{"title":"Religious \u0026 Inspirational","description":"","products":[{"product_id":"kneeling-donor-masaccios-holy-trinity-original-19th-century-graphite-drawing-jh-173","title":"Kneeling Donor, Masaccio's Holy Trinity – Original 19th-century graphite drawing","description":"\u003cp\u003eAn original 19th-century graphite drawing Kneeling Donor, Masaccio's Holy Trinity.\u003c\/p\u003e\u003cp\u003eAn accomplished copy, in graphite, of a kneeling donor, taken from Masaccio's Holy Trinity fresco in S. Maria Novella, Florence. Laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51988196196681,"sku":"JH-173","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/JH-173_33f4d28d-e152-427b-a88e-fdfb94f3f940.jpg?v=1762877630"},{"product_id":"ethel-m-mallinson-j-b-kitson-with-archbishop-1936-watercolour-painting-jp-960","title":"Ethel M. Mallinson, J.B. 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The picture is captioned in French, 'Arrosez vos Amitiés', which translates as 'Water your Friendships', presumably a reference to the civic cooperation required to do good. The cleric is possibly William Temple, Archibishop of York.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51998154752329,"sku":"JP-960","price":138.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jp-960.jpg?v=1743183672"},{"product_id":"apollonia-griffith-procession-for-the-confirmation-of-st-ceny-1837-watercolour-jq-786","title":"Apollonia Griffith, Procession for the Confirmation of St Ceny –1837 watercolour","description":"\u003cp\u003eAn original 1837 watercolour painting, Apollonia Griffith, Procession for the Confirmation of Saint Ceny, France.\u003c\/p\u003e\u003cp\u003eThis beautiful watercolour is by the accomplished hand of Apollonia Griffith, presumed to be the sister of the celebrated English botanist William Griffith (1810–1845). William Griffith was a talented botanical draughtsman, and his sister too is recorded as being a skilled artist, who lithographed her brother's botanical illustrations after his premature death.\u003c\/p\u003e\u003cp\u003eArtistic talent ran in the family: their great grandfather was the miniature painter Jeremiah Meyer RA, who was Painter in Miniatures to Queen Charlotte, Painter in Enamels to King George III and was one of the founder members of the Royal Academy.\u003c\/p\u003e\u003cp\u003eIn watercolour with pen and ink. On paper laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52010985423177,"sku":"JQ-786","price":128.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jq-786.jpg?v=1743411586"},{"product_id":"charles-j-shore-roadside-shrine-with-figure-florence-1880-watercolour-jq-982","title":"Charles J. Shore, Roadside Shrine with Figure, Florence – 1880 watercolour","description":"\u003cp\u003eAn original 1880 watercolour painting, Charles J. Shore, Roadside Shrine with Figure, Florence.\u003c\/p\u003e\u003cp\u003eA charming 19th-century travel sketch by Charles John Shore, 3rd Baron Teignmouth (1840–1915).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52010996891977,"sku":"JQ-982","price":58.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jq-982.jpg?v=1743411782"},{"product_id":"charles-j-shore-a-florentine-funeral-original-1880-watercolour-painting-jq-988","title":"Charles J. Shore, A Florentine Funeral – Original 1880 watercolour painting","description":"\u003cp\u003eAn original 1880 watercolour painting, Charles J. Shore, A Florentine Funeral.\u003c\/p\u003e\u003cp\u003eA charming 19th-century travel sketch by Charles John Shore, 3rd Baron Teignmouth (1840–1915).\u003c\/p\u003e\u003cp\u003eIn watercolour with graphite underdrawing.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52010997449033,"sku":"JQ-988","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jq-988.jpg?v=1743411790"},{"product_id":"jesus-christ-in-crown-of-thorns-original-mid-19th-century-mezzotint-print-js-307","title":"Jesus Christ in Crown of Thorns – Original mid-19th-century mezzotint print","description":"\u003cp\u003eAn original mid-19th-century mezzotint print Jesus Christ in Crown of Thorns.\u003c\/p\u003e\u003cp\u003eOn card.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52013140050249,"sku":"JS-307","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/js-307.jpg?v=1743434736"},{"product_id":"arthur-pond-after-parmigianino-holy-family-with-st-john-original-1734-etching-print-jt-555","title":"Arthur Pond after Parmigianino, Holy Family with St John – 1734 etching print","description":"\u003cp\u003eAn original 1734 etching print, Arthur Pond after Parmigianino, Holy Family with St John.\u003c\/p\u003e\u003cp\u003eA fine etching in brown ink produced by the English painter and engraver Arthur Pond (c.1705–1758) after a 16th-century drawing by Francesco Mazzola, also known as Parmigianino (1503–1540). Pond visited Italy in 1725–7 with the painter George Knapton, the painter and poet John Dyer and the antiquary Daniel Wray. This print is from Pond's 1734 series 'Prints in Imitation of Drawings', which he produced in collaboration with George's brother, Charles Knapton, also an artist.\u003c\/p\u003e\u003cp\u003eParmigianino's graphic work was highly sought after and praised in England in the late 18th century. Sir Joshua Reynolds and Benjamin West were avid collectors of Parmigianino's drawings and original prints.\u003c\/p\u003e\u003cp\u003eAn associated inscription (see photo) gives the provenance of this drawing: Given to Mary Twopenny by her cousin David at Little Casterton in 1832. 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Mary Heber, Catholic Mass Procession in Church Interior.\u003c\/p\u003e\u003cp\u003eA striking watercolour in monochrome attributed to Mary Heber (1787–1846) of Hodnet Hall in Shropshire.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017572315465,"sku":"JU-687","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ju-687.jpg?v=1743500626"},{"product_id":"c-w-s-faith-woman-in-prayer-original-19th-century-watercolour-painting-jw-180","title":"C.W.S., Faith, Woman in Prayer – Original 19th-century watercolour painting","description":"\u003cp\u003eAn original 19th-century watercolour painting, C.W.S., Faith, Woman in Prayer.\u003c\/p\u003e\u003cp\u003eA beautifully painted watercolour portrait in oval.\u003c\/p\u003e\u003cp\u003eThis painting is after an Italian Renaissance oil painting in the collection of Gettysburg College, which is attributed simply to an 'Italian Artist'. Little is known about the original other than that it was donated to Gettysburg College in 1931 by Dr Jeremiah Zimmerman, who graduated from Gettysburg College in 1873. Interestingly, the artwork was evidently in the public consciousness enough for this small watercolour study to be produced by what was presumably an amateur British hand in the 19th century.\u003c\/p\u003e\u003cp\u003eThe paper has been cut to an oval shape as shown.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017870700873,"sku":"JW-180","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jw-180.jpg?v=1743502751"},{"product_id":"j-clay-st-peter-penitent-after-guido-reni-early-19th-century-ink-drawing-jw-458","title":"J. Clay, St Peter Penitent after Guido Reni – early 19th-century ink drawing","description":"\u003cp\u003eAn original early 19th-century pen \u0026amp; ink drawing, J. 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Many of Cervelli's drawings satirise elements of the Establishment, whether that be military, social, artistic or religious. 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Although overwhelming a landscape artist, Abbott is known to have studied Old Master prints, and his figures and animals in his landscape compositions are usually classical in nature rather than freely observed. These ink studies are evidence of Abbott's connoisseurship and his status as a gentleman amateur rather than a professional landscapist.\u003c\/p\u003e\u003cp\u003eFor an example of 'Old Master' animals in a landscape by Abbott, see British Museum no. 1880,0313.22. For a further example of a drawing after an Old Master print see BM 1860,0211.347. An example of an Italianate landscape oil with figures can seen at the Yale Center for British Art, Paul Mellon Collection no. B1976.7.1, as well as a Classical Composition after Annibale Carracci, no. B2013.5.\u003c\/p\u003e\u003cp\u003eInk with traces graphite underdrawing, on thin wove paper laid down on original backing paper. 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Although overwhelming a landscape artist, Abbott is known to have studied Old Master prints, and his figures and animals in his landscape compositions are usually classical in nature rather than freely observed. These ink studies are evidence of Abbott's connoisseurship and his status as a gentleman amateur rather than a professional landscapist.\u003c\/p\u003e\u003cp\u003eFor an example of 'Old Master' animals in a landscape by Abbott, see British Museum no. 1880,0313.22. For a further example of a drawing after an Old Master print see BM 1860,0211.347. An example of an Italianate landscape oil with figures can seen at the Yale Center for British Art, Paul Mellon Collection no. B1976.7.1, as well as a Classical Composition after Annibale Carracci, no. B2013.5.\u003c\/p\u003e\u003cp\u003eInk with traces of graphite underdrawing, on thin wove paper laid down on original backing paper. 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Numbered '20' in the series on backing paper.\u003c\/p\u003e\u003cp\u003eProvenance: Sotheby’s sale 21 March 2002.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018986320201,"sku":"JY-240","price":68.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jy-240.jpg?v=1743507624"},{"product_id":"john-white-abbott-madonna-child-after-raphael-c-1805-pen-ink-drawing-jy-246","title":"John White Abbott, Madonna \u0026 Child after Raphael – c.1805 pen \u0026 ink drawing","description":"\u003cp\u003eAn original c.1805 pen \u0026amp; ink drawing, John White Abbott, Madonna \u0026amp; Child with Saint John the Baptist after Raphael.\u003c\/p\u003e\u003cp\u003eA remarkably precise ink drawing by John White Abbott (1763–1851) after Raphael.\u003c\/p\u003e\u003cp\u003eThis drawing is one a series of linear ink studies by John White Abbott after the Old Masters. Although overwhelming a landscape artist, Abbott is known to have studied Old Master prints, and his figures and animals in his landscape compositions are usually classical in nature rather than freely observed. These ink studies are evidence of Abbott's connoisseurship and his status as a gentleman amateur rather than a professional landscapist.\u003c\/p\u003e\u003cp\u003eFor an example of 'Old Master' animals in a landscape by Abbott, see British Museum no. 1880,0313.22. For a further example of a drawing after an Old Master print see BM 1860,0211.347. An example of an Italianate landscape oil with figures can seen at the Yale Center for British Art, Paul Mellon Collection no. B1976.7.1, as well as a Classical Composition after Annibale Carracci, no. B2013.5.\u003c\/p\u003e\u003cp\u003eInk with traces of graphite underdrawing, on thin wove paper laid down on original backing paper.\u003c\/p\u003e\u003cp\u003eProvenance: Sotheby’s sale 21 March 2002.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52018986910025,"sku":"JY-246","price":78.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jy-246.jpg?v=1743507632"},{"product_id":"madonna-della-seggiola-after-raphael-original-early-19th-century-watercolour-painting-jy-571","title":"Madonna della Seggiola after Raphael – early 19th-century watercolour painting","description":"\u003cp\u003eAn original early 19th-century watercolour painting Madonna della Seggiola after Raphael.\u003c\/p\u003e\u003cp\u003eA tiny miniature copy after Raphael.\u003c\/p\u003e\u003cp\u003eThe paper has been cut to an circle. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019001491785,"sku":"JY-571","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jy-571.jpg?v=1743507765"},{"product_id":"leopold-billek-medieval-monk-with-stone-tablet-original-c-1820-gouache-painting-jz-097","title":"Leopold Billek, Medieval Monk with Stone Tablet – c.1820 gouache painting","description":"\u003cp\u003eAn original c.1820 gouache painting, Leopold Billek, Medieval Monk with Stone Tablet.\u003c\/p\u003e\u003cp\u003eA captivating original painting by the Bohemian\/Moravian (now Czech) artist Leopold Billek, who was active in the 1820s. It appears that Billek was based in the town of Telč (or German Teltsch), near the Bohemia-Moravia border (now Czech Republic). Billek worked at a time when the Bohemian Lands were under Habsburg rule and was evidently a member of the sizable German-speaking population.\u003c\/p\u003e\u003cp\u003eBillek's work encompasses a remarkable range of subjects and embodies the spirit of the 'Renaissance man'. This gouache painting shows his interest in medieval history.\u003c\/p\u003e\u003cp\u003eOn laid paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019744702793,"sku":"JZ-097","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/JZ-097_df06bf28-f847-4ccc-8378-3ddf7cad59d6.jpg?v=1776094957"},{"product_id":"g-cervelli-rabelaisian-monks-french-caricature-1910s-charcoal-drawing-jz-408","title":"G. Cervelli, Rabelaisian Monks French Caricature – 1910s charcoal drawing","description":"\u003cp\u003eAn original 1910s charcoal drawing, G. Cervelli, Rabelaisian Monks (Moines Rabelaisiens) Caricature.\u003c\/p\u003e\u003cp\u003eA fabulous charcoal drawing by French cartoonist and artist G. Cervelli (fl.1910–1920). Here he shows the two sides of the French writer and monk François Rabelais, whose multi-faceted personality was considered contradictory: being both Ecclesiastical and anticlerical, Christian and a free thinker, a doctor and a bon vivant. By extending this contradiction to monks in general, the image is one of many by Cervelli that satirise hypocrisy of the Establishment, whether that be military, social, artistic or religious.\u003c\/p\u003e\u003cp\u003eThere are partial graphite sketches on the verso.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019754762569,"sku":"JZ-408","price":98.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-408.jpg?v=1743510778"},{"product_id":"george-j-cayley-confraternity-of-italian-fisherman-algiers-1874-watercolour-jz-416","title":"George J. Cayley, Confraternity of Italian Fisherman, Algiers – 1874 watercolour","description":"\u003cp\u003eAn original 1874 watercolour painting, George J. Cayley, Confraternity of Italian Fisherman, Cathedral, Algiers.\u003c\/p\u003e\u003cp\u003eAn interesting and vibrant painting capturing a snapshot of Algeria in the second half of the 19th century by George John Cayley (1826–1878), who went to live in Algiers in 1870 to try to improve his health.\u003c\/p\u003e\u003cp\u003eCayley was an English eccentric who travelled widely, and was a gifted artist and accomplished metal-worker. In 1862 he collaborated on a design with the painter George Frederick Watts RA. Cayley dabbled in poetry and wrote a number of books, some of which he illustrated. He is also remembered as a significant early proponent of Lawn Tennis: a talented player, he worked on the development of tennis rackets and wrote an article on the subject for The Edinburgh Review in 1875.\u003c\/p\u003e\u003cp\u003eThe Italian community was long established in Algeria, growing considerably after French occupation of Algeria in 1830. Between 1850 and 1880, an Italian community of coral fishermen settled from Liguria, Tuscany and Campania. Here George Cayley depicts Italian fisherman at the then Cathedral of Saint Philip (later the Ketchaoua Mosque).\u003c\/p\u003e\u003cp\u003eIn watercolour with pen and ink.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019755352393,"sku":"JZ-416","price":58.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-416.jpg?v=1743510785"},{"product_id":"john-white-abbott-madonna-child-after-raphael-original-c-1805-pen-ink-drawing-jz-526","title":"John White Abbott, Madonna \u0026 Child after Raphael – c.1805 ink drawing","description":"\u003cp\u003eAn original c.1805 pen \u0026amp; ink drawing, John White Abbott, Madonna \u0026amp; Child after Raphael.\u003c\/p\u003e\u003cp\u003eA sheet of remarkably precise ink drawings by John White Abbott (1763–1851) after Raphael.\u003c\/p\u003e\u003cp\u003eThis drawing is one a series of linear ink studies by John White Abbott after the Old Masters. Although overwhelming a landscape artist, Abbott is known to have studied Old Master prints, and his figures and animals in his landscape compositions are usually classical in nature rather than freely observed. These ink studies are evidence of Abbott's connoisseurship and his status as a gentleman amateur rather than a professional landscapist.\u003c\/p\u003e\u003cp\u003eFor an example of 'Old Master' animals in a landscape by Abbott, see British Museum no. 1880,0313.22. For a further example of a drawing after an Old Master print see BM 1860,0211.347. An example of an Italianate landscape oil with figures can seen at the Yale Center for British Art, Paul Mellon Collection no. B1976.7.1, as well as a Classical Composition after Annibale Carracci, no. B2013.5.\u003c\/p\u003e\u003cp\u003eInk with traces of graphite underdrawing, on thin wove paper laid down on original backing paper.\u003c\/p\u003e\u003cp\u003eProvenance: Sotheby’s sale 21 March 2002.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019760005449,"sku":"JZ-526","price":79.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-526.jpg?v=1743510825"},{"product_id":"gaetano-dura-esequie-funeral-rites-naples-early-19th-century-lithograph-print-jz-601","title":"Gaetano Dura, Esequie Funeral Rites, Naples –early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print, Gaetano Dura, Esequie Funeral Rites, Naples.\u003c\/p\u003e\u003cp\u003eAn animated Neapolitan scene showing a Catholic funeral procession.\u003c\/p\u003e\u003cp\u003eThe lithographer Gaetano Dura lived and worked in Naples. In the 1830s he joined the lithographer and publisher Federico Gatti. This partnership gave rise to a prolific print business, primarily devoted to the publication of popular prints describing the everyday life of Naples.\u003c\/p\u003e\u003cp\u003eHand-coloured lithograph. Laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019761316169,"sku":"JZ-601","price":72.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-601.jpg?v=1743510850"},{"product_id":"esequie-funeral-rites-naples-original-early-19th-century-lithograph-print-jz-837","title":"Esequie Funeral Rites, Naples – Original early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print Esequie Funeral Rites, Naples.\u003c\/p\u003e\u003cp\u003eAn animated Neapolitan scene showing a Catholic funeral procession.\u003c\/p\u003e\u003cp\u003eHand-coloured in watercolour, with the addition of gum arabic to intensify the colour.\u003c\/p\u003e\u003cp\u003eTrimmed within the plate.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019770720585,"sku":"JZ-837","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-837.jpg?v=1743510981"},{"product_id":"r-j-blesard-the-three-crosses-after-rembrandt-original-1833-watercolour-painting-ka-193","title":"R.J. Blesard, The Three Crosses after Rembrandt – 1833 watercolour painting","description":"\u003cp\u003eAn original 1833 watercolour painting, R.J. Blesard, The Three Crosses after Rembrandt.\u003c\/p\u003e\n\u003cp\u003eThe Three Crosses (Christ Crucified between the Two Thieves) is considered one of Rembrandt's finest works in any medium. This interpretation of the subject in dark chiaroscuro watercolour shows Blesard's penchant for dramatic and darkly Gothic subjects of emotional intensity. The image is described as being 'From the Etching by Rembrandt. Reduced ¼.'\u003c\/p\u003e\n\u003cp\u003eThe artist is believed to be Robert John Blesard (1809–1839) of Woodhouse, Leeds, son of a woollen merchant and descendent of the prominent Quaker Blesard family of Guiseley. [See also collection \u003ca href=\"\/en-eu\/collections\/artist-collections\/r-j-blesard-yorkshire-landscapes-1832-34\"\u003eR.J. Blesard: Yorkshire Landscapes 1832–34\u003c\/a\u003e.]\u003c\/p\u003e\n\u003cp\u003eIn watercolour with gum arabic to intensify the colour.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020360282441,"sku":"KA-193","price":128.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-193.jpg?v=1743514126"},{"product_id":"r-j-blesard-holy-family-after-parmigianino-c-1834-watercolour-painting-ka-194","title":"R.J. Blesard, Holy Family after Parmigianino – c.1834 watercolour painting","description":"\u003cp\u003eAn original c.1834 watercolour painting, R.J. Blesard, Holy Family with John the Baptist after Parmigianino.\u003c\/p\u003e\u003cp\u003eParmigianino's graphic work was highly sought and praised in England in the late 18th century. Sir Joshua Reynolds and Benjamin West were avid collectors of Parmigianino's drawings and original prints. Here Blesard interprets a drawing of Parmigianino formerly in the collection of West, dramatising the subject in chiaroscuro watercolour. The effect is skilfully achieved through application of a blue background wash with scratching out to reveal the white ground.\u003c\/p\u003e\u003cp\u003eThe artist is believed to be Robert John Blesard (1809–1839) of Woodhouse, Leeds, son of a woollen merchant and descendent of the prominent Quaker Blesard family of Guiseley. [See also collection \u003ca href=\"\/en-eu\/collections\/artist-collections\/r-j-blesard-yorkshire-landscapes-1832-34\"\u003eR.J. Blesard: Yorkshire Landscapes 1832–34\u003c\/a\u003e.]\u003c\/p\u003e\u003cp\u003eOn watermarked J Whatman wove paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020360610121,"sku":"KA-194","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-194.jpg?v=1743514127"},{"product_id":"thomas-ward-handwritten-copperplate-manuscript-smarts-song-of-david-1820-ka-276","title":"Thomas Ward, Handwritten Copperplate Manuscript 'Smart's Song of David' – 1820","description":"\u003cp\u003eOriginal 1820 calligraphy, Thomas Ward, ''Smart's Song of David'.\u003c\/p\u003e\u003cp\u003eA beautiful double-sided sheet of copperplate calligraphy, 'A Song to David' by Christopher Smart (1722–1771).\u003c\/p\u003e\u003cp\u003eThomas Ward is possibly connected with the brewing family of Thomas Ward of Hull.\u003c\/p\u003e\u003cp\u003eThis sheet is part of an interesting collection that tells a story of early 19th-century Hull, its flourishing industry and the nascent Primitive Methodist community in the city.\u003c\/p\u003e\u003cp\u003eOn paper with embossed decorative border.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020368245065,"sku":"KA-276","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-276.jpg?v=1743514169"},{"product_id":"after-sir-david-wilkie-ra-hebrew-women-reading-the-scriptures-1844-lithograph-ka-382","title":"After Sir David Wilkie RA, Hebrew Women Reading the Scriptures – 1844 lithograph","description":"\u003cp\u003eAn original 1844 lithograph print, After Sir David Wilkie RA, Hebrew Women Reading the Scriptures at Jerusalem.\u003c\/p\u003e\u003cp\u003eAn interesting lithograph by Joseph Nash after Sir David Wilkie's series of Sketches in Turkey, Syria \u0026amp; Egypt, 1840 \u0026amp; 1841. The print was 'Presented with the Art Union Monthly Journal January 1844' and is described as 'Specimen Print of Sir David Wilkie's Oriental Sketches. \/ Published by Henry Graves \u0026amp; Co, Pall Mall'.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020378141001,"sku":"KA-382","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-382.jpg?v=1743514216"},{"product_id":"gaetano-dura-ritorno-da-montevergine-original-early-19th-century-lithograph-print-ka-963","title":"Gaetano Dura, Ritorno da Montevergine – early 19th-century lithograph print","description":"\u003cp\u003eAn original early 19th-century lithograph print, Gaetano Dura, Ritorno da Montevergine.\u003c\/p\u003e\u003cp\u003eAn animated Neapolitan scene showing pilgrims returning from festivities in celebration of Pentecost at the Sanctuary of Montevergine.\u003c\/p\u003e\u003cp\u003eThe lithographer Gaetano Dura lived and worked in Naples. In the 1830s he joined the lithographer and publisher Federico Gatti. This partnership gave rise to a prolific print business, primarily devoted to the publication of popular prints describing the everyday life of Naples.\u003c\/p\u003e\u003cp\u003eLithograph handcoloured in watercolour.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020524581193,"sku":"KA-963","price":58.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-963.jpg?v=1743514686"},{"product_id":"gaetano-dura-ritorno-della-madonna-dellarco-early-19th-century-lithograph-ka-964","title":"Gaetano Dura, Ritorno della Madonna dell'Arco – early 19th-century lithograph","description":"\u003cp\u003eAn original early 19th-century lithograph print, Gaetano Dura, Ritorno della Madonna dell'Arco.\u003c\/p\u003e\u003cp\u003eAn animated Neapolitan scene showing pilgrims returning from festivities in celebration of Pasquetta (Easter Monday) at the sanctuary of the Madonna dell’Arco, near Sant’Anastasia, on the slopes of Vesuvius..\u003c\/p\u003e\u003cp\u003eThe lithographer Gaetano Dura lived and worked in Naples. In the 1830s he joined the lithographer and publisher Federico Gatti. This partnership gave rise to a prolific print business, primarily devoted to the publication of popular prints describing the everyday life of Naples.\u003c\/p\u003e\u003cp\u003eLithograph handcoloured in watercolour.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020525138249,"sku":"KA-964","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-964.jpg?v=1743514689"},{"product_id":"hauser-illustration-psalm-11615-death-of-the-saints-1837-watercolour-painting-kb-352","title":"Hauser, Illustration Psalm 116:15 Death of the Saints –1837 watercolour painting","description":"\u003cp\u003eAn original 1837 watercolour painting, Hauser, Illustration Psalm 116:15 Death of the Saints.\u003c\/p\u003e\u003cp\u003eA beautiful original illustration in watercolour wash and graphite dating from 1837.\u003c\/p\u003e\u003cp\u003eThe composition illustrates Psalm 116:15, with the inscription in French translating as 'Precious in the Sight of the Lord is the Death of His Saints'.\u003c\/p\u003e\u003cp\u003eThe identity of the artist Hauser is unknown.\u003c\/p\u003e\u003cp\u003eOn cream wove paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021423866185,"sku":"KB-352","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-352.jpg?v=1743520601"},{"product_id":"richard-westall-ra-st-paul-and-the-viper-original-1806-watercolour-painting-kb-495","title":"Richard Westall RA, St Paul and the Viper – Original 1806 watercolour painting","description":"\u003cp\u003eAn original 1806 watercolour painting, Richard Westall RA, St Paul and the Viper.\u003c\/p\u003e\u003cp\u003eThis superbly painted biblical scene, at small scale in watercolour, displays the rich detail for which Richard Westall RA (1769–1836) is celebrated. Within a sheet of just 13 x 10.5cm (5 x 4\"), Westall assembles nine finely modelled figures, centred around the dramatic encounter of Paul the Apostle with a venomous snake. The composition achieves a fullness of effect despite its small size, with the dramatic juxtaposition of light and dark, foreground detail and background atmosphere.\u003c\/p\u003e\u003cp\u003eWestall is known for his historical, literary and biblical subjects; the story of Paul and the Snake is told in Acts 28 of the New Testament, recounting Paul's journey from his arrival in Malta to finally settling in Italy. Here, on the shore in Malta, the people of the island build a fire to welcome him, but a snake is forced out by the fire and ascends Paul's arm. The people believe that Paul is being punished—but when he is unharmed by the snake's poisonous bite he is proven good. Paul's survival of the bite can be seen as fulfilling the prophetic assurance of God’s protection over His apostles as they spread the gospel.\u003c\/p\u003e\u003cp\u003eWestall's work in the late 18th century, encouraged by his chief patron, the taste-maker Richard Payne Knight, was innovative in helping to elevate the medium of watercolour closer to that of oil paintings. He used an intensity of colour and detail at a smaller, cheaper scale that appealed greatly to the market, and in 1795 Westall was pronounced in The St James’s Chronicle as 'the Founder of a particular School of Drawing in Water-Colours'.\u003c\/p\u003e\u003cp\u003eWestall was a prolific book illustrator of both fiction and poetry. His commissions included works for John Boydell's Shakespeare Gallery and for Henry Fuseli's Milton Gallery, as well as illustrations to the works of Sir Walter Scott, Oliver Goldsmith, William Cowper, Thomas Gray and Byron. Byron greatly admired his work, stating of his illustrations that 'the brush has beat the poetry'; Westall painted several portraits of Byron. He also illustrated editions of the Bible, including one with John Martin.\u003c\/p\u003e\u003cp\u003eIn watercolour on card.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021467218249,"sku":"KB-495","price":795.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-495.jpg?v=1743520776"},{"product_id":"alexandre-dupendant-vision-of-peace-figure-on-coast-c-1870-gouache-painting-kb-908","title":"Alexandre Dupendant, Vision of Peace; Figure on Coast – c.1870 gouache painting","description":"\u003cp\u003eAn original c.1870 gouache painting – Alexandre Dupendant, Vision of Peace; Figure on Coastal Rocks.\u003c\/p\u003e\u003cp\u003eAn imaginative work in gouache by the French caricaturist and satirical illustrator—and Parisian bohemian—Alexandre Dupendant (1833–1884).\u003c\/p\u003e\u003cp\u003eUnusually for this satirical artist, the subject appears to show a heavenly vision peace and calm. This is one of a small group of paintings by Dupendant that we have for sale, which includes a complementary pair that depicts a vision of Hell, with Satan and ghouls.\u003c\/p\u003e\u003cp\u003eWorking during the Paris Commune, Alexandre Dupendant often painted political or military figures and scenes, including episodes from the Franco-German War of 1870. His work is likened to the caricatural style of Honoré Daumier (1808–1879).\u003c\/p\u003e\u003cp\u003eBiographical record of Dupendant is scant. He worked as a lithographer in Paris but is said to have been better known as a local bohemian, an ardent Communard and a cartoonist. He was apparently a regular at a bar in the Latin Quarter called Père Lunette, which notoriously served the lowest in society alongside socialists and anarchists, and where the walls were famously adorned with cartoons and caricatures.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948275069257,"sku":"KB-908","price":148.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-908.jpg?v=1757941187"},{"product_id":"alexandre-dupendant-vision-of-hell-satan-ghoul-original-c-1870-gouache-painting-kb-907","title":"Alexandre Dupendant, Vision of Hell; Satan \u0026 Ghoul – c.1870 gouache painting","description":"\u003cp\u003eAn original c.1870 gouache painting – Alexandre Dupendant, Vision of Hell; Satan \u0026amp; Ghoul.\u003c\/p\u003e\u003cp\u003eA highly imaginative work in gouache by the French caricaturist and satirical illustrator—and Parisian bohemian—Alexandre Dupendant (1833–1884).\u003c\/p\u003e\u003cp\u003eThe subject appears to show a satirical vision of Hell in which a demonic figure juggles with diminutive figures of the papacy, and a goat-horned Satan dangles a fishing rod of temptation. The subject is redolent of the visionary, nightmarish illustrations of Victor Hugo (1802–1885).\u003c\/p\u003e\u003cp\u003eThis is one of a small group of paintings by Alexandre Dupendant that we have for sale, which includes a complementary pair that depicts a vision of calm and peace.\u003c\/p\u003e\u003cp\u003eWorking during the Paris Commune, Dupendant often painted political or military figures and scenes, including episodes from the Franco-German War of 1870. His work is likened to the caricatural style of Honoré Daumier (1808–1879).\u003c\/p\u003e\u003cp\u003eBiographical record of Dupendant is scant. He worked as a lithographer in Paris but is said to have been better known as a local bohemian, an ardent Communard and a cartoonist. He was apparently a regular at a bar in the Latin Quarter called Père Lunette, which notoriously served the lowest in society alongside socialists and anarchists, and where the walls were famously adorned with cartoons and caricatures.\u003c\/p\u003e\u003cp\u003eOn green-grey paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948275298633,"sku":"KB-907","price":380.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-907.jpg?v=1757941196"},{"product_id":"philip-j-marvin-tintorettos-miracle-of-the-slave-venice-1876-watercolour-kb-924","title":"Philip J. Marvin, Tintoretto's Miracle of the Slave, Venice – 1876 watercolour","description":"\u003cp\u003eAn original 1876 watercolour painting – Philip J. Marvin, Tintoretto's Miracle of the Slave, Accademia, Venice (Detail).\u003c\/p\u003e\u003cp\u003eA beautiful detail from Tintoretto's painting Miracle of the Slave of Benvenuto, sketched by talented late-Victorian architect Philip J. Marvin (1849–1931). The wax model is in the Bargello National Museum in Florence, Italy.\u003c\/p\u003e\u003cp\u003eTintoretto's oil painting is in the Gallerie dell'Accademia in Venice.\u003c\/p\u003e\u003cp\u003eOn paper laid down on card.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948277395785,"sku":"KB-924","price":52.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-924.jpg?v=1757941222"},{"product_id":"christ-with-crown-of-thorns-after-guido-reni-early-c19th-watercolour-painting-kc-043","title":"Christ with Crown of Thorns after Guido Reni – early C19th watercolour painting","description":"\u003cp\u003eAn original early 19th-century watercolour painting – Christ with Crown of Thorns after Guido Reni.\u003c\/p\u003e\u003cp\u003eA remarkably fine work, entirely hand painted. After the famous Head of Christ or Ecce Homo by the 17th-century Italian Baroque painter Guido Reni. The detailed portrayal of Christ's face convincingly conveys his anguish as a crown of thorns is placed on his head in the lead up to his crucifixion.\u003c\/p\u003e\u003cp\u003eExquisitely painted in watercolour with gum arabic to intensify the colour. On cream wove paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948280312137,"sku":"KC-043","price":280.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kc-043.jpg?v=1757941285"},{"product_id":"william-j-tipping-portrait-of-pope-alexander-vii-1856-graphite-drawing-kc-130","title":"William J. Tipping, Portrait of Pope Alexander VII – 1856 graphite drawing","description":"\u003cp\u003eAn original 1856 graphite drawing – William J. Tipping, Portrait of Pope Alexander VII (Fabio Chigi).\u003c\/p\u003e\u003cp\u003eA beautifully fine portrait sketch in graphite heightened with white bodycolour. The drawing depicts Pope Alexander VII (1599–1667), born Fabio Chigi.\u003c\/p\u003e\u003cp\u003eThis drawing is part of a series of 'Portraits Historique' that we have for sale by William J. Tipping (1816–1897), dated 1856. Drawn from the art collections of the Louvre and the Palace of Versailles, the portraits depict French kings and queens, noblemen and women and significant figures of court and culture from the 12th to the 18th centuries.\u003c\/p\u003e\u003cp\u003eWilliam J. Tipping (1816–1897) was a railway magnate, politician, amateur artist and archaeologist. The Tipping family was living in France at this time; his youngest son, Henry Avray Tipping, was born at the Château de Ville-d'Avray near Versailles in 1855.\u003c\/p\u003e\u003cp\u003eIn graphite with white bodycolour. On beige wove paper laid down on blue backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948283982153,"sku":"KC-130","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kc-130a.jpg?v=1762264485"},{"product_id":"william-warman-pensive-christ-original-c-1831-watercolour-painting-kc-259","title":"William Warman, Pensive Christ – Original c.1831 watercolour painting","description":"\u003cp\u003eAn original c.1831 watercolour painting – William Warman, Pensive Christ.\u003c\/p\u003e\u003cp\u003eAn exquisitely painted vignette depicting Jesus Christ.\u003c\/p\u003e\u003cp\u003eWilliam Warman (1806–1875) paints Christ in pensive pose, common in Christian iconography, but brings elements of more traditional secular portraiture in the regal costume. Warman's skill is impressive and the detail to the face is exceptionally fine, executed with the delicate handling of a miniaturist. The painting is drawn in pure watercolour to the face, with grey wash and graphite to the body and clothing; as a result the refined facial features radiate from their monochrome surroundings.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948553007433,"sku":"KC-259","price":168.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kc-259.jpg?v=1757941494"},{"product_id":"microcalligraphy-lords-prayer-in-roundel-original-c-1831-pen-ink-drawing-kc-255","title":"Microcalligraphy Lord's Prayer in Roundel – Original c.1831 pen \u0026 ink drawing","description":"\u003cp\u003eAn original c.1831 pen \u0026amp; ink drawing – Microcalligraphy Lord's Prayer in Roundel.\u003c\/p\u003e\u003cp\u003eAn exquisite example of breathtaking microcalligraphy—miniscule handwriting composed within a circular laurel wreath design.\u003c\/p\u003e\u003cp\u003eMicrocalligraphy emerged in the 9th century as a way of decorating Hebrew Bibles. Slowly the practice spread from Israel to Egypt and into Europe; by the 19th century it was a popular artform, particularly in relation to biblical subjects.\u003c\/p\u003e\u003cp\u003eThe writing within this example is only legible under magnification. The full Lord's Prayer—seventeen lines of script—fits within a circle of just 11mm (less than 1\/2 inch) diameter.\u003c\/p\u003e\u003cp\u003eOn yellow paper laid down on backing paper.\u003c\/p\u003e\u003cp\u003eYellow paper size: 4.5 x 4.5cm.\u003c\/p\u003e\u003cp\u003eBacking sheet size: 13.3 x 9.8cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948554088777,"sku":"KC-255","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kc-255.jpg?v=1757941512"},{"product_id":"george-john-cayley-prayers-for-those-who-died-at-sea-basilique-notre-dame-dafrique-algiers-algeria-original-c-1874-watercolour-painting-ka-091","title":"George John Cayley, Prayers for Those Who Died at Sea, Basilique Notre Dame d'Afrique, Algiers, Algeria – c.1874 watercolour painting","description":"\u003cp\u003eAn original c.1874 watercolour painting – George John Cayley, Prayers for Those Who Died at Sea, Basilique Notre Dame d'Afrique, Algiers, Algeria.\u003c\/p\u003e\u003cp\u003eAn interesting and beautiful ink and wash drawing showing eclesiastical figures from the Catholic Basilique Notre Dame in Algiers, standing at the cliff's edge in prayer 'for those who died at sea'.\u003c\/p\u003e\u003cp\u003eGeorge John Cayley (1826–1878) went to live in Algiers in 1870 to try to improve his health. He was an English eccentric who travelled widely, and was a gifted artist and accomplished metal-worker. In 1862 he collaborated on a design with the painter George Frederick Watts RA. Cayley dabbled in poetry and wrote a number of books, some of which he illustrated. He is also remembered as a significant early proponent of Lawn Tennis: a talented player, he worked on the development of tennis rackets and wrote an article on the subject for The Edinburgh Review in 1875.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":53258924818761,"sku":"KA-091","price":88.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KA-091.jpg?v=1762264149"},{"product_id":"canton-school-taoist-warrior-deity-zhenwu-original-18th-century-gouache-painting-kc-237","title":"Canton School, Taoist Warrior Deity Zhenwu – 18th-century gouache painting","description":"\u003cp\u003eAn original 18th-century gouache painting – Canton School, Taoist Warrior Deity Zhenwu.\u003c\/p\u003e\u003cp\u003eThis is one of an outstanding set of six Canton School gouache paintings on paper depicting Taoist deities and Qing Dynasty figures.\u003c\/p\u003e\u003cp\u003eBeginning in the late 18th century, centred on the treaty port of Canton (Guangzhou), there existed a thriving trade in ethnographical watercolours executed by local Chinese artists and sold to western merchants and travellers.\u003c\/p\u003e\u003cp\u003eThese works typically depict Chinese traditional customs, occupations, manufacture and trades, boats, plants and animals, and they blend Chinese and European painting techniques, resulting in a unique mix of artistic styles.\u003c\/p\u003e\u003cp\u003eThis set of six gouache paintings are a particularly high quality example; five of the six are painted on very delicate paper, which was customary for paintings dating from the early period (late 18th and early 19th century), when works were particularly fine and specifically produced using the highest standards for wealthy Europeans. Later in the 19th century the paper was usually thicker, catering for a wider mass-market.\u003c\/p\u003e\u003cp\u003eThe figures depicted are unusually large when compared with works from the studio of Pu-Qua (active c.1750–1850). They also not to be standard 'stock' export paintings (repeated figures produced in multiples for the market) as they do not bring up any specific matches when cross-referenced with the extensive collection of Chinese export paintings in the V\u0026amp;A, London.\u003c\/p\u003e\u003cp\u003eIn gouache on very fine, thin laid paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":53441682112841,"sku":"KC-237","price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KC-237.jpg?v=1764695590"},{"product_id":"canton-school-taoist-deity-with-dragon-original-18th-century-gouache-painting-kc-236","title":"Canton School, Taoist Deity with Dragon – 18th-century gouache painting","description":"\u003cp\u003eAn original 18th-century gouache painting – Canton School, Taoist Deity with Dragon.\u003c\/p\u003e\u003cp\u003eThis is one of an outstanding set of six Canton School gouache paintings on paper depicting Taoist deities and Qing Dynasty figures.\u003c\/p\u003e\u003cp\u003eBeginning in the late 18th century, centred on the treaty port of Canton (Guangzhou), there existed a thriving trade in ethnographical watercolours executed by local Chinese artists and sold to western merchants and travellers.\u003c\/p\u003e\u003cp\u003eThese works typically depict Chinese traditional customs, occupations, manufacture and trades, boats, plants and animals, and they blend Chinese and European painting techniques, resulting in a unique mix of artistic styles.\u003c\/p\u003e\u003cp\u003eThis set of six gouache paintings are a particularly high quality example; five of the six are painted on very delicate paper, which was customary for paintings dating from the early period (late 18th and early 19th century), when works were particularly fine and specifically produced using the highest standards for wealthy Europeans. Later in the 19th century the paper was usually thicker, catering for a wider mass-market.\u003c\/p\u003e\u003cp\u003eThe figures depicted are unusually large when compared with works from the studio of Pu-Qua (active c.1750–1850). They also not to be standard 'stock' export paintings (repeated figures produced in multiples for the market) as they do not bring up any specific matches when cross-referenced with the extensive collection of Chinese export paintings in the V\u0026amp;A, London.\u003c\/p\u003e\u003cp\u003eIn gouache on very fine, thin laid paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":53441682211145,"sku":"KC-236","price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KC-236.jpg?v=1764695591"},{"product_id":"canton-school-taoist-warrior-deity-guan-yu-original-18th-century-gouache-painting-kc-238","title":"Canton School, Taoist Warrior Deity Guan Yu – 18th-century gouache painting","description":"\u003cp\u003eAn original 18th-century gouache painting – Canton School, Taoist Warrior Deity Guan Yu.\u003c\/p\u003e\u003cp\u003eThis is one of an outstanding set of six Canton School gouache paintings on paper depicting Taoist deities and Qing Dynasty figures.\u003c\/p\u003e\u003cp\u003eBeginning in the late 18th century, centred on the treaty port of Canton (Guangzhou), there existed a thriving trade in ethnographical watercolours executed by local Chinese artists and sold to western merchants and travellers.\u003c\/p\u003e\u003cp\u003eThese works typically depict Chinese traditional customs, occupations, manufacture and trades, boats, plants and animals, and they blend Chinese and European painting techniques, resulting in a unique mix of artistic styles.\u003c\/p\u003e\u003cp\u003eThis set of six gouache paintings are a particularly high quality example; five of the six are painted on very delicate paper, which was customary for paintings dating from the early period (late 18th and early 19th century), when works were particularly fine and specifically produced using the highest standards for wealthy Europeans. Later in the 19th century the paper was usually thicker, catering for a wider mass-market.\u003c\/p\u003e\u003cp\u003eThe figures depicted are unusually large when compared with works from the studio of Pu-Qua (active c.1750–1850). They also not to be standard 'stock' export paintings (repeated figures produced in multiples for the market) as they do not bring up any specific matches when cross-referenced with the extensive collection of Chinese export paintings in the V\u0026amp;A, London.\u003c\/p\u003e\u003cp\u003eIn gouache on very fine, thin laid paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":53441683554633,"sku":"KC-238","price":795.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KC-238.jpg?v=1764695599"},{"product_id":"canton-school-taoist-deity-wang-lingguan-original-18th-century-gouache-painting-kc-239","title":"Canton School, Taoist Deity Wang Lingguan – 18th-century gouache painting","description":"\u003cp\u003eAn original 18th-century gouache painting – Canton School, Taoist Deity Wang Lingguan.\u003c\/p\u003e\u003cp\u003eThis is one of an outstanding set of six Canton School gouache paintings on paper depicting Taoist deities and Qing Dynasty figures.\u003c\/p\u003e\u003cp\u003eBeginning in the late 18th century, centred on the treaty port of Canton (Guangzhou), there existed a thriving trade in ethnographical watercolours executed by local Chinese artists and sold to western merchants and travellers.\u003c\/p\u003e\u003cp\u003eThese works typically depict Chinese traditional customs, occupations, manufacture and trades, boats, plants and animals, and they blend Chinese and European painting techniques, resulting in a unique mix of artistic styles.\u003c\/p\u003e\u003cp\u003eThis set of six gouache paintings are a particularly high quality example; five of the six are painted on very delicate paper, which was customary for paintings dating from the early period (late 18th and early 19th century), when works were particularly fine and specifically produced using the highest standards for wealthy Europeans. Later in the 19th century the paper was usually thicker, catering for a wider mass-market.\u003c\/p\u003e\u003cp\u003eThe figures depicted are unusually large when compared with works from the studio of Pu-Qua (active c.1750–1850). They also not to be standard 'stock' export paintings (repeated figures produced in multiples for the market) as they do not bring up any specific matches when cross-referenced with the extensive collection of Chinese export paintings in the V\u0026amp;A, London.\u003c\/p\u003e\u003cp\u003eIn gouache on very fine, thin laid paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":53441683587401,"sku":"KC-239","price":810.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KC-239.jpg?v=1764695599"},{"product_id":"mary-elizabeth-crawhall-byzantine-mosaic-palatine-chapel-cappella-palatina-palermo-sicily-italy-original-1884-pen-ink-drawing-kc-808","title":"Mary Elizabeth Crawhall, Byzantine Mosaic, Palatine Chapel (Cappella Palatina) Palermo, Sicily, Italy – 1884 pen \u0026 ink drawing","description":"\u003cp\u003eAn original 1884 pen \u0026amp; ink drawing – Mary Elizabeth Crawhall, Byzantine Mosaic, Palatine Chapel (Cappella Palatina) Palermo, Sicily, Italy.\u003c\/p\u003e\u003cp\u003eA beautifully fluid drawing in pen and ink by Mary Elizabeth Crawhall (1835–1917).\u003c\/p\u003e\u003cp\u003eThis drawing forms part of a collection of late 19th-century travel sketches by Mary Elizabeth Crawhall (1835–1917) that we have for sale. M.E. Crawhall was part of the prominent Northumbrian Crawhall family, headed by her father, Joseph Crawhall I (1793–1853), a prosperous Newcastle ropemaker, alderman and amateur artist.\u003c\/p\u003e\u003cp\u003eThe family were artistically gifted and well connected participants in the thriving cultural life of 19th-century Newcastle. Mary Elizabeth's siblings were all artists: her brothers Joseph Crawhall II, Thomas Emerson, and George Edward, as well as her sister Jane. Her nephew, Joseph Crawhall III (1861–1913), is the best known artist of the dynasty, being closely associated with the Glasgow Boys.\u003c\/p\u003e\u003cp\u003eThere is a partial graphite sketch on the verso.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":53441688830281,"sku":"KC-808","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KC-808.jpg?v=1764695695"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/collections\/SC98-KB-747.jpg?v=1745594659","url":"https:\/\/somersetandwood.com\/en-eu\/collections\/religious-inspirational.oembed?page=2","provider":"Somerset \u0026 Wood Fine Art","version":"1.0","type":"link"}