zoologist, botanist and taxonomist, most famous for inventing the binomial nomenclature. This was the first formal system to classify the natural world and it is still used today. In 1732, Linnaeus travelled to Lapland to find new plants, animals, and minerals. Linnaeus was also interested in studying the culture of the Sámi people.\u003c\/p\u003e\u003cp\u003eIn this portrait, he is pictured wearing elements of traditional Sámi winter clothing made of reindeer skin and fur. The engraving is based on a portrait by Martin Hoffman, painted in Hartecamp in the Netherlands, 1737.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020357464393,"sku":"KA-168","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-168.jpg?v=1743514112"},{"product_id":"curtiss-botanical-magazine-white-crassula-1816-hand-coloured-engraving-print-kb-728","title":"Curtis's Botanical Magazine, White Crassula – 1816 Hand-coloured Engraving Print","description":"\u003cp\u003eAn original 1816 engraving print White Crassula (Crassula Lactea).\u003c\/p\u003e\u003cp\u003eA beautiful original hand-coloured botanical print from Curtis's Botanical Magazine, 1816.\u003c\/p\u003e\u003cp\u003e No.1771 from Volume 43. Copper engraving coloured by hand in watercolour. Engraved by a member of the Weddell family of early 19th-century botanical engravers (Henry Hopkins Weddell (1794–1838) and his brother Edward Smith Weddell (1796–1858)).\u003c\/p\u003e\u003cp\u003eThe engraving is accompanied by its original printed description, giving its Latin name and classification details, along with a short summary about the species.\u003c\/p\u003e\u003cp\u003eA beautiful piece of botanical illustration history.\u003c\/p\u003e\u003cp\u003eOne of a collection that we have for sale, this print would look superb framed alongside others in the series.\u003c\/p\u003e\u003cp\u003eAll prints in the series are the same sheet size: 21.5 x 13cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021490942281,"sku":"KB-728","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-728.jpg?v=1743521049"},{"product_id":"curtiss-botanical-magazine-vipers-bugloss-1816-hand-coloured-engraving-print-kb-729","title":"Curtis's Botanical Magazine, Viper's-Bugloss –1816 Hand-coloured Engraving Print","description":"\u003cp\u003eAn original 1816 engraving print Lesser Shrubby Viper's-Bugloss (Echium Fruticosum).\u003c\/p\u003e\u003cp\u003eA beautiful original hand-coloured botanical print from Curtis's Botanical Magazine, 1816.\u003c\/p\u003e\u003cp\u003e No.1772 from Volume 43. Copper engraving coloured by hand in watercolour. Engraved by a member of the Weddell family of early 19th-century botanical engravers (Henry Hopkins Weddell (1794–1838) and his brother Edward Smith Weddell (1796–1858)).\u003c\/p\u003e\u003cp\u003eThe engraving is accompanied by its original printed description, giving its Latin name and classification details, along with a short summary about the species.\u003c\/p\u003e\u003cp\u003eA beautiful piece of botanical illustration history.\u003c\/p\u003e\u003cp\u003eOne of a collection that we have for sale, this print would look superb framed alongside others in the series.\u003c\/p\u003e\u003cp\u003eAll prints in the series are the same sheet size: 21.5 x 13cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021491040585,"sku":"KB-729","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-729.jpg?v=1743521053"},{"product_id":"curtiss-botanical-magazine-shining-elichrysum-1816-hand-coloured-engraving-kb-730","title":"Curtis's Botanical Magazine, Shining Elichrysum – 1816 Hand-coloured Engraving","description":"\u003cp\u003eAn original 1816 engraving print Shining Elichrysum (Elichryum Splendens).\u003c\/p\u003e\u003cp\u003eA beautiful original hand-coloured botanical print from Curtis's Botanical Magazine, 1816.\u003c\/p\u003e\u003cp\u003e No.1773 from Volume 43. Copper engraving coloured by hand in watercolour. Engraved by a member of the Weddell family of early 19th-century botanical engravers (Henry Hopkins Weddell (1794–1838) and his brother Edward Smith Weddell (1796–1858)).\u003c\/p\u003e\u003cp\u003eThe engraving is accompanied by its original printed description, giving its Latin name and classification details, along with a short summary about the species.\u003c\/p\u003e\u003cp\u003eA beautiful piece of botanical illustration history.\u003c\/p\u003e\u003cp\u003eOne of a collection that we have for sale, this print would look superb framed alongside others in the series.\u003c\/p\u003e\u003cp\u003eAll prints in the series are the same sheet size: 21.5 x 13cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021491204425,"sku":"KB-730","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-730.jpg?v=1743521054"},{"product_id":"curtiss-botanical-magazine-tartarian-hearts-ease-1816-handcoloured-engraving-kb-733","title":"Curtis's Botanical Magazine, Tartarian Heart's-Ease –1816 Handcoloured Engraving","description":"\u003cp\u003eAn original 1816 engraving print Tartarian Heart's-Ease (Viola Altaica).\u003c\/p\u003e\u003cp\u003eA beautiful original hand-coloured botanical print from Curtis's Botanical Magazine, 1816.\u003c\/p\u003e\u003cp\u003e No.1776 from Volume 43. Copper engraving coloured by hand in watercolour on 1813 watermarked paper. Engraved by a member of the Weddell family of early 19th-century botanical engravers (Henry Hopkins Weddell (1794–1838) and his brother Edward Smith Weddell (1796–1858)).\u003c\/p\u003e\u003cp\u003eThe engraving is accompanied by its original printed description, giving its Latin name and classification details, along with a short summary about the species.\u003c\/p\u003e\u003cp\u003eA beautiful piece of botanical illustration history.\u003c\/p\u003e\u003cp\u003eOne of a collection that we have for sale, this print would look superb framed alongside others in the series.\u003c\/p\u003e\u003cp\u003eAll prints in the series are the same sheet size: 21.5 x 13cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021491630409,"sku":"KB-733","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-733.jpg?v=1743521063"},{"product_id":"curtiss-botanical-magazine-cut-leaved-mullein-1816-hand-coloured-engraving-kb-734","title":"Curtis's Botanical Magazine, Cut-Leaved Mullein – 1816 Hand-coloured Engraving","description":"\u003cp\u003eAn original 1816 engraving print Cut-Leaved Mullein (Verbascum Bipinnatifidum)).\u003c\/p\u003e\u003cp\u003eA beautiful original hand-coloured botanical print from Curtis's Botanical Magazine, 1816.\u003c\/p\u003e\u003cp\u003e No.1777 from Volume 43. Copper engraving coloured by hand in watercolour. Engraved by a member of the Weddell family of early 19th-century botanical engravers (Henry Hopkins Weddell (1794–1838) and his brother Edward Smith Weddell (1796–1858)).\u003c\/p\u003e\u003cp\u003eThe engraving is accompanied by its original printed description, giving its Latin name and classification details, along with a short summary about the species.\u003c\/p\u003e\u003cp\u003eA beautiful piece of botanical illustration history.\u003c\/p\u003e\u003cp\u003eOne of a collection that we have for sale, this print would look superb framed alongside others in the series.\u003c\/p\u003e\u003cp\u003eAll prints in the series are the same sheet size: 21.5 x 13cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021491695945,"sku":"KB-734","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-734.jpg?v=1743521064"},{"product_id":"curtiss-botanical-magazine-missouri-tobacco-1816-hand-coloured-engraving-kb-735","title":"Curtis's Botanical Magazine, Missouri Tobacco – 1816 Hand-coloured Engraving","description":"\u003cp\u003eAn original 1816 engraving print Missouri Tobacco (Nicotiana Quadrivalvis).\u003c\/p\u003e\u003cp\u003eA beautiful original hand-coloured botanical print from Curtis's Botanical Magazine, 1816.\u003c\/p\u003e\u003cp\u003e No.1778 from Volume 43. Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour on 1813 watermarked paper. 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Copper engraving coloured by hand in watercolour. Engraved by a member of the Weddell family of early 19th-century botanical engravers (Henry Hopkins Weddell (1794–1838) and his brother Edward Smith Weddell (1796–1858)).\u003c\/p\u003e\u003cp\u003eThe engraving is accompanied by its original printed description, giving its Latin name and classification details, along with a short summary about the species.\u003c\/p\u003e\u003cp\u003eA beautiful piece of botanical illustration history.\u003c\/p\u003e\u003cp\u003eOne of a collection that we have for sale, this print would look superb framed alongside others in the series.\u003c\/p\u003e\u003cp\u003eAll prints in the series are the same sheet size: 21.5 x 13cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021495103817,"sku":"KB-742","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-742.jpg?v=1743521079"},{"product_id":"curtiss-botanical-magazine-purple-cineraria-1816-hand-coloured-engraving-kb-743","title":"Curtis's Botanical Magazine, Purple Cineraria – 1816 Hand-coloured Engraving","description":"\u003cp\u003eAn original 1816 engraving print Purple-Flowered Cineraria (Cineraria Aurita).\u003c\/p\u003e\u003cp\u003eA beautiful original hand-coloured botanical print from Curtis's Botanical Magazine, 1816.\u003c\/p\u003e\u003cp\u003e No.1786 from Volume 43. Copper engraving coloured by hand in watercolour. Engraved by a member of the Weddell family of early 19th-century botanical engravers (Henry Hopkins Weddell (1794–1838) and his brother Edward Smith Weddell (1796–1858)).\u003c\/p\u003e\u003cp\u003eThe engraving is accompanied by its original printed description, giving its Latin name and classification details, along with a short summary about the species.\u003c\/p\u003e\u003cp\u003eA beautiful piece of botanical illustration history.\u003c\/p\u003e\u003cp\u003eOne of a collection that we have for sale, this print would look superb framed alongside others in the series.\u003c\/p\u003e\u003cp\u003eAll prints in the series are the same sheet size: 21.5 x 13cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021495202121,"sku":"KB-743","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-743.jpg?v=1743521083"},{"product_id":"curtiss-botanical-magazine-taurian-comfrey-1816-hand-coloured-engraving-print-kb-744","title":"Curtis's Botanical Magazine, Taurian Comfrey –1816 Hand-coloured Engraving Print","description":"\u003cp\u003eAn original 1816 engraving print Taurian Comfrey (Symphytum Tauricum).\u003c\/p\u003e\u003cp\u003eA beautiful original hand-coloured botanical print from Curtis's Botanical Magazine, 1816.\u003c\/p\u003e\u003cp\u003e No.1787 from Volume 43. Copper engraving coloured by hand in watercolour. Engraved by a member of the Weddell family of early 19th-century botanical engravers (Henry Hopkins Weddell (1794–1838) and his brother Edward Smith Weddell (1796–1858)).\u003c\/p\u003e\u003cp\u003eThe engraving is accompanied by its original printed description, giving its Latin name and classification details, along with a short summary about the species.\u003c\/p\u003e\u003cp\u003eA beautiful piece of botanical illustration history.\u003c\/p\u003e\u003cp\u003eOne of a collection that we have for sale, this print would look superb framed alongside others in the series.\u003c\/p\u003e\u003cp\u003eAll prints in the series are the same sheet size: 21.5 x 13cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021495267657,"sku":"KB-744","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-744.jpg?v=1743521086"},{"product_id":"curtiss-botanical-magazine-carthamus-stobaea-1816-hand-coloured-engraving-kb-745","title":"Curtis's Botanical Magazine, Carthamus Stobaea – 1816 Hand-coloured Engraving","description":"\u003cp\u003eAn original 1816 engraving print Carthamus-Like Stobaea (Stobaea Pinnata).\u003c\/p\u003e\u003cp\u003eA beautiful original hand-coloured botanical print from Curtis's Botanical Magazine, 1816.\u003c\/p\u003e\u003cp\u003e No.1788 from Volume 43. Copper engraving coloured by hand in watercolour. 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Radclyffe after Thomas H. Shepherd, Villa in Regent's Park – 1828 engraving","description":"\u003cp\u003eAn original 1828 engraving print, W. 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He exhibited 1860–89 at the Royal Academy in London, in Suffolk Street and at the British Institution. He also produced illustrations for a number of books, including 'A Royal Warren, or Picturesque Rambles in the Isle of Purbeck', 'A History of Dorset', and for 'The Portfolio' magazine.\u003c\/p\u003e\u003cp\u003eOn watermarked laid paper. One of a pair that we have for sale (see KB-844).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021507096905,"sku":"KB-831","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-831.jpg?v=1743521218"},{"product_id":"alfred-dawson-godstow-lock-nunnery-oxford-late-19th-century-engraving-print-kb-844","title":"Alfred Dawson, Godstow Lock \u0026 Nunnery, Oxford –late 19th-century engraving print","description":"\u003cp\u003eAn original late 19th-century engraving print, Alfred Dawson, Godstow Lock \u0026amp; Nunnery, Oxford.\u003c\/p\u003e\u003cp\u003eA charming view of Godstow Lock and Nunnery in Oxfordshire etched by Alfred Dawson (1843–1931).\u003c\/p\u003e\u003cp\u003ePainter and etcher Alfred Dawson was son of the painter Henry Dawson (1811–1878). He exhibited 1860–89 at the Royal Academy in London, in Suffolk Street and at the British Institution. 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At least one of the prints is from the 1814 publication on Persia by the French orientalist, philologist, and secretary at the Ministry of Foreign Affairs, Amable Jourdain (1788–1818), 'La Perse ou tableau de l'histoire...'.\u003c\/p\u003e\u003cp\u003eHandcoloured stipple engravings with mezzotint. Each print measures approx. 6.5 x 10cm.\u003c\/p\u003e\u003cp\u003eThe prints are corner mounted on a folded cream backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":53879162143049,"sku":"KD-174","price":128.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-174.jpg?v=1771336889"},{"product_id":"elisabetta-sirani-cupid-burning-armour-original-1782-engraving-print-kd-444","title":"Charles White after Elisabetta Sirani, Cupid Burning Armour – 1782 engraving print","description":"\u003cp\u003eAn original 1782 engraving print – Charles White after Elisabetta Sirani, Cupid Burning Armour.\u003c\/p\u003e\u003cp\u003eA rare engraving after a painting by the 17th-century Italian painter Elisabetta Sirani (1638-1665), 'Cupid Burning Armour, In the Gallery at Houghton'. 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There is a charming short poetic verse pasted under the flowers.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54203097973065,"sku":"KD-404","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-404.jpg?v=1776264578"},{"product_id":"alexander-biakske-vienna-secession-ex-libris-bookplate-for-mundi-ida-fleischer-original-c-1910-engraving-print-kd-503","title":"Vienna Secession Ex Libris Bookplate for Mundi \u0026 Ida Fleischer – c.1910 engraving","description":"\u003cp\u003eAn original c.1910 engraving print – Alexander Biakske, Vienna Secession Ex Libris Bookplate for Mundi \u0026amp; Ida Fleischer.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around 1910 and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by Alexander Biakske for Mundi \u0026amp; Ida Fleischer.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290436686153,"sku":"KD-503","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-503.jpg?v=1777476091"},{"product_id":"erhard-amadeus-dier-vienna-secession-ex-libris-bookplate-for-hans-tomaschek-von-stradowa-original-1916-engraving-print-kd-505","title":"Vienna Secession Ex Libris Bookplate by Erhard Amadeus-Dier – 1916 engraving","description":"\u003cp\u003eAn original 1916 engraving print – Erhard Amadeus-Dier, Vienna Secession Ex Libris Bookplate for Hans Tomaschek von Stradowa.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from 1916 and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by Erhard Amadeus-Dier for Hans Tomaschek von Stradowa.\u003c\/p\u003e\u003cp\u003eErhard Amadeus-Dier (1893–1969) was an Austrian painter, graphic artist, designer and composer who fought in the underground resistance movement during World War II. He was the designer of the Austrian Schilling banknotes from 1949 to 1954.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290443829577,"sku":"KD-505","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-505.jpg?v=1777476144"},{"product_id":"alfred-cossmann-vienna-secession-beethoven-ex-libris-bookplate-for-caroline-freifrau-von-dalberg-original-1910-engraving-print-kd-500","title":"Vienna Secession Ex Libris Beethoven Bookplate by Alfred Cossmann – 1910 engraving","description":"\u003cp\u003eAn original 1910 engraving print – Alfred Cossmann, Vienna Secession Beethoven Ex Libris Bookplate for Caroline Freifrau von Dalberg.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from 1910 and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by the Austrian artist and printmaker Alfred Cossmann (1870–1951) for Caroline Freifrau von Dalberg. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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Copper engraving coloured by hand in watercolour. 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