Anon. Coastal View

Regular Price
€55,95
Sale Price
€55,95
Regular Price
Sold
Unit Price
per 

An original early 19th-century watercolour painting Coastal View.

A beautiful wide-format landscape watercolour by an unknown hand. Although the artist is unidentified, this was evidently someone of considerable talent, working in a style that was innovative for its time.

This painting is one of a collection by the artist, some of which are particularly loose and impressionistic in technique: a virtuoso interpretation of Alexander Cozens's (1717–1786) radical blot method, whereby pupils were encouraged to compose their own imaginary 'poetic' drawings based on marks made in ink and watercolour. John Varley studied Cozens's drawings and from the 1830s also produced many small, imaginary landscape sketches in the blot method.

Provenance: from an album of watercolours by the same hand gifted to Agnes Minna Pearson (b.1834) by 'the adorable authoress née Lister'. Glue marks on the back of the watercolours indicate that they were previously mounted in another earlier album. One of the watercolours bears the watermark Turkey Mill Kent, possibly dating that paper to around 1819.

The corners of the paper are clipped as shown. Please note the small size of this artwork.

+ Read the S&W Collection Research

Miniature Landscape Watercolours: Agnes Minna Pearson Album

This beautiful watercolour forms part of an intriguing collection of works that we have for sale by the same hand. The artist's subjects range from English cottages and rural vistas with horse and cart, to small coastal scenes and seascapes, to Italianate (Turner-esque) views, moonlit landscapes and church interiors. Although some of the subjects may be observed topographies, the emphasis of the collection is on painting technique and recurring motifs: Italianate pine trees and silhouetted ruins, drinking cattle, rural houses and churches. Most important are the conditions of weather and light: storm clouds and rainbow (a motif used by Constable, Turner and Cox amongst others), sunset and moonlight, and attention to skies evocative of Constable.

The paintings combine watercolour wash, brown ink, and bodycolour in white and—distinctively—in blue. The artist also plays with positive and negative space in the moonlit scenes.

The collection comes from an album of watercolours by the same hand gifted to Agnes Minna Pearson (b.1834) by 'the adorable authoress née Lister'. Glue marks on the back of the watercolours indicate that they were previously mounted in another earlier album. One of the watercolours bears the watermark Turkey Mill Kent, possibly dating that paper to around 1819.

Agnes Minna Pearson was daughter of Henry Shepherd Pearson (1776–1840) and his wife Caroline Lyons (daughter of John Lyons of Antigua). Henry Shepherd Pearson was acting Governor of Penang from 1807 to 1808. Both sides of the family held senior positions in the navy, army and diplomatic service, including Agnes's grandfather Captain Sir Richard Pearson and her uncle Admiral Richard Pearson. An aunt on her mother's side, Catherine Lyons (1794–1857), was an artist. (We also have a collection of pictures penned by Agnes's sister Augusta.)

In 1867 Agnes married Richard Lister Venables, twenty-five years her senior, who was a friend at Cambridge of Charles Darwin. Richard had escorted Agnes and her sister Caroline to Westminster Abbey for the funeral of the Duke of Wellington in 1852. From 1865 to 1872 Richard had his curate at Clyro in Radnorshire, the parish of the famous diarist Rev. Francis Kilvert. There are a number of mentions of the family in the Kilvert diaries. It seems likely that the 'adorable authoress née Lister' who gifted Agnes the watercolours is connected with Richard Lister Venables.

+ Artwork Details

Dimensions: Height: 6.9cm (2.72") Width: 14.1cm (5.55")

Presented: Unframed.

Medium: Watercolour

Age: Early 19th-century

Signed: No.

Inscribed: No.

Dated: --

Condition: In good condition for its age. The picture may have minor imperfections such as slight marks, toning, foxing, creasing or pinholes, commensurate with age. Please see photos for detail.There are historic adhesive marks and/or paper remnants to the verso, from previous mounting.

Stock number: JX-824