{"title":"Original Prints","description":"","products":[{"product_id":"bennett-old-town-antibes-cote-d-azur-early-20th-century-etching-print-jk-655","title":"Bennett, Old Town, Antibes, Côte d’Azur – Early 20th-century etching print","description":"\u003cp\u003eAn original early 20th-century etching print, Bennett, Old Town, Antibes, Côte d’Azur.\u003c\/p\u003e\u003cp\u003eAn interesting etching showing two figures beside old buidlings at Antibes on France's Cote d'Azur. On laid paper with watermark F.G. Head \u0026amp; Co.\u003c\/p\u003e\u003cp\u003ePlate: 25 x 27.5cm. Sheet: 29 x 23cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51994407338313,"sku":"JK-655","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jk-655.jpg?v=1743166068"},{"product_id":"12-prints-to-mark-the-centenary-of-the-royal-aeronautical-society-1966-jk-787","title":"12 prints to mark the Centenary of the Royal Aeronautical Society 1966","description":"\u003cp\u003e12 prints from the Collections of the Royal Aeronautical Society reproduced by the Society to mark its Centenary 1966.\u003c\/p\u003e\u003cp\u003eThis interesting set of twelves prints were produced from the Collection of the Royal Aeronautical Society to mark the Centenary of the Society in 1966. Subjects include, amongst others, 'The Beginnings of Aerial Reconnaissance 1794', 'The First Balloons 1783-84' and 'Doctor Miller's Design for an Ornithopter 1843'. Ten of the twelve prints have their original coversheet too, on thin tissue paper, giving a description of the scene depicted (two of these sheets are missing). The set comes with an overall cover sheet, which appears to have been cut in half.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51994442039625,"sku":"JK-787","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jk-787.jpg?v=1743166260"},{"product_id":"francesco-bartolozzi-ra-after-cipriani-four-putti-original-1787-etching-print-jl-677","title":"Francesco Bartolozzi RA after Cipriani, Four Putti – Original 1787 etching print","description":"\u003cp\u003eAn original 1787 etching print, Francesco Bartolozzi RA, Four Putti.\u003c\/p\u003e\u003cp\u003eA beautiful etching by Francesco Bartolozzi RA (1728–1815) after a drawing by Giovanni Battista Cipriani (1727–1785). Lettered in the plate 'G.B. Cipriani inv. F. Bartolozzi sculp. London Pub as the act directs Mar.h 1.t 1787 by F. Bartolozzi'. Etching and stipple engraving. \u003c\/p\u003e\u003cp\u003eThe sheet has been laid down on card, adhered at the corners and centre. There are pencil inscriptions on the back which appear to relate to framing, and partial inscriptions visible at the lower edge of the sheet, as shown.\u003c\/p\u003e\u003cp\u003eSheet: 25.2 x 31.3cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51994978713929,"sku":"JL-677","price":78.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jl-677.jpg?v=1743169530"},{"product_id":"j-roberts-after-j-chatelain-south-west-view-willsdon-church-c-1750-engraving-jl-678","title":"J. Roberts after J. Chatelain, South West View Willsdon Church –c.1750 engraving","description":"\u003cp\u003eAn original c.1750 engraving print, J. Roberts, South West View of Willsdon Church.\u003c\/p\u003e\u003cp\u003eThis 18th-century view of Willesden Church derives from a set of fifty views of churches and villages that surrounded early Georgian London, drawn by topographical draughtsman Jean Chatelain (1710–1758), and engraved by James Roberts (1725–1799). The full set was first published by Henry Roberts in around 1750 under the title: 'Fifty small original, and elegant views of the most splendid churches, villages, rural prospects. and masterly pieces of architecture, adjacent to London'.\u003c\/p\u003e\u003cp\u003eThe print has been laid down on backing paper, with the addition of a wash line border. The backing paper has then been laid down, at a later date, on backing card.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51994978779465,"sku":"JL-678","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jl-678.jpg?v=1743169531"},{"product_id":"bauer-und-bauerin-aus-biestow-bei-rostock-1840-hand-coloured-lithograph-print-jm-396","title":"Bauer und Bäuerin aus Biestow bei Rostock – 1840 hand-coloured lithograph print","description":"\u003cp\u003eAn original 1840 lithograph print, Bauer und Bäuerin aus Biestow bei Rostock.\u003c\/p\u003e\u003cp\u003eAn interesting hand-coloured lithograph by J.G. Tiedmann dating from around 1840 showing the two farmers in traditional dress from the area of Biestow in Germany.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51995905917257,"sku":"JM-396","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jm-396.jpg?v=1743173641"},{"product_id":"cobbler-after-adriaen-van-ostade-original-mid-19th-century-mezzotint-print-jm-398","title":"Cobbler after Adriaen van Ostade – Original mid-19th-century mezzotint print","description":"\u003cp\u003eAn original mid-19th-century mezzotint print Cobbler after Adriaen van Ostade.\u003c\/p\u003e\u003cp\u003eA hand-coloured mezzotint after Adriaen van Ostade's 17th century painting. Trimmed to the image.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51995906015561,"sku":"JM-398","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jm-398.jpg?v=1743173642"},{"product_id":"dieppe-establissement-du-bains-de-mer-1859-hand-coloured-lithograph-print-jn-076","title":"Dieppe; establissement du bains de mer – 1859 hand-coloured lithograph print","description":"\u003cp\u003eAn original 1859 lithograph print Dieppe; establissement du bains de mer.\u003c\/p\u003e\u003cp\u003eThis interesting hand-coloured lithograph shows the popular seaside resort of Dieppe in the 1850s.\u003c\/p\u003e\u003cp\u003eThe popularity of sea baths for therapeutic purposes reached France at the end of the 18th century, and between 1809 and 1812 bathing was first established in Dieppe. It was not until 1822 that the real first 'bathing establishment' of France was installed on the beach, along with a bathroom with triumphal arch and pavilions, and wooden pontoons leading directly to the beach. By 1859, the date of this print, sea bathing was in full vogue, made especially popular in Dieppe by illustrious visitors including the Marie-Caroline, Duchess of Berry, in the 1820s, and Queen Hortense de Beauharnais (1783–1837).\u003c\/p\u003e\u003cp\u003eTrimmed to the image and laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51997241049417,"sku":"JN-076","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jn-076.jpg?v=1743178502"},{"product_id":"attrib-marmaduke-cradock-chickens-17th-century-engraving-with-watercolour-jp-873","title":"Attrib. Marmaduke Cradock, Chickens – 17th-century engraving with watercolour","description":"\u003cp\u003eAn original 17th-century engraving print, Attrib. Marmaduke Cradock, Chickens.\u003c\/p\u003e\u003cp\u003eAn intriguing hand-coloured engraving attributed to the 17th-century English painter of birds and animals Marmaduke Cradock (1660–1716). This is one of a pair of works attributed to Cradock that we have for sale with the provenance of William Drummond (Covent Garden Gallery, London), the renowned British drawings and watercolours dealer. The card mount bears an inscription in Drummond's hand, 'give to BM' (British Museum). There are to date only four known drawings by Cradock, three of which are in the British Museum, and two of which are in watercolour over graphite. All are studies of fowl and relatively small in scale, similar to the present study (see BM 1863,0110.232, 1863,0110.233 and 1863,0110.234, all thought to be Ex. Collection of John Henderson).\u003c\/p\u003e\u003cp\u003eMarmaduke Cradock (1660–1716) was born in Somerton, Somerset and moved to London, where he was apprenticed to a house-painter. He was, however, self-taught as an artist, specialising in bird and animal subjects. He depicted individual birds with great accuracy, and studies such as this—likely related to his oil paintings—indicate that he did observe directly from nature. Such authenticity is common in bird paintings of this date, a reflection of an increasing interest in the natural world, and a scientific drive to observe and classify different species. Cradock's work, however, is notable and distinct from many of his contemporaries in that he chose to depict humble native or farmyard species rather than the exotic birds favoured by artists painting for wealthy, courtly patrons. He preferred to work for those who paid him a daily rate, or for dealers, and—according to the antiquarian George Vertue—shunning the direct patronage of ‘Noblemen or Quality … supposing they wou’d confine his genius to their fancy’. As a result, Cradock's work has an accessible and humble appeal, despite his high accomplishment in oil.\u003c\/p\u003e\u003cp\u003eThis unusual engraving is printed in red-brown ink and appears to be a single-sheet print rather than one of a series reproduced for sale or publication. Although printing in sanguine reached a height of popularity in the 18th century, single colour intaglio prints were in continuous production from the late 15th century onwards. In the 17th-century, intaglio colour printing techniques were particularly practised in Dutch print workshops. Cradock's own bird subjects were influenced by still life paintings of the Dutch Golden Age and artists from or working in the Netherlands, such as Melchior d'Hondecoeter (1636–1695) and Jakob Bogdani (1658–1724). The ink colour in the case of this print was most likely chosen over conventional black for personal artistic reasons, to better represent the birds and possibly the result of artistic experimentation—fitting Cradock's individualist ethos. The extensive hand-colouring of the print further distinguishes the work as unique. Significantly, there is a further graphite sketch on the verso of the paper, which ties the print on the recto to the hand of the original artist.\u003c\/p\u003e\u003cp\u003eCradock died in London in 1717. Soon afterwards some of his works were sold at three or four times the price he had received for them in his lifetime. His oil paintings are now found in a number of public collections, including Tate; Dulwich Picture Gallery; National Trust; Museums Sheffield; and Yale Center for British Art, New Haven.\u003c\/p\u003e\u003cp\u003eOn laid paper, tipped on to backing paper and further backing card.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51998137680201,"sku":"JP-873","price":380.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jp-873.jpg?v=1743183532"},{"product_id":"the-young-commodore-original-early-19th-century-lithograph-print-jr-908","title":"The Young Commodore – Original early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print The Young Commodore.\u003c\/p\u003e\u003cp\u003eA captivating child portrait with a young boy dressed as a naval commodore.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52011865669961,"sku":"JR-908","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jr-908.jpg?v=1743422274"},{"product_id":"j-thomson-lady-louisa-jane-russell-sculpture-as-a-young-girl-1826-engraving-jt-068","title":"J. Thomson, Lady Louisa Jane Russell, Sculpture as a Young Girl – 1826 engraving","description":"\u003cp\u003eAn original 1826 engraving print, J. Thomson, Lady Louisa Jane Russell, Sculpture Portrait as a Young Girl.\u003c\/p\u003e\u003cp\u003eA fine steel engraving by James Thomas after an intermediary drawing by Henry Courbold showing the young Lady Louisa Jane Russell in a sculpture portrait. On paper laid down on backing paper.\u003c\/p\u003e\u003cp\u003eAn associated inscription (see photo) gives the provenance of this drawing, given to Mary Twopenny by her cousin David at Little Casterton in 1832. David Twopenny, commoner at Oriel College, Oxford and lifelong Vicar of Stockbury in Kent, was a collector of art (a sale of his collection at Christie’s included an extensive collection of fine engravings after Turner).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017166811465,"sku":"JT-068","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-068.jpg?v=1743497445"},{"product_id":"raphael-facsimile-kneeling-figure-of-a-youth-c-1818-crayon-manner-engraving-jt-078","title":"Raphael Facsimile, Kneeling Figure of a Youth – c.1818 crayon manner engraving","description":"\u003cp\u003eAn original c.1818 engraving print Kneeling Figure of a Youth c.1503, Raphael Facsimile.\u003c\/p\u003e\u003cp\u003eThis early 19th-century crayon manner etching is a facsimile print after a drawing by Raphael (c.1502–3) now in the Ashmolean Museum, Oxford. The figure was initialled interpreted as St Stephen but is now generally thought that the drawing may be a study for a female figure, possibly Mary Magdalene.\u003c\/p\u003e\u003cp\u003eOn paper, trimmed and laid down on backing paper.\u003c\/p\u003e\u003cp\u003eAn associated inscription (see photo) gives the provenance of this drawing, given to Mary Twopenny by her cousin David at Little Casterton in 1832. David Twopenny, commoner at Oriel College, Oxford and lifelong Vicar of Stockbury in Kent, was a collector of art (a sale of his collection at Christie’s included an extensive collection of fine engravings after Turner).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017166909769,"sku":"JT-078","price":88.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-078.jpg?v=1743497448"},{"product_id":"interior-of-christchurch-hall-oxford-early-c19th-hand-coloured-engraving-jt-082","title":"Interior of Christchurch Hall, Oxford – early C19th hand-coloured engraving","description":"\u003cp\u003eAn original early 19th-century engraving print Interior of Christchurch Hall, Oxford.\u003c\/p\u003e\u003cp\u003eA delicately hand-coloured engraving with aquatint from the 'History of Oxford', engraved by J. Bluc after Augustus Charles Pugin.\u003c\/p\u003e\u003cp\u003eTrimmed to the image and laid down on backing paper.\u003c\/p\u003e\u003cp\u003eAn associated inscription (see photo) gives the provenance of this drawing, given to Mary Twopenny by her cousin David at Little Casterton in 1832. David Twopenny, commoner at Oriel College, Oxford and lifelong Vicar of Stockbury in Kent, was a collector of art (a sale of his collection at Christie’s included an extensive collection of fine engravings after Turner).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017166975305,"sku":"JT-082","price":88.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-082.jpg?v=1743497448"},{"product_id":"battlefield-scene-with-women-mourning-original-19th-century-mezzotint-print-jt-302","title":"Battlefield Scene with Women Mourning – Original 19th-century mezzotint print","description":"\u003cp\u003eAn original 19th-century mezzotint print Battlefield Scene with Women Mourning.\u003c\/p\u003e\u003cp\u003eAn interesting hand-coloured mezzotint, trimmed to the image.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017188733257,"sku":"JT-302","price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-302.jpg?v=1743497530"},{"product_id":"amand-durand-after-sir-george-reid-highland-landscape-c19th-heliogravure-jt-428","title":"Amand-Durand after Sir George Reid, Highland Landscape –C19th heliogravure","description":"\u003cp\u003eAn original late 19th-century etching print, Charles Amand-Durand after Sir George Reid RSA, Highland Landscape.\u003c\/p\u003e\u003cp\u003eA fine heliogravure by Charles Amand-Durand (1831–1905) after the Scottish artist Sir George Reid PPRSA (1841–1913). Amand-Durand was a pioneer in France of making and publishing photogravure (héliogravure) reproductions of engravings and etchings.\u003c\/p\u003e\u003cp\u003eOn watermarked Arches laid paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017205117257,"sku":"JT-428","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-428.jpg?v=1743497560"},{"product_id":"stanley-reece-yellow-lampshade-poppy-flower-1989-watercolour-painting-jt-495","title":"Stanley Reece, Yellow Lampshade Poppy Flower – 1989 watercolour painting","description":"\u003cp\u003eAn original 1989 watercolour painting, Stanley Reece, Yellow Lampshade Poppy Flower (Meconopsis Integrifolia: Papaveraceae).\u003c\/p\u003e\u003cp\u003eThis large and impressive watercolour is by the esteemed English engraver Stanley Reece (1932–c.2010). Dating from around 1989, it is thought to be a study of a plant at Kew Gardens, which Reece would later engrave onto copper-plates. The composition, with decorative calligraphy below, has a strong graphic quality as well as being finely painted and delicately coloured.\u003c\/p\u003e\u003cp\u003eIn watercolour with graphite.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017213374793,"sku":"JT-495","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-495_1.jpg?v=1743497588"},{"product_id":"stanley-reece-himalayan-blue-poppy-flower-1989-watercolour-painting-jt-496","title":"Stanley Reece, Himalayan Blue Poppy Flower – 1989 watercolour painting","description":"\u003cp\u003eAn original 1989 watercolour painting, Stanley Reece, Himalayan Blue Poppy Flower (Meconopsis: Betonicifolia).\u003c\/p\u003e\u003cp\u003eThis large and impressive watercolour is by the esteemed English engraver Stanley Reece (1932–c.2010). Dating from around 1989, it is thought to be a study of a plant at Kew Gardens, which Reece would later engrave onto copper-plates. The composition, with decorative calligraphy below, has a strong graphic quality as well as being finely painted and delicately coloured.\u003c\/p\u003e\u003cp\u003eIn watercolour with graphite.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017214095689,"sku":"JT-496","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-496_1.jpg?v=1743497588"},{"product_id":"arthur-pond-after-parmigianino-holy-family-with-st-john-original-1734-etching-print-jt-555","title":"Arthur Pond after Parmigianino, Holy Family with St John – 1734 etching print","description":"\u003cp\u003eAn original 1734 etching print, Arthur Pond after Parmigianino, Holy Family with St John.\u003c\/p\u003e\u003cp\u003eA fine etching in brown ink produced by the English painter and engraver Arthur Pond (c.1705–1758) after a 16th-century drawing by Francesco Mazzola, also known as Parmigianino (1503–1540). Pond visited Italy in 1725–7 with the painter George Knapton, the painter and poet John Dyer and the antiquary Daniel Wray. This print is from Pond's 1734 series 'Prints in Imitation of Drawings', which he produced in collaboration with George's brother, Charles Knapton, also an artist.\u003c\/p\u003e\u003cp\u003eParmigianino's graphic work was highly sought after and praised in England in the late 18th century. Sir Joshua Reynolds and Benjamin West were avid collectors of Parmigianino's drawings and original prints.\u003c\/p\u003e\u003cp\u003eAn associated inscription (see photo) gives the provenance of this drawing: Given to Mary Twopenny by her cousin David at Little Casterton in 1832. David Twopenny, commoner at Oriel College, Oxford and lifelong Vicar of Stockbury in Kent, was a collector of art (a sale of his collection at Christie’s included an extensive collection of fine engravings after Turner).\u003c\/p\u003e\u003cp\u003eTrimmed to the image and laid down on backing paper with wash line border.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017232871753,"sku":"JT-555","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-555.jpg?v=1743497628"},{"product_id":"french-cigar-vendor-des-cigarres-et-du-feu-c19th-hand-coloured-lithograph-ju-439","title":"French Cigar Vendor (Des Cigarres et du Feu) – C19th hand-coloured lithograph","description":"\u003cp\u003eAn original mid-19th-century lithograph print French Cigar Vendor (Des Cigarres et du Feu).\u003c\/p\u003e\u003cp\u003eA fine French lithograph with original 19th-century hand-colouring.\u003c\/p\u003e\u003cp\u003eTrimmed to the image as shown.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017569169737,"sku":"JU-439","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ju-439.jpg?v=1743500542"},{"product_id":"celestin-nanteuil-french-cooks-original-1838-lithograph-print-ju-440","title":"Célestin Nanteuil, French Cooks – Original 1838 lithograph print","description":"\u003cp\u003eAn original 1838 lithograph print, Célestin Nanteuil, French Cooks.\u003c\/p\u003e\u003cp\u003eA fine French lithograph, showing an animated kitchen scene, by painter, engraver and illustrator Célestin Nanteuil (1813–1873). Nanteuil was closely tied to the Romantic movement in France. He was born in Rome of French parents who were part of Joseph Bonaparte's entourage. He entered the École des Beaux-Arts in 1827, where he studied under Eustache-Hyacinthe Langlois, and then worked in the studio of Dominique Ingres. In 1848, he was made Director of Académie des beaux-arts and later became the curator of the Musée des beaux-arts in Dijon. Nanteuil illustrated novels by Victor Hugo, Dumas and Théophile Gautier. His elder brother, Charles-François, was a noted sculptor who won the Prix de Rome in 1817.\u003c\/p\u003e\u003cp\u003eCélestin Nanteuil's prints can be found in the collections of the British Museum, the Metropolitan Museum of Art, New York and the National Gallery of Art, Washington, DC.\u003c\/p\u003e\u003cp\u003eTrimmed to the image as shown.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017569235273,"sku":"JU-440","price":78.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ju-440.jpg?v=1743500544"},{"product_id":"theodore-valerio-seated-lady-in-a-swiss-landscape-original-1842-lithograph-print-ju-442","title":"Théodore Valério, Seated Lady in a Swiss Landscape – 1842 lithograph print","description":"\u003cp\u003eAn original 1842 lithograph print, Théodore Valério, Seated Lady in a Swiss Landscape.\u003c\/p\u003e\u003cp\u003eA fine lithograph with a touch of hand-colouring to the lips by Théodore Valério (1819–1879).\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eValério, a French artist of Italian origins, entered the studio of Nicolas-Toussaint Charlet in Paris in 1834. The two artists soon became friends, and in 1836 they travelled together on a sketching tour of Germany, Switzerland and Italy. Valério showed precocious talent and made his Salon debut in 1838, at the age of nineteen. In the 1840s and 1850s he made extensive tours of Italy, Switzerland, Germany, Austria, Hungary and Romania, as well as the Balkans and Turkey. On his travels he made numerous studies of the exotic costumes of the people he encountered, as well as genre scenes, and many of these were published in the form of albums of lithographs or etchings. During the Crimean War (1853–1855) he was attached to the Ottoman army of Omar Pasha, and made numerous drawings of the conflict. In later years he settled in Brittany.\u003c\/p\u003e\u003cp\u003eValério's prints can be found in the collections of the British Museum, the National Gallery of Art, Washington, DC and Princeton University Art Museum.\u003c\/p\u003e\u003cp\u003eTrimmed to the image as shown. One of a pair that we have for sale (see JU-443).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017569268041,"sku":"JU-442","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ju-442.jpg?v=1743500543"},{"product_id":"theodore-valerio-young-lady-at-water-well-basel-switzerland-1841-lithograph-ju-443","title":"Théodore Valerio, Young Lady at Water Well, Basel, Switzerland – 1841 lithograph","description":"\u003cp\u003eAn original 1841 lithograph print, Théodore Valério, Young Lady at Water Well, Basel, Switzerland.\u003c\/p\u003e\u003cp\u003eA fine lithograph with a touch of hand-colouring by Théodore Valério (1819–1879).\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eValério, a French artist of Italian origins, entered the studio of Nicolas-Toussaint Charlet in Paris in 1834. The two artists soon became friends, and in 1836 they travelled together on a sketching tour of Germany, Switzerland and Italy. Valério showed precocious talent and made his Salon debut in 1838, at the age of nineteen. In the 1840s and 1850s he made extensive tours of Italy, Switzerland, Germany, Austria, Hungary and Romania, as well as the Balkans and Turkey. On his travels he made numerous studies of the exotic costumes of the people he encountered, as well as genre scenes, and many of these were published in the form of albums of lithographs or etchings. During the Crimean War (1853–1855) he was attached to the Ottoman army of Omar Pasha, and made numerous drawings of the conflict. In later years he settled in Brittany.\u003c\/p\u003e\u003cp\u003eValério's prints can be found in the collections of the British Museum, the National Gallery of Art, Washington, DC and Princeton University Art Museum.\u003c\/p\u003e\u003cp\u003eTrimmed to the image as shown. One of a pair that we have for sale (see JU-442).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017569366345,"sku":"JU-443","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ju-443.jpg?v=1743500550"},{"product_id":"alfred-andre-geniole-la-bouquetiere-from-les-femmes-de-paris-1850-lithograph-ju-447","title":"Alfred André Géniole, La Bouquetière from Les Femmes de Paris –1850 lithograph","description":"\u003cp\u003eAn original 1850 lithograph print, Alfred André Géniole, La Bouquetière from Les Femmes de Paris.\u003c\/p\u003e\u003cp\u003eThis vibrant hand-coloured lithograph is one of thirty-nine fine hand-coloured plates by the French genre painter, portrait artist and lithographer Alfred André Géniole (1813–1861). The series from which this derives was published as 'Les Femmes de Paris' by Bauger \u0026amp; Cie., Imp. d'Aubert \u0026amp; Cie, in 1850. The prints elegantly depict Parisian women going about their daily duties in their different professions.\u003c\/p\u003e\u003cp\u003eA copy of the full published series can be found in the Morgan Library \u0026amp; Museum, New York. The Fine Arts Museum of Mulhouse in Alsace retains many of Géniole's drawings.\u003c\/p\u003e\u003cp\u003eAlfred-André Géniole was a student of Antoine-Jean Gros, aka. Baron Gros (1771–1835). He started at the Salon de Paris in 1839 and contributed illustrations to Le Charivari (1841) and six plates for Les Français Peints par Eux-Mêmes. Paris: 1841–1843. He lived in Spain from 1848 to 1852 and painted many portraits of rural and urban fashion.\u003c\/p\u003e\u003cp\u003eWith gum arabic to intensify the colour. Trimmed to the image as shown. One of a pair that we have for sale (see JU-448).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017569464649,"sku":"JU-447","price":74.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ju-447.jpg?v=1743500552"},{"product_id":"w-h-egleton-after-j-hayter-the-heiress-original-1849-engraving-print-ju-491","title":"W.H. Egleton after J.Hayter, The Heiress – Original 1849 engraving print","description":"\u003cp\u003eAn original 1849 engraving print, W.H. Egleton after J.Hayter, The Heiress.\u003c\/p\u003e\u003cp\u003eA charming subject.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017570054473,"sku":"JU-491","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ju-491.jpg?v=1743500564"},{"product_id":"bramber-view-towards-castle-west-sussex-original-mid-19th-century-lithograph-print-jw-043","title":"Bramber View towards Castle, West Sussex – mid-19th-century lithograph print","description":"\u003cp\u003eAn original mid-19th-century lithograph print Bramber View towards Castle, West Sussex.\u003c\/p\u003e\u003cp\u003eA charming miniature 19th-century lithograph showing a view of towards Bramber Castle, West Sussex.\u003c\/p\u003e\u003cp\u003eOn card. Please note the small size of this artwork. One of a pair that we have for sale (see JW-044).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017863655753,"sku":"JW-043","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jw-043_1.jpg?v=1743502703"},{"product_id":"st-mary-de-haura-church-shoreham-by-sea-sussex-mid-19th-century-lithograph-jw-044","title":"St Mary de Haura Church, Shoreham-by-Sea, Sussex – mid-19th-century lithograph","description":"\u003cp\u003eAn original mid-19th-century lithograph print St Mary de Haura Church, Shoreham-by-Sea, Sussex.\u003c\/p\u003e\u003cp\u003eA charming miniature 19th-century lithograph showing a view of St Mary de Haura Church in Shoreham-by-Sea, West Sussex.\u003c\/p\u003e\u003cp\u003eOn card. Please note the small size of this artwork. One of a pair that we have for sale (see JW-043).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017864474953,"sku":"JW-044","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jw-044_1.jpg?v=1743502710"},{"product_id":"john-dugmore-ruin-at-nismes-tour-magne-nimes-france-early-c19th-lithograph-jw-362","title":"John Dugmore, Ruin at Nismes, Tour Magne, Nîmes, France – early C19th lithograph","description":"\u003cp\u003eAn original early 19th-century lithograph print, John Dugmore of Swaffham, Ruin at Nismes, Tour Magne, Nîmes, France.\u003c\/p\u003e\u003cp\u003eA fantastic topographical lithograph drawn from nature and on stone by British draughtsman and grand-tourist John Dugmore of Swaffham (1793–1871).\u003c\/p\u003e\u003cp\u003eThe image shows the Roman ruins known as La Tour Magne at Nîmes in southern France. The tower was once part of the ancient fortified ramparts that formerly surrounded the city. Antiquaries have had differing theories on what the tower was once used for, including a public treasury, granary, lighthouse or a mausoleum.\u003c\/p\u003e\u003cp\u003eHere Dugmore shows the tower visited by Grand Tour gentlemen, highlighting popular tastes for classical antiquity and picturesque ruins at that time.\u003c\/p\u003e\u003cp\u003eJohn Dugmore of Swaffham (1793–1871) was born into Norfolk nobility in 1793. He benefited from a deep classical education and developed a sophisticated taste in the arts. On moving to London to seek his fame and fortune at the Royal Court, he met the man who was to become his patron, William Charles Keppel (1772–1849), 4th Earl of Albermarle. It is believed that Dugmore was responsible for Keppel children’s education, and he accompanied one of Keppel's son's on a Grand Tour in 1820. Over a period of twenty months, he passed from Scotland to Western Bohemia, France, Switzerland and Italy, recording the sights and views he encountered. This watercolour is very probably the product of that tour.\u003c\/p\u003e\u003cp\u003eDugmore's work has been praised for not only being visual witnesses of the shape of many main and minor European cities, but also for his ability in feeling and amplifying the aesthetic news which he was meeting place by place. It is thought that his drawing style varies according to the landscape, his German drawings being very linear and pure, and his French drawings are ‘touched’ by pencil and brush in a way that seems largely to anticipate the impressionist idea of the light.\u003c\/p\u003e\u003cp\u003ePrint on chine collé laid down on cream wove. Printed by Charles Joseph Hullmandel (1789–1850), who ran a lithographic establishment on Great Marlborough Street from about 1819.\u003c\/p\u003e\u003cp\u003eProvenance: William Drummond (Covent Garden Gallery, London).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017875845449,"sku":"JW-362","price":98.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jw-362.jpg?v=1743502785"},{"product_id":"north-west-view-of-coopersale-hall-essex-original-early-19th-century-lithograph-print-jw-704","title":"North West View of Coopersale Hall, Essex – early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print North West View of Coopersale Hall, Essex.\u003c\/p\u003e\u003cp\u003eAn interesting early 19th-century print showing Coopersale Hall, near Epping, home of the Houblon family.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017880793417,"sku":"JW-704","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jw-704.jpg?v=1743502873"},{"product_id":"h-c-w-half-timbered-house-study-original-early-19th-century-lithograph-print-jw-973","title":"H.C.W., Half-timbered House Study – Original early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print, H.C.W., Half-timbered House Study.\u003c\/p\u003e\u003cp\u003eA skilful lithographed rustic study.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017889280329,"sku":"JW-973","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jw-973_2.jpg?v=1743502936"},{"product_id":"ex-libris-bookplate-of-henr-wagner-s-a-s-original-early-20th-century-wood-engraving-jx-444","title":"Ex Libris Bookplate of Henr: Wagner S.A.S. – early 20th-century wood engraving","description":"\u003cp\u003eAn original early 20th-century wood engraving Ex Libris Bookplate of Henr: Wagner S.A.S..\u003c\/p\u003e\u003cp\u003eAlthough unverified, this is likely the bookplate of the American book collector Henry Raup Wagner (1862–1957). The design bears the Wagner coat of arms. Henry Raup Wagner assembled tens of thousands of books and manuscripts and formed several collections from them. Between 1903 and 1906 worked in London for the Guggenheim family, where he collected many books on different subjects, including South American history and economics.\u003c\/p\u003e\u003cp\u003eThis bookplate is listed in the Franks bequest catalogue of British and American book plates bequeathed to the trustees of the British Museum by Sir Augustus Wollaston Franks (no. 30499).\u003c\/p\u003e\u003cp\u003eOn paper laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018270404937,"sku":"JX-444","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-444.jpg?v=1743504971"},{"product_id":"john-hayter-le-cadeau-original-early-19th-century-lithograph-print-jx-496","title":"John Hayter, Le Cadeau – Original early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print, John Hayter, Le Cadeau.\u003c\/p\u003e\u003cp\u003eA very fine hand-coloured and pencil signed lithograph by Painter-in-Ordinary to Queen Victoria, John Hayter (1800–1895). The lithography shows wonderful spontaneity and achieves a Romantic atmosphere, apt for its picturesque allegorical subject.\u003c\/p\u003e\u003cp\u003eHayter was the second son of the miniaturist Charles Hayter. He first painted Queen Victoria when she was twelve years old. Hayter established himself during the 1820s, with portraits of notable figures such as the Duke of Wellington. His portrait drawings, in chalks or crayons, became particularly popular, a number of them being engraved for The Court Album, which contained portraits of the female aristocracy.\u003c\/p\u003e\u003cp\u003eJohn's brother, Sir George Hayter, was also a portrait painter; both artists were talented draughtsmen and experimented in techniques of engraving—their work early examples of printmaking before the etching revival that was to come later in the middle of the century.\u003c\/p\u003e\u003cp\u003eThis lithograph is one of a series of three that we have for sale (see JX-496 to JX-498).\u003c\/p\u003e\u003cp\u003eOn grey paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018274697545,"sku":"JX-496","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-496.jpg?v=1743504980"},{"product_id":"john-hayter-la-jeunesse-original-early-19th-century-lithograph-print-jx-498","title":"John Hayter, La Jeunesse – Original early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print, John Hayter, La Jeunesse.\u003c\/p\u003e\u003cp\u003eA very fine hand-coloured and pencil signed lithograph by Painter-in-Ordinary to Queen Victoria, John Hayter (1800–1895). The lithography shows wonderful spontaneity and achieves a Romantic atmosphere, apt for its picturesque allegorical subject.\u003c\/p\u003e\u003cp\u003eHayter was the second son of the miniaturist Charles Hayter. He first painted Queen Victoria when she was twelve years old. Hayter established himself during the 1820s, with portraits of notable figures such as the Duke of Wellington. His portrait drawings, in chalks or crayons, became particularly popular, a number of them being engraved for The Court Album, which contained portraits of the female aristocracy.\u003c\/p\u003e\u003cp\u003eJohn's brother, Sir George Hayter, was also a portrait painter; both artists were talented draughtsmen and experimented in techniques of engraving—their work early examples of printmaking before the etching revival that was to come later in the middle of the century.\u003c\/p\u003e\u003cp\u003eThis lithograph is one of a series of three that we have for sale (see JX-496 to JX-498).\u003c\/p\u003e\u003cp\u003eOn grey paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018277515593,"sku":"JX-498","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-498.jpg?v=1743504985"},{"product_id":"kenneth-e-wootton-the-old-belfry-priory-row-coventry-original-c-1930s-linocut-print-jx-654","title":"Kenneth E. Wootton, The Old Belfry, Priory Row, Coventry – c.1930s linocut print","description":"\u003cp\u003eAn original c.1930s linocut print, Kenneth E. Wootton, The Old Belfry, Priory Row, Coventry.\u003c\/p\u003e\u003cp\u003eAn appealing linocut print by Kenneth Edwin Wootton (1885–1974), a modern British artist who trained at the Royal Academy Schools and served with gallantry in the First World War. This work shows Wootton's keen eye for detail.\u003c\/p\u003e\u003cp\u003eOn laid paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018294456649,"sku":"JX-654","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-654.jpg?v=1743505027"},{"product_id":"bad-schinznacht-aargau-switzerland-mid-19th-century-aquatint-print-jx-864","title":"Bad Schinznacht, Aargau, Switzerland – mid-19th-century aquatint print","description":"\u003cp\u003eAn original mid-19th-century aquatint print Bad Schinznacht, Thermal Baths, Aargau, Switzerland.\u003c\/p\u003e\u003cp\u003eA fine small hand-coloured aquatint showing the thermal baths at Schinznach-Bad in the canton of Aargau in Switzerland.\u003c\/p\u003e\u003cp\u003eOne of a small group of similar works that we have for sale (see JX-864 to JX-868).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018312511817,"sku":"JX-864","price":34.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-864_1.jpg?v=1743505120"},{"product_id":"rudolf-dickenmann-lauberge-du-righi-staffel-switzerland-mid-c19th-aquatint-jx-865","title":"Rudolf Dickenmann, L'Auberge du Righi-Staffel, Switzerland – mid-C19th aquatint","description":"\u003cp\u003eAn original mid-19th-century aquatint print, Rudolf Dickenmann, L'Auberge du Righi-Staffel, Schwyz, Switzerland.\u003c\/p\u003e\u003cp\u003eA fine small hand-coloured aquatint showing the hotel at Rigi-Staffel on Mount Rigi, in central Switzerland.\u003c\/p\u003e\u003cp\u003eZurich-born artist, watercolourist and art publisher Rudolf Dikenmann's aquatint prints were produced for collectors and travellers.\u003c\/p\u003e\u003cp\u003eOne of a small group of similar works that we have for sale (see JX-864 to JX-868).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018312544585,"sku":"JX-865","price":34.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-865_1.jpg?v=1743505120"},{"product_id":"william-tell-replying-to-gessler-original-mid-19th-century-mezzotint-print-jx-872","title":"William Tell Replying to Gessler – Original mid-19th-century mezzotint print","description":"\u003cp\u003eAn original mid-19th-century mezzotint print William Tell Replying to Gessler.\u003c\/p\u003e\u003cp\u003eA fine mezzotint depicting an encounter between the Swiss folk hero William Tell and the Austrian bailiff Gessler. Gessler's brutal rule led to the William Tell rebellion and the eventual independence of the Old Swiss Confederacy.\u003c\/p\u003e\u003cp\u003eThe print has been trimmed to the image.\u003c\/p\u003e\u003cp\u003eOn laid paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018313036105,"sku":"JX-872","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-872.jpg?v=1743505129"},{"product_id":"jean-jacottet-pont-de-montreux-lake-geneva-switzerland-c-1830-lithograph-jx-876","title":"Jean Jacottet, Pont de Montreux, Lake Geneva, Switzerland – c.1830 lithograph","description":"\u003cp\u003eAn original c.1830 lithograph print, Jean Jacottet, Pont de Montreux, Lake Geneva, Switzerland.\u003c\/p\u003e\u003cp\u003eA fine colour lithograph showing a view at Montreux on Lake Geneva by Swiss landscape painter and lithographer Jean-Louis Jacottet (1806–1880).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018313888073,"sku":"JX-876","price":68.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-876.jpg?v=1743505136"},{"product_id":"gabriel-lory-fils-oberhasli-bern-switzerland-original-c-1820s-aquatint-print-jx-880","title":"Gabriel Lory fils, Oberhasli, Bern, Switzerland – c.1820s aquatint print","description":"\u003cp\u003eAn original c.1820s aquatint print, Gabriel Lory fils, Oberhasli, Bern, Switzerland.\u003c\/p\u003e\u003cp\u003eA particularly fine etching with aquatint and watercolour by Gabriel Lory fils. The print is not just hand-coloured, watercolour forms a significant body of the work.\u003c\/p\u003e\u003cp\u003eThe image shows a native of the Oberhasli region in the in the Bernese Highlands of Switzerland in local costume. The print formed part of a lavish publication titled 'Costumes suisses: dédiés à son altesse Le Prince Royal de Prusse' produced by Gabriel Lory fils and Friedrich Wilhelm Moritz in the 1820s.\u003c\/p\u003e\u003cp\u003eGabriel Lory the Younger (1784–1846), also known as Mathias Gabriel Lori, was son of the painter Gabriel Lory the Elder. Born in Bern, he received his lessons in art from his father. In 1797 he moved with him to Herisau, where he assisted him with his projects, and in 1805 they travelled to Neuchâtel, where he helped his father edit the Voyage pittoresque de Genève à Milan par le Simplon. It was there that he made friends with the painter Maximilien de Meuron, who he accompanied on trips to Paris and Italy.\u003c\/p\u003e\u003cp\u003eIn 1812 he married Henriette-Louise de Meuron von Orbe, a relative of his friend. Soon, he was able to find a position as a teacher in Neuchâtel, while Henriette acted as his publisher. He also made the acquaintance of the banker, Count Frédéric de Pourtalès, who became his new travelling partner on his excursions to Italy.\u003c\/p\u003e\u003cp\u003eIn 1832 he settled permanently in Bern and became a member of the local artists' society, although he continued to travel throughout Switzerland and Italy. Together with César Henri Montvert (1784–1848), he published several works depicting traditional Swiss costumes and views of the Bernese Oberland.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018313953609,"sku":"JX-880","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jx-880.jpg?v=1743505137"},{"product_id":"lucien-baubaut-spring-the-four-seasons-original-1920s-gouache-pochoir-jy-564","title":"Lucien Baubaut, Spring: The Four Seasons – Original 1920s gouache pochoir","description":"\u003cp\u003eAn original 1920s gouache pochoir, Lucien Baubaut, Spring: The Four Seasons.\u003c\/p\u003e\u003cp\u003eA fantastically stylish and vibrant Art Deco pochoir print. This is 'Spring' from Lucien Babaut's series Les Quatres Saisons.\u003c\/p\u003e\u003cp\u003ePochoir was a stencilling technique made popular in France from 1925 after publication of Jean Saudé's treatise, Traité d'Enluminure d'Art au Pochoir. The innovative technique developed in response to the proliferation of machine printing and the poor quality of colour reproductions in publishing. It was often used in French Fashion Journals to illustrate costume styles and set the tone for haute couture in the first half of the 20th century.\u003c\/p\u003e\u003cp\u003eOften the outline of the image was lithographed, then successive layers of colour were painted on using watercolour or gouache, applied to stencils with a brush called a pompon. Sometimes as many as 100 stencils were used to recreate a single image.\u003c\/p\u003e\u003cp\u003eLucien Babaut designed iconic French travel posters in the 1920s and 1930s.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019001098569,"sku":"JY-564","price":128.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jy-564.jpg?v=1743507758"},{"product_id":"lucien-baubaut-autumn-the-four-seasons-original-1920s-gouache-pochoir-jy-565","title":"Lucien Baubaut, Autumn: The Four Seasons – Original 1920s gouache pochoir","description":"\u003cp\u003eAn original 1920s gouache pochoir, Lucien Baubaut, Autumn: The Four Seasons.\u003c\/p\u003e\u003cp\u003eA fantastically stylish and vibrant Art Deco pochoir print. This is 'Autumn' from Lucien Babaut's series Les Quatres Saisons.\u003c\/p\u003e\u003cp\u003ePochoir was a stencilling technique made popular in France from 1925 after publication of Jean Saudé's treatise, Traité d'Enluminure d'Art au Pochoir. The innovative technique developed in response to the proliferation of machine printing and the poor quality of colour reproductions in publishing. It was often used in French Fashion Journals to illustrate costume styles and set the tone for haute couture in the first half of the 20th century.\u003c\/p\u003e\u003cp\u003eOften the outline of the image was lithographed, then successive layers of colour were painted on using watercolour or gouache, applied to stencils with a brush called a pompon. Sometimes as many as 100 stencils were used to recreate a single image.\u003c\/p\u003e\u003cp\u003eLucien Babaut designed iconic French travel posters in the 1920s and 1930s.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019001262409,"sku":"JY-565","price":128.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jy-565.jpg?v=1743507763"},{"product_id":"gustave-fraipont-woman-in-a-feathered-hat-original-late-19th-century-etching-print-jy-679","title":"Gustave Fraipont, Woman in a Feathered Hat – late 19th-century etching print","description":"\u003cp\u003eAn original late 19th-century etching print, Gustave Fraipont, Woman in a Feathered Hat.\u003c\/p\u003e\u003cp\u003eA stylish fin-de-siecle subject by French painter, sculptor, illustrator and poster-designer Gustave Fraipont (1849–1923). Fraipont is particularly known for his French railway poster designs with an Art Nouveau aesthetic.\u003c\/p\u003e\u003cp\u003eGustave Fraipont (1849–1923) was born in Belgium but became a naturalised French citizen. He was a Professor of drawing at the Maison d'éducation de la Légion d'honneur and authored numerous books on the art of drawing. In the 1880s and 1890s he painted numerous posters for railway companies, including Chemins de fer de l'Ouest and Compagnie des chemins de fer du Nord. He also illustrated books on Paris and the French regions. In 1905, he was appointed Navy painter. During World War One, he produced several compositions for the newspaper L'Illustration.\u003c\/p\u003e\u003cp\u003eEtching with hand colouring. Numbered 26\/100.\u003c\/p\u003e\u003cp\u003eSheet size: 48.5 x 30.5cm. Plate size: 32.7 x 15.6cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019006308681,"sku":"JY-679","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jy-679.jpg?v=1743507813"},{"product_id":"gaetano-dura-horse-drawn-carriage-naples-original-early-19th-century-lithograph-print-jz-599","title":"Gaetano Dura, Horse-drawn Carriage, Naples – early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print, Gaetano Dura, Horse-drawn Carriage, Naples.\u003c\/p\u003e\u003cp\u003eAn animated Neapolitan scene, with a calessino, or horse-drawn carriage, transporting a varied ensemble of local figures.\u003c\/p\u003e\u003cp\u003eThe lithographer Gaetano Dura lived and worked in Naples. In the 1830s he joined the lithographer and publisher Federico Gatti. This partnership gave rise to a prolific print business, primarily devoted to the publication of popular prints describing the everyday life of Naples.\u003c\/p\u003e\u003cp\u003eHand-coloured lithograph. Cut to the image and laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019761086793,"sku":"JZ-599","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-599.jpg?v=1743510843"},{"product_id":"gaetano-dura-esequie-funeral-rites-naples-early-19th-century-lithograph-print-jz-601","title":"Gaetano Dura, Esequie Funeral Rites, Naples –early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print, Gaetano Dura, Esequie Funeral Rites, Naples.\u003c\/p\u003e\u003cp\u003eAn animated Neapolitan scene showing a Catholic funeral procession.\u003c\/p\u003e\u003cp\u003eThe lithographer Gaetano Dura lived and worked in Naples. In the 1830s he joined the lithographer and publisher Federico Gatti. This partnership gave rise to a prolific print business, primarily devoted to the publication of popular prints describing the everyday life of Naples.\u003c\/p\u003e\u003cp\u003eHand-coloured lithograph. Laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019761316169,"sku":"JZ-601","price":72.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-601.jpg?v=1743510850"},{"product_id":"vienna-secession-ex-libris-bookplate-for-charles-feleky-c-1910s-photogravure-jz-639","title":"Vienna Secession Ex Libris Bookplate for Charles Feleky –c.1910s photogravure","description":"\u003cp\u003eAn original c.1910s engraving print Vienna Secession Ex Libris Bookplate for Charles Feleky.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around the 1910s and associated with the Vienna Secession movement.\u003c\/p\u003e\u003cp\u003eThe design shows a Star of David above a musical score and the inscription 'Musica lingua est omnium hominum (Music is the universal language).\u003c\/p\u003e\u003cp\u003eThe bookplate was designed for a Charles Felenky, possibly the actor Charles Felenky who joined the exclusive club for theatre people in New York, the 'Lambs'.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019761611081,"sku":"JZ-639","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-639.jpg?v=1743510851"},{"product_id":"hungarian-secession-ex-libris-bookplate-by-j-kauser-1910-wood-engraving-jz-643","title":"Hungarian Secession Ex Libris Bookplate by J. Kauser – 1910 wood engraving","description":"\u003cp\u003eAn original 1910 wood engraving, Jozsef Kauser, Hungarian Secession Ex Libris Bookplate for Dr Julius Cornel Seenger.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from 1910 and associated with the Hungarian Secession movement.\u003c\/p\u003e\u003cp\u003eThe design shows a naked female figure bound by a serpent, probably a medical symbol.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed for Dr Julius Cornel Seenger by a J. 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The image seems to represent Roman Virtus repressing Viennese erotic frivolity.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed for Franz Winter by the Austrian commercial artist and illustrator Franz von Bayros (1866–1924). Bayros trained at the Vienna Academy. He mixed in high society and was part of the circle of friends of Johann Strauss II, whose stepdaughter Alice he married in 1896. Bayros belonged to the Decadent movement, often utilising erotic themes and phantasmagoric imagery. In 1911, he created his most famous and controversial work, Tales from the Dressing Table, for which he was later arrested and exiled from Germany. His work can be found at the Metropolitan Museum of Art in New York.\u003c\/p\u003e\u003cp\u003eFranz Winter (1861–1930) was a specialist in Greek and Roman art history who lived in Vienna.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019762037065,"sku":"JZ-656","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-656.jpg?v=1743510860"},{"product_id":"vienna-secession-ex-libris-bookplate-by-franz-von-bayros-c-1910s-etching-jz-657","title":"Vienna Secession Ex Libris Bookplate by Franz von Bayros – c.1910s etching","description":"\u003cp\u003eAn original c.1910s etching print, Franz von Bayros, Vienna Secession Ex Libris Bookplate for Emma Steigleder.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around the 1910s and associated with the Vienna Secession movement.\u003c\/p\u003e\u003cp\u003eThe design shows a woman and two children in 18th-century costume, with the inscription 'Si vis amari, ama! Seneca' (Love, if you want to be loved).\u003c\/p\u003e\u003cp\u003eThe bookplate was designed for an Emma Steigleder by the Austrian commercial artist and illustrator Franz von Bayros (1866–1924). Bayros trained at the Vienna Academy. He mixed in high society and was part of the circle of friends of Johann Strauss II, whose stepdaughter Alice he married in 1896. Bayros belonged to the Decadent movement, often utilising erotic themes and phantasmagoric imagery. In 1911, he created his most famous and controversial work, Tales from the Dressing Table, for which he was later arrested and exiled from Germany. His work can be found at the Metropolitan Museum of Art in New York.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019762135369,"sku":"JZ-657","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-657.jpg?v=1743510862"},{"product_id":"vienna-secession-ex-libris-bookplate-by-alfonso-bosco-c-1910s-etching-jz-658","title":"Vienna Secession Ex Libris Bookplate by Alfonso Bosco – c.1910s etching","description":"\u003cp\u003eAn original c.1910s etching print, Alfonso Bosco, Vienna Secession Ex Libris Bookplate for Armida Quilico.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around the 1910s and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe design features a woman and baby, along with a harp, a bouquet of roses and a book.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by for Armida Quilico, an Italian musician and actress, by Alfonso Bosco (1858–1921), who was an Argentinian printmaker, graphic designer and illustrator of Italian descent. He lived and worked in Buenos Aires from 1882, where he was Artistic director of the Argentinian central bank's printery and designer of the Argentinian paper money. Bosco is considered as the inventor of colour etching in Argentina.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019762495817,"sku":"JZ-658","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-658.jpg?v=1743510868"},{"product_id":"marius-forestier-decorative-flowers-in-blue-vase-c-1920s-print-on-board-jz-690","title":"Marius Forestier, Decorative Flowers in Blue Vase – c.1920s print on board","description":"\u003cp\u003eAn original c.1920s lithograph print, Marius Forestier, Decorative Flowers in Blue Vase.\u003c\/p\u003e\u003cp\u003eA fabulous decorative print, incorporating elements of Art Nouveau and Art Deco design, in the flattened organic forms, Orientalist motifs and decorative colour palette. 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