Indian Company School Mica Paintings – Set of 23 Trades, Occupations & Ascetics, 19th-century

Indian Mica Paintings

'Company School' refers to a variety of hybrid styles that came about through the influence of Western (especially British) patrons on Indian artists in the 18th and early 19th centuries. Finding traditional, stylised Indian painting not to their taste, these patrons began to collect works that, while incorporating traditional elements from Rajput and Mughal painting were given a more 'western' appearance through their use of perspective and rounded modelling, as opposed to the more decorative, 'flatter' styles that had gone before.

The Company style evolved to meet this demand: as many of their collectors worked for the East India Company, these paintings became associated with the name. Leading centres of the Company style were the main British settlements of Calcutta, Madras (Chennai), Delhi, Lucknow and Patna.

Europeans commissioned sets of images depicting festivals and scenes from Indian life, with people of different castes or trades being particular favourite subjects, as well as dancers and musicians. Collectors were particularly attracted to what were perceived to be the exotic customs, costumes and architecture of their adopted—and in many cases temporary—homeland.

Mica is a transparent mineral which is found throughout south India. The mica is formed between strata of granite, and the transparency of the material is a result of the heat and pressure created between layers of rock. Mica consists of many interlocking platelets, resulting in a laminar structure which can be split easily into thin sheets.

The appeal of mica as a support for painting is due to its very smooth surface: the paint sits on it without sinking in, making the colours very intense. Mica is a very brittle substance, however, meaning that it is relatively rare to find examples in perfect condition.