{"title":"Pastel","description":"","products":[{"product_id":"alice-des-clayes-arca-ploughman-with-horses-20th-century-pastel-drawing-jg-916","title":"Alice Des Clayes ARCA Labrador con caballos – Dibujo al pastel del siglo XX","description":"\u003cp\u003e Un dibujo al pastel original de principios del siglo XX, de Alice Des Clayes ARCA Labrador con caballos.\u003c\/p\u003e\n\u003cp\u003e Una vívida escena rural dibujada al pastel, que muestra a un labrador con dos caballos. Su movimiento está capturado con rápidas pinceladas al pastel, lo que confiere a la imagen una gran inmediatez.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51988014432585,"sku":"JG-916","price":210.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jg-916.jpg?v=1743089284"},{"product_id":"alice-des-clayes-arca-haymakers-with-horse-original-20th-century-pastel-drawing-jg-917","title":"Alice Des Clayes ARCA Haymakers con caballo – Dibujo al pastel original del siglo XX","description":"\u003cp\u003e Un dibujo al pastel original de principios del siglo XX, de Alice Des Clayes ARCA Haymakers con caballo.\u003c\/p\u003e\n\u003cp\u003e Un dibujo al pastel maravillosamente colorido que muestra un equipo de segadores de heno cargando un carro de heno tirado por un gran caballo blanco con anteojeras.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51988014465353,"sku":"JG-917","price":248.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jg-917.jpg?v=1743089285"},{"product_id":"regency-theatrical-performance-original-early-20th-century-pastel-drawing-jt-434","title":"Representación teatral de la Regencia: dibujo al pastel original de principios del siglo XX","description":"\u003cp\u003e Un dibujo al pastel original de principios del siglo XX, Representación teatral de la Regencia.\u003c\/p\u003e\n\u003cp\u003e Un estudio audaz y enérgico.\u003c\/p\u003e\n\u003cp\u003e Pastel negro sobre cartulina. El reverso presenta una acuarela gris, como se muestra.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017206165833,"sku":"JT-434","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-434.jpg?v=1743497567"},{"product_id":"diana-bathing-after-francois-boucher-original-early-20th-century-pastel-drawing-jt-544","title":"Diana bañándose, según François Boucher – dibujo al pastel de principios del siglo XX","description":"\u003cp\u003e Un dibujo al pastel original de principios del siglo XX de Diana bañándose, según François Boucher.\u003c\/p\u003e\n\u003cp\u003e Un impresionante dibujo al pastel de gran tamaño que recrea con sensibilidad la célebre pintura al óleo de François Boucher de 1742 (ahora en el Louvre).\u003c\/p\u003e \u003cp\u003eDiana, diosa de la caza y la luna, se representa aquí no como una cazadora robusta y arquera, sino desnuda e inocente, en su baño, asistida por una hermosa ninfa. Boucher, defensor del gusto rococó y maestro del coqueteo y el erotismo, ha reinventado la escena mitológica explorando la sensual belleza del cuerpo femenino. Como símbolo de castidad, Boucher logra realzar la inocencia de Diana para contrarrestar las acusaciones de incorrección.\u003c\/p\u003e\n\u003cp\u003e La elección del pastel en este dibujo crea un efecto de enfoque suave y apropiado, y permite una coloración fresca, capturando el dinamismo y la luminosidad juvenil del tema de Boucher.\u003c\/p\u003e\n\u003cp\u003e El dibujo fue creado posiblemente alrededor de la primera década del siglo XX, época en la que el rococó se encontraba en un período de resurgimiento que a su vez influyó en el movimiento de estilo contemporáneo del Art Nouveau.\u003c\/p\u003e\n\u003cp\u003e Sobre papel verjurado.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017229398345,"sku":"JT-544","price":368.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-544.jpg?v=1743497619"},{"product_id":"edward-handley-read-kings-mill-shipley-sussex-early-c20th-pastel-drawing-jt-918","title":"Edward Handley-Read, King's Mill, Shipley, Sussex – dibujo al pastel de principios del siglo XX","description":"\u003cp\u003eUn dibujo al pastel original de principios del siglo XX, de Edward Handley-Read, The Mill, Shipley.\u003c\/p\u003e\n\u003cp\u003e Una encantadora vista del molino de smock del siglo XIX, King's Mill, en Shipley, West Sussex. Este dibujo al pastel es del artista Capitán Edward Handley-Read (1870-1935) y, en la época de este dibujo, el molino habría sido propiedad del escritor Hilaire Belloc.\u003c\/p\u003e\n\u003cp\u003e Handley-Read fue una figura interesante cuya variada producción es un testimonio de su inquietud y su mente enérgica.\u003c\/p\u003e\n\u003cp\u003e Sobre papel jaspeado de color beige.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017286086985,"sku":"JT-918","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-918.jpg?v=1743497820"},{"product_id":"alan-oliver-beach-scene-original-c-1985-pastel-drawing-jw-080","title":"Alan Oliver, Escena de playa – Dibujo al pastel original de c.1985","description":"\u003cp\u003e Un dibujo al pastel original de c.1985, de Alan Oliver, Escena de playa.\u003c\/p\u003e\n\u003cp\u003e Una fantástica escena playera evocadora al pastel del artista Alan Oliver (n. 1937). Entre los temas playeros conocidos de Oliver se incluyen Brighton y Cromer en Norfolk; es posible que esta vista sea de Cromer.\u003c\/p\u003e\n\u003cp\u003e Alan Oliver se formó como ingeniero, luego como diseñador gráfico e ilustrador técnico, dirigiendo su propio y exitoso negocio de animación cinematográfica, antes de decidir convertirse en pintor a tiempo completo en 1983. Una fuerte estética de diseño sustenta su trabajo, así como un interés en el juego de la luz y el color.\u003c\/p\u003e \u003cp\u003eOliver, que trabaja a menudo con pasteles, se convirtió en presidente de la Leicestershire Pastel Society en 2008. También trabaja con acuarela, óleo y acrílico, y ha expuesto en numerosas exposiciones individuales y conjuntas, incluso en el Royal Institute, la Royal Watercolour Society, el Royal Oil Institute, la Royal Academy y la Pastel Society.\u003c\/p\u003e\n\u003cp\u003e En pastel sobre cartulina marrón.\u003c\/p\u003e\n\u003cp\u003e Este dibujo se exhibió en la Pastel Society, Mall Galleries en 1985 (la etiqueta de la exposición histórica acompaña al dibujo).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017865326921,"sku":"JW-080","price":168.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jw-080_1.jpg?v=1743502719"},{"product_id":"castle-view-original-late-19th-century-pastel-drawing-jw-587","title":"Vista del castillo – Dibujo al pastel original de finales del siglo XIX","description":"\u003cp\u003e Un dibujo al pastel original de finales del siglo XIX: Vista del castillo.\u003c\/p\u003e\n\u003cp\u003e Un dibujo al pastel atractivo y bien ejecutado.\u003c\/p\u003e\n\u003cp\u003e Sobre papel marrón.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017878892873,"sku":"JW-587","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jw-587.jpg?v=1743502837"},{"product_id":"edith-scannell-sonny-charles-jeffreys-allen-as-a-boy-original-1908-pastel-drawing-ka-392","title":"Edith Scannell, \"Sonny\" Charles Jeffreys Allen de niño – dibujo al pastel de 1908","description":"\u003cp\u003e Un dibujo al pastel original de 1908, de Edith Scannell, 'Sonny' Charles Jeffreys Allen cuando era niño.\u003c\/p\u003e \u003cp\u003eUn encantador retrato eduardiano de un niño de tres años, Charles Jeffreys Allen (1905-1937), apodado «Sonny». Particularmente dulces son sus grandes ojos marrones y su expresión seria, así como su elegante ropa eduardiana con su distintivo cuello ancho.\u003c\/p\u003e\n\u003cp\u003e Charles Jeffreys Allen era hijo de Jeffrey Philip Thomas Allen (1867-1917), residente de Lyngford House, Somerset. Jeffrey Philip Thomas Allen sirvió como capitán de la Caballería Yeomanry de West Somerset. Charles estudió en Horris Hill y Bradfield College. Vivió en Woodlands, Taunton, y falleció con tan solo treinta y dos años en Malpica, Castello Branco, Portugal.\u003c\/p\u003e \u003cp\u003eLa artista inglesa Edith Maud Susanna Scannell (1852-1940) es conocida por sus pinturas de niños, de las que se dice que pintó \"con amore\". Su tratamiento de los sujetos es especialmente célebre por su encantadora frescura e ingenuidad. Scannell vivió y tuvo su estudio en West Kensington, Londres. Estudió durante dos años con M. Jacquand en París, en Florencia, Roma y Pisa, con Bellucci, Bompiani y Lanfredini, y durante un breve periodo en la Slade School of Art de Londres.\u003c\/p\u003e\n\u003cp\u003e Scannell expuso ampliamente en Londres, incluida la Royal Academy, así como en otros lugares de Inglaterra (en la Society of Women Artists y las Exposiciones de Otoño de Liverpool, entre otros), en Italia y en Bélgica.\u003c\/p\u003e\n\u003cp\u003e Edith Scannell encontró mucho trabajo como ilustradora para la revista The Art Amateur y también como ilustradora de libros infantiles en Inglaterra y Estados Unidos.\u003c\/p\u003e\n\u003cp\u003e En grafito y pastel sobre papel color beige.\u003c\/p\u003e \u003cp\u003ePresentado en su marco ovalado dorado original, con etiqueta de los enmarcadores en el reverso: Chs. D. Soar \u0026amp; Son, Carvers \u0026amp; Gilders, 1 Launceston Place, Victoria Grove, Kensington.\u003c\/p\u003e\n\u003cp\u003e Tamaño del marco: 33 x 28 cm. Imagen: 28 x 23 cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020383318345,"sku":"KA-392","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-392.jpg?v=1743514227"},{"product_id":"jean-mary-ogilvie-vintage-flower-bloom-pattern-design-original-1930s-pastel-drawing-ka-803","title":"Jean Mary Ogilvie, Diseño de patrón de flores vintage: dibujo al pastel de la década de 1930","description":"\u003cp\u003e Un dibujo al pastel original de la década de 1930, de Jean Mary Ogilvie, diseño de patrón de flores vintage.\u003c\/p\u003e\n\u003cp\u003e Un impresionante diseño floral original de estilo art déco de finales de la década de 1930, obra de Jean Mary Ogilvie (1920-1997). El vibrante diseño de Ogilvie, en tinta y aguada, posee una maravillosa sensación de espontaneidad y movimiento, a la vez que logra un patrón moderno y audaz que se repite con facilidad. Probablemente sea un diseño para tela.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020485620041,"sku":"KA-803","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-803.jpg?v=1743514525"},{"product_id":"attrib-henry-bright-nws-young-woman-with-red-hair-mid-c19th-pastel-drawing-kc-175","title":"Attrib. Henry Bright NWS, Young Woman with Red Hair – mid-C19th pastel drawing","description":"\u003cp\u003eAn original mid-19th-century pastel drawing – Attrib. Henry Bright NWS, Young Woman with Red Hair.\u003c\/p\u003e\n\u003cp\u003eIn this captivating pastel drawing, attributed to the Norwich School artist Henry Bright NWS (1810–1873), a red-haired young lady carrying a large-brimmed hat looks on against a rolling landscape backdrop. The drawing employs an economical palette of compelling contrasts—of orange and blue, yellow and white—harmoniously brought together by the choice of blue paper.\u003c\/p\u003e\n\u003cp\u003eBright counted John Sell Cotman amongst his mentors in Norwich, and under his influence developed a drawing style of particular freedom and directness. A natural draughtsman, Bright made his name as a specialist in ‘coloured chalks’, now known as pastels. As the author and critic Frederic Gordon Roe wrote in 1920, 'His pastels and water-colours, by which he is best known at Walker's Galleries, seldom failed either in tenderness or harmony…. He was emphatically a stupendous draughtsman, and it is amazing to note how level was the balance of his mind between drawing and colour.'\u003c\/p\u003e\n\u003cp\u003eBright was principally a landscape artist, finding subject in picturesque rustic views both in his native East Anglia and further afield. He made regular sketching tours in England, Scotland and Wales, and also on the Continent. During the latter he struck up a friendship with J.M.W. Turner, travelling in Turner's company on at least two sketching excursions.\u003c\/p\u003e\n\u003cp\u003eThis portrait subject is unusual for Bright. On occasions he included rustic figures in his landscapes and pastoral scenes, and there is a crayon portrait sketch in the V\u0026amp;A collection (E.2492-1928). In his 1864 painting 'The Cottage Door' (York Art Gallery), the subject is a young woman at a cottage door, similar in contemplative feel to the present drawing. Our young lady depicted in pastel, however, is rather more genteel and appears more as an observer of the landscape rather than a participant within it. Perhaps this suggests that the subject is known to the artist—could this be his eldest daughter, who, after her mother's premature death in 1848, accompanied Bright on several sketching excursions?\u003c\/p\u003e\n\u003cp\u003eAfter a move to London in 1836, Bright enjoyed considerable success as a painter and drawing master. His circle included Samuel Prout, David Cox, and John Duffield Harding amongst others. Queen Victoria purchased one of his paintings in 1844 and his work was much praised by John Ruskin.\u003c\/p\u003e\n\u003cp\u003eHis work is represented in numerous public collections, including the British Museum, V\u0026amp;A, Tate, Colchester \u0026amp; Ipswich Museums Service, Norwich Castle Museum \u0026amp; Art Gallery and York Art Gallery.\u003c\/p\u003e\n\u003cp\u003eIn pastel on blue coarse-textured wove paper.\u003c\/p\u003e\n\u003cp\u003eThe drawing is accompanied by its historic paper wrapping which bears the attribution.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948420264265,"sku":"KC-175","price":310.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kc-175.jpg?v=1757941414"},{"product_id":"anon-indian-pig-sticking-boar-hunt-sport-the-buffs-regiment-original-1873-pastel-drawing-kd-647","title":"Anon., Indian Pig-sticking Boar Hunt Sport, The Buffs Regiment – 1873 pastel drawing","description":"\u003cp\u003eAn original 1873 pastel drawing – Indian Pig-sticking Boar Hunt Sport, The Buffs Regiment.\u003c\/p\u003e\u003cp\u003eThis curious small drawing is one of a pair that we have for sale (see stock no. KD-646) produced in India around 1873, depicting a British military officer engaged in the at-that-time extremely popular sport of pig-sticking.\u003c\/p\u003e\u003cp\u003eThe officer is identified on a separate fragment of paper as Major F. Mosley of the Buffs regiment. The Buffs, a nickname for the East Kent Regiment, were stationed in Bengal, including Calcutta, for most of the 1870s. The regiment was known for their shooting prowess, winning the Magdala Cup in 1874. The 1st Battalion was also central to the establishment of the Calcutta Football Club in 1872.\u003c\/p\u003e\u003cp\u003eWhilst boar hunting with dogs had existed since ancient times, 'pig-sticking' on horseback originated only in the late 18th or early 19th century. Central to the martial conditioning of the British forces in India and to the assertion of colonial dominance, it was labelled by Robert Baden-Powell the 'premier sport of India'. The sport was fast moving and dangerous, the horse rider requiring preeminent equestrian skills to out-manoeuvre the strong, wily boar. Tent Clubs were established across the provinces to oversee the sport on a local level, where strict rules and etiquette were enforced.\u003c\/p\u003e\u003cp\u003eOur pig-sticker wears the typical sportsman's jacket, breeches and essential helmet, as well as sporting a full beard, popular at this time as a symbol of heroic masculinity.\u003c\/p\u003e\u003cp\u003eIn blue and red pastel on buff-coloured paper.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54360931729737,"sku":"KD-647","price":88.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-647.jpg?v=1778582945"},{"product_id":"anon-indian-pig-sticking-boar-hunt-sport-the-buffs-regiment-original-1873-pastel-drawing-kd-646","title":"Anon., Indian Pig-sticking Boar Hunt Sport, The Buffs Regiment – 1873 pastel drawing","description":"\u003cp\u003eAn original 1873 pastel drawing – Indian Pig-sticking Boar Hunt Sport, The Buffs Regiment.\u003c\/p\u003e\u003cp\u003eThis curious small drawing is one of a pair that we have for sale (see stock no. KD-647) produced in India around 1873, depicting a British military officer engaged in the at-that-time extremely popular sport of pig-sticking.\u003c\/p\u003e\u003cp\u003eThe officer is identified on a separate fragment of paper as Major F. Mosley of the Buffs regiment. The Buffs, a nickname for the East Kent Regiment, were stationed in Bengal, including Calcutta, for most of the 1870s. The regiment was known for their shooting prowess, winning the Magdala Cup in 1874. The 1st Battalion was also central to the establishment of the Calcutta Football Club in 1872.\u003c\/p\u003e\u003cp\u003eWhilst boar hunting with dogs had existed since ancient times, 'pig-sticking' on horseback originated only in the late 18th or early 19th century. Central to the martial conditioning of the British forces in India and to the assertion of colonial dominance, it was labelled by Robert Baden-Powell the 'premier sport of India'. The sport was fast moving and dangerous, the horse rider requiring preeminent equestrian skills to out-manoeuvre the strong, wily boar. Tent Clubs were established across the provinces to oversee the sport on a local level, where strict rules and etiquette were enforced.\u003c\/p\u003e\u003cp\u003eOur pig-sticker wears the typical sportsman's jacket, breeches and essential helmet, as well as sporting a full beard, popular at this time as a symbol of heroic masculinity.\u003c\/p\u003e\u003cp\u003eIn blue and red pastel on grey paper.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54360933630281,"sku":"KD-646","price":98.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-646.jpg?v=1778582958"},{"product_id":"mary-ann-j-thynne-inch-keith-from-dalmeny-earl-of-rosebery-firth-of-forth-scotland-original-1837-pastel-drawing-kd-682","title":"Mary Ann J. Thynne, Inch Keith from Dalmeny, Earl of Rosebery, Firth of Forth, Scotland – 1837 pastel drawing","description":"\u003cp\u003eAn original 1837 pastel drawing – Mary Ann J. Thynne, Inch Keith from Dalmeny, Earl of Rosebery, Firth of Forth, Scotland.\u003c\/p\u003e\u003cp\u003eA charming pastel drawing by Mary Ann John Thynne (1778–1863), who was the aunt of Charlotte Anne Thynne (1811–1895), wife of Walter Francis, the 5th Duke of Buccleuch and 7th Duke of Queensberry (1806–1884).\u003c\/p\u003e\u003cp\u003eThis watercolour forms part of a collection of works by Mary Ann, who married into the Thynne family, the Marquesses of Bath, of Longleat House, Wiltshire. The family had close royal associations; Mary Ann was Lady of the Bedchamber to HRH Princess Sophia (daughter of George III) and HRH Princess Charlotte Augusta (the only child of George IV).\u003c\/p\u003e\u003cp\u003eMary Ann's niece, Charlotte Anne, married the Duke of Buccleuch—one of the most powerful and wealthy aristocrats in Britain, often described as Scotland’s premier landowner. The majority of the drawings in the collection are Scottish views around the private Buccleuch estates of Bowhill in the Scottish Borders, Dalkeith Palace in Midlothian and Caroline Park at Granton near Edinburgh.\u003c\/p\u003e\u003cp\u003eThis picture is a charming personal record of Mary Ann Thynne's visit to Scotland between August and December 1837.\u003c\/p\u003e\u003cp\u003eIn pastel on grey paper laid down on backing paper, with hand-drawn washline border.\u003c\/p\u003e\u003cp\u003eProvenance: previously owned by Annie Harriet (Haden) Thynne (1848–1937), daughter of the etcher Sir Francis Seymour Haden, who married Charles Ernest Thynne (1849–1906), grandson of Thomas Thynne, 2nd Marquess of Bath.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609177149769,"sku":"KD-682","price":78.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-682.jpg?v=1781601193"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/collections\/M15-d-raw-JA-890.jpg?v=1742291844","url":"https:\/\/somersetandwood.com\/es-eu\/collections\/pastel.oembed","provider":"Somerset \u0026 Wood Fine Art","version":"1.0","type":"link"}