John White Abbott Peasant Family & Rider Resting by a Tree

An original 1836 pen & ink drawing, John White Abbott, Peasant Family & Rider Resting by a Tree.

A beautiful signed ink and wash drawing by John White Abbott (1763–1851). The subject depicted is typical of the figures that might populate Abbott's topographical drawings of his native rural Devon. They also evidence Abbott's connoisseurship and study of Old Masters, including the works of Nicolaes Bergham, which informed the style of the figures in his landscapes.

There is a photographic record of this drawing in the Paul Mellon Centre Photographic Archive (no. PA-F06354-0171) where the work is identified as Peasant Family And Rider Resting By A Tree. This record states that the drawing featured in the Manchester Art Treasures Exhibition, 1857.

Ink and grey wash on laid paper with shield watermark. Laid down on thin card mount with wash line and window cut verso.

+ Read the Artist Research

John White Abbott (1763–1851)

<p>John White Abbott (1763–1851) was born in Exeter, Devon, where he practiced as an apothecary and surgeon. A keen amateur artist, he socialised in the same genteel Exeter circles inhabited by Francis Towne (1739 or 1740–1816), who was a close friend of Abbott's uncle, James White. Abbott took lessons from Towne from a young age and became an important friend and patron of Towne. He closely emulated Towne's style, producing topographical drawings with precise ink outlines and flat and clear washes of colour.</p><p>The majority of Abbott's subjects were local to his native Devon. In 1791 he made his only extended journey outside the West Country, a sketching tour of Scotland, the Lake District, Lancashire, Derbyshire and Warwickshire, and in 1797 he toured Monmouthshire.</p><p>Between 1793 and 1812, Abbott exhibited intermittently at the Royal Academy, as an honorary exhibitor, and his oils were more highly praised than those of Towne. But it is said that he never sold a picture, all works remaining in the family and Abbott living the life of a gentleman amateur. Abbott was also a connoisseur of Old Master prints and this study informed the composition and figures that he used in his landscapes.</p><p>In 1825 Abbott inherited Fordland, a Devon estate, from his uncle James White. From this time on he was able to devote himself solely to drawing. In 1827 he again visited Monmouthshire, and also Gloucestershire and Wiltshire. In 1831 he was appointed a deputy lieutenant of Devonshire.</p><p>His work can be found in numerous public collections, including the British Museum, Victoria and Albert Museum, Ashmolean Museum, Fitzwilliam Museum, the Royal Albert Memorial Museum, Exeter, and the National Gallery of Scotland.</p>

+ Artwork Details

Dimensions: Height: 17.7cm (6.97") Width: 24.3cm (9.57")

Presented: Unframed.

Medium: Pen & Ink

Age: Early 19th-century

Signed: Initialled lower right.

Inscribed: Inscribed with later cataloguing number verso.

Dated: Dated lower left.

Condition: Some age toning across the paper and slight foxing marks in places. There are two tiny holes to the paper, only visible when held to the light, at the centre and the lower left. On the verso around the periphery are paper remnants from previous mounting, which in a few places has caused abrasion to the paper surface on the verso and slight wrinkling to the paper at the lower edge. The age toning can be seen to extend onto the mounting card, within a framing window. Please see photos for detail.

Stock number: JY-313