Neapolitan School Grotta Azzurra (Blue Grotto), Capri, Italy

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An original early 19th-century gouache painting – Neapolitan School, Grotta Azzurra (Blue Grotto), Capri, Italy.

A dramatic moonlit view at the Grotta Azzurra sea cave on Capri island. The cave is famed for its brilliantly glowing, electric-blue waters. Sunlight filters through an underwater cavity, refracting through the seawater to illuminate the cavern from below. In the 19th century the cave began to capture the imagination of writers and artist, becoming a popular destination for travellers, following its 'rediscovery' in 1826 by German poet August Kopisch and artist Ernst Fries.

The strong, opaque colouration is typical of the vedute style that flourished in Naples during this period to meet demand from wealthy Grand Tourists for souvenirs of the city. The anonymous artists of the Neapolitan School employed specific motifs and colours which today can be considered a unique, iconic visual language.

Such paintings were typically small, but this example is larger and more impressive than average. Due to its preservation in an album, the colours and paint surface remain arrestingly vivid and crisp.

On wove paper laid down on original album backing paper.

+ Read the S&W Collection Research

Souvenir of Naples: Early-19th-century Paintings Drawings & Prints

This picture forms part of a superb group of works that were collected by a British Grand Tour traveller in Naples in the mid-19th century. The collection includes impressive Neapolitan School gouache vedute depicting iconic local sites, and also meticulous renderings of the decorative frescoes at Pompeii. There are also a number of hand-coloured lithographs by Gaetano Dura, who specialised in popular prints describing the every-day life of Naples. In addition to works by local artists, the collection features a small number of topographical pictures by British hands.

Naples and Pompeii were often the southerly apotheosis of a European Grand Tour—it being relatively easy to arrange transport on a British ship back to England from Naples. The events at Pompeii and the smoking silhouette of Vesuvius that dominated the Bay of Naples were a unique draw for the traveller and the Romantic imagination. In contrast to the civic sites at Rome—all testaments to imperial power—the monuments at Pompeii were testaments to everyday life and the volcanic power of Vesuvius inspired personal awe and horror. The resulting experience for the traveller was therefore one of heightened authenticity and emotion. Such an experience warranted unique mementoes, and souvenirs were voraciously collected by the Victorian traveller. Pictorial representations of the key sites painted by local artists, to be taken home and shared with others, served as concrete reminders of this emotional engagement.

+ Artwork Details

Dimensions: Height: 21cm (8.27") Width: 29.3cm (11.54")

Presented: Unframed.

Medium: Gouache

Age: Early 19th-century

Signed: No.

Inscribed: Inscribed below on backing paper.

Dated: --

Condition: In good condition for its age. The picture may have minor imperfections such as slight marks, toning, foxing, creasing or pinholes, commensurate with age. There is a small loss at the lower right corner of the backing paper. Please see photos for detail.

Stock number: KD-792