{"title":"Acuarelas chinas, pinturas de médula y herbario: Minnie Wight, 1858","description":"\u003cp\u003e Esta hermosa colección de obras chinas se conservó en un álbum de mediados del siglo XIX perteneciente a Minnie Wight, de Newhaven. Se sabe poco sobre Minnie Wright, pero evidentemente era inglesa y su dirección era «Newhaven» en 1858. Las anotaciones que acompañan a la colección indican que su nieto se llamaba Philip Orford.\u003c\/p\u003e \u003cp\u003eProbablemente estuvo vinculada a la comunidad británica residente en China en torno a los principales puertos comerciales del delta del Yangtsé tras el Tratado de Nankín de 1842. Además de bellos ejemplos de pinturas chinas sobre médula y acuarelas florales, la colección incluye una acuarela de un maestro de escuela chino, con la inscripción «Morton envía a Minnie», y varios especímenes de herbario recolectados en lugares cercanos al Gran Canal y Hangzhou, su extremo sur, entre 1859 y 1862. También hay dos especímenes recolectados en la Granja Hogg, Inglaterra, en 1863. En conjunto, la colección constituye un fascinante registro de la historia, las actividades y los intercambios socioculturales que tuvieron lugar entre China y Occidente en el siglo XIX.\u003c\/p\u003e","products":[{"product_id":"chinese-herbarium-pressed-wildflower-specimen-c-1859-ka-201","title":"Ejemplar de flor silvestre prensada de herbario chino – c.1859","description":"\u003cp\u003e Una hoja prensada original de flores silvestres prensadas de herbario chino, de c.1859.\u003c\/p\u003e\n\u003cp\u003e Este inusual ejemplar de planta fue recolectado en China a mediados del siglo XIX y conservado en un álbum perteneciente a Minnie Wight, de Newhaven. Se sabe poco sobre Minnie Wright, pero evidentemente era inglesa y su dirección era «Newhaven» en 1858. Las anotaciones que acompañan a la colección indican que su nieto se llamaba Philip Orford.\u003c\/p\u003e \u003cp\u003eLos especímenes de su herbario datan de entre 1859 y 1862 y fueron recolectados en lugares cercanos al Gran Canal y Hangzhou, su extremo sur. También hay dos especímenes recolectados en la Granja Hogg, Inglaterra, en 1863.\u003c\/p\u003e\n\u003cp\u003e Si bien existen muestras de plantas de China de este período como parte de colecciones compiladas por botánicos itinerantes, estos raros ejemplares fueron aparentemente recolectados por o para una joven, para quien la recolección de plantas secas era un pasatiempo y un método de aprendizaje. Probablemente estaba vinculada a la comunidad británica que residía en China en torno a los principales puertos comerciales del delta del Yangtsé tras el Tratado de Nankín de 1842.\u003c\/p\u003e\n\u003cp\u003e La pieza está fijada sobre papel azul pálido con hilo de algodón color crema. Tenga en cuenta el pequeño tamaño de esta obra.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020362019145,"sku":"KA-201","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-201.jpg?v=1743514135"},{"product_id":"chinese-herbarium-pressed-cotton-leaf-flower-specimen-1862-ka-202","title":"Ejemplar de hojas y flores de algodón prensado, herbario chino, 1862","description":"\u003cp\u003e Un herbario chino original de hojas y flores de algodón prensadas de 1862.\u003c\/p\u003e \u003cp\u003eEste inusual ejemplar de planta fue recolectado en China a mediados del siglo XIX y conservado en un álbum perteneciente a Minnie Wight, de Newhaven. Se sabe poco sobre Minnie Wright, pero evidentemente era inglesa y su dirección era «Newhaven» en 1858. Las anotaciones que acompañan a la colección indican que su nieto se llamaba Philip Orford.\u003c\/p\u003e\n\u003cp\u003e Los especímenes de su herbario datan de entre 1859 y 1862 y fueron recolectados en lugares cercanos al Gran Canal y Hangzhou, su extremo sur. También hay dos especímenes recolectados en la Granja Hogg, Inglaterra, en 1863.\u003c\/p\u003e\n\u003cp\u003e Si bien existen muestras de plantas de China de este período como parte de colecciones compiladas por botánicos itinerantes, estos raros ejemplares fueron aparentemente recolectados por o para una joven, para quien la recolección de plantas secas era un pasatiempo y un método de aprendizaje. Probablemente estaba vinculada a la comunidad británica que residía en China en torno a los principales puertos comerciales del delta del Yangtsé tras el Tratado de Nankín de 1842.\u003c\/p\u003e \u003cp\u003eLa pieza está fijada sobre papel verjurado con hilo de algodón color crema. Tenga en cuenta el pequeño tamaño de esta obra.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020362084681,"sku":"KA-202","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-202.jpg?v=1743514136"},{"product_id":"chinese-herbarium-pressed-flowers-from-kau-shing-qiaosizhen-hangzhou-1859-ka-205","title":"Hojas prensadas de herbario chino de Kau Shing (Qiaosizhen, Hangzhou?) 1859","description":"\u003cp\u003e Hojas prensadas originales de 1859, hojas prensadas del herbario chino de Kau Shing (Qiaosizhen, ¿Hangzhou?).\u003c\/p\u003e\n\u003cp\u003e Esta inusual lámina de especímenes de plantas fue recolectada en China a mediados del siglo XIX y conservada en un álbum perteneciente a Minnie Wight, de Newhaven. Se sabe poco sobre Minnie Wright, pero evidentemente era inglesa y su dirección era «Newhaven» en 1858. Las anotaciones que acompañan a la colección indican que su nieto se llamaba Philip Orford.\u003c\/p\u003e\n\u003cp\u003e Los especímenes de su herbario datan de entre 1859 y 1862 y fueron recolectados en lugares cercanos al Gran Canal y Hangzhou, su extremo sur. También hay dos especímenes recolectados en la Granja Hogg, Inglaterra, en 1863.\u003c\/p\u003e \u003cp\u003eSi bien existen muestras de plantas de China de este período como parte de colecciones compiladas por botánicos itinerantes, estos raros ejemplares fueron aparentemente recolectados por o para una joven, para quien la recolección de plantas secas era un pasatiempo y un método de aprendizaje. Probablemente estaba vinculada a la comunidad británica que residía en China en torno a los principales puertos comerciales del delta del Yangtsé tras el Tratado de Nankín de 1842.\u003c\/p\u003e\n\u003cp\u003e Los especímenes están fijados sobre papel fino con hilo de algodón color crema. Se colocan sobre papel soporte con sello invisible en la parte inferior derecha.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020363034953,"sku":"KA-205","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-205.jpg?v=1743514140"},{"product_id":"chinese-herbarium-pressed-flowers-from-kau-shing-qiaosizhen-hangzhou-1859-ka-209","title":"Herbario chino: Flores prensadas de Kau Shing (Qiaosizhen, Hangzhou?), 1859","description":"\u003cp\u003e Un herbario chino original de hojas prensadas de flores silvestres de 1859, procedente de Joss House en Kau Shing (Qiaosizhen, Hangzhou?).\u003c\/p\u003e \u003cp\u003eEsta inusual lámina de especímenes de plantas fue recolectada en China a mediados del siglo XIX y conservada en un álbum perteneciente a Minnie Wight, de Newhaven. Se sabe poco sobre Minnie Wright, pero evidentemente era inglesa y su dirección era «Newhaven» en 1858. Las anotaciones que acompañan a la colección indican que su nieto se llamaba Philip Orford.\u003c\/p\u003e\n\u003cp\u003e Los especímenes de su herbario datan de entre 1859 y 1862 y fueron recolectados en lugares cercanos al Gran Canal y Hangzhou, su extremo sur. También hay dos especímenes recolectados en la Granja Hogg, Inglaterra, en 1863.\u003c\/p\u003e\n\u003cp\u003e Si bien existen muestras de plantas de China de este período como parte de colecciones compiladas por botánicos itinerantes, estos raros ejemplares fueron aparentemente recolectados por o para una joven, para quien la recolección de plantas secas era un pasatiempo y un método de aprendizaje. Probablemente estaba vinculada a la comunidad británica que residía en China en torno a los principales puertos comerciales del delta del Yangtsé tras el Tratado de Nankín de 1842.\u003c\/p\u003e \u003cp\u003eLos ejemplares están fijados con hilo de algodón color crema sobre papel verjurado de Waterlow \u0026amp; Sons, con marca de agua. Sello ciego en la parte superior central. Incluye papel de soporte aparte.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020363067721,"sku":"KA-209","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-209.jpg?v=1743514140"},{"product_id":"chinese-flowers-fruit-original-mid-c19th-qing-dynasty-watercolour-painting-kb-202","title":"Flores y frutas chinas: acuarela original de mediados del siglo XIX de la dinastía Qing","description":"\u003cp\u003e Una pintura de acuarela original de mediados del siglo XIX: Flores y frutas chinas.\u003c\/p\u003e\n\u003cp\u003e Una hermosa acuarela china en miniatura de mediados del siglo XIX. Forma parte de un conjunto de ocho que tenemos a la venta, que representa flores, frutas e insectos autóctonos (disponibles por separado; véanse los números de stock KB-202 a KB-209). Altamente decorativas, las pinturas lucirían magníficas juntas.\u003c\/p\u003e \u003cp\u003eEn acuarela con toques de color blanco. Sobre papel chino fino, sobre papel verjurado color crema. Tenga en cuenta el pequeño tamaño de esta obra.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021403582793,"sku":"KB-202","price":72.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KB-202_12f7431a-96ac-4c74-a494-511b788c226f.jpg?v=1780484586"},{"product_id":"chinese-hydrangea-flower-original-mid-c19th-qing-dynasty-watercolour-painting-kb-206","title":"Flor de hortensia china: pintura de acuarela original de mediados del siglo XIX de la dinastía Qing","description":"\u003cp\u003e Una pintura de acuarela original de mediados del siglo XIX, Flor de hortensia china.\u003c\/p\u003e \u003cp\u003eUna hermosa acuarela china en miniatura de mediados del siglo XIX. Forma parte de un conjunto de ocho que tenemos a la venta, que representa flores, frutas e insectos autóctonos (disponibles por separado; véanse los números de stock KB-202 a KB-209). Altamente decorativas, las pinturas lucirían magníficas juntas.\u003c\/p\u003e\n\u003cp\u003e Sobre papel chino fino, sobre papel verjurado color crema. Tenga en cuenta el pequeño tamaño de esta obra.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021404303689,"sku":"KB-206","price":72.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KB-206_0155e781-04c0-4a28-b1de-e46c22da5dad.jpg?v=1780484412"},{"product_id":"chinese-magnolia-flowers-original-mid-c19th-qing-dynasty-watercolour-painting-kb-208","title":"Flores de magnolia chinas: acuarela original de mediados del siglo XIX de la dinastía Qing","description":"\u003cp\u003e Una pintura de acuarela original de mediados del siglo XIX: flores de magnolia chinas.\u003c\/p\u003e\n\u003cp\u003e Una hermosa acuarela china en miniatura de mediados del siglo XIX. Forma parte de un conjunto de ocho que tenemos a la venta, que representa flores, frutas e insectos autóctonos (disponibles por separado; véanse los números de stock KB-202 a KB-209). Altamente decorativas, las pinturas lucirían magníficas juntas.\u003c\/p\u003e\n\u003cp\u003e Sobre papel chino fino, sobre papel verjurado color crema. Tenga en cuenta el pequeño tamaño de esta obra.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021404336457,"sku":"KB-208","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KB-208_cb0d7d32-5422-4895-833c-f09a98523739.jpg?v=1780484528"},{"product_id":"anon-herbarium-pressed-wildflowers-hogg-farm-england-original-1863-mixed-media-kd-589","title":"Anon., Herbarium Pressed Wildflowers, Hogg Farm, England – 1863","description":"\u003cp\u003eAn original 1863 mixed media – Herbarium Pressed Wildflowers, Hogg Farm, England.\u003c\/p\u003e\u003cp\u003eThis sheet of plant specimens were collected at 'Hogg Farm' the mid-19th century and preserved in an album belonging to a Minnie Wight of Newhaven. Little is known about Minnie Wright, but she was evidently English and her address is 'Newhaven' in 1858. Annotations accompanying the collection indicate that her grandson was called Philip Orford.\u003c\/p\u003e\u003cp\u003eHer herbarium specimens date from between 1859 and 1862 and were collected at locations around the 'Great Canal' and Hangzhou, the southern terminus of the Grand Canal. There are also two specimens collected at 'Hogg Farm, England' in 1863.\u003c\/p\u003e\u003cp\u003eWhilst extant plant samples from China during this period exist as part of collections compiled by travelling botanists, these rare examples were apparently collected by or for a young female, for whom the collecting of dried plants was a pastime and method of learning. She was likely connected to the British community living in China around the main trade ports of the Yangtze Delta after the 1842 Treaty of Nanking.\u003c\/p\u003e\u003cp\u003eOn pale blue paper laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541771080009,"sku":"KD-589","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-589.jpg?v=1780569815"},{"product_id":"chinese-school-chinese-orange-lily-flower-with-beetle-insect-original-mid-19th-century-chinese-painting-on-pith-kd-577","title":"Chinese School, Chinese Orange Lily Flower with Beetle Insect – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Orange Lily Flower with Beetle Insect.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541774324041,"sku":"KD-577","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-577.jpg?v=1780569882"},{"product_id":"chinese-school-chinese-quince-fruit-original-mid-19th-century-chinese-painting-on-pith-kd-572","title":"Chinese School, Chinese Quince Fruit – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Quince Fruit.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541776322889,"sku":"KD-572","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-572.jpg?v=1780569922"},{"product_id":"chinese-school-pink-rose-flower-with-butterfly-original-mid-19th-century-chinese-painting-on-pith-kd-576","title":"Chinese School, Pink Rose Flower with Butterfly – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Pink Rose Flower with Butterfly.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541776585033,"sku":"KD-576","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-576.jpg?v=1780569934"},{"product_id":"anon-chinese-herbarium-pressed-wildflowers-from-the-grand-canal-original-1859-mixed-media-kd-586","title":"Anon., Chinese Herbarium Pressed Wildflowers from the Grand Canal – 1859","description":"\u003cp\u003eAn original 1859 mixed media – Chinese Herbarium Pressed Wildflowers from the Grand Canal.\u003c\/p\u003e\u003cp\u003eThis unusual sheet of plant specimens were collected in China in the mid-19th century and preserved in an album belonging to a Minnie Wight of Newhaven. Little is known about Minnie Wright, but she was evidently English and her address is 'Newhaven' in 1858. Annotations accompanying the collection indicate that her grandson was called Philip Orford.\u003c\/p\u003e\u003cp\u003eHer herbarium specimens date from between 1859 and 1862 and were collected at locations around the 'Great Canal' and Hangzhou, the southern terminus of the Grand Canal. There are also two specimens collected at 'Hogg Farm, England' in 1863.\u003c\/p\u003e\u003cp\u003eWhilst extant plant samples from China during this period exist as part of collections compiled by travelling botanists, these rare examples were apparently collected by or for a young female, for whom the collecting of dried plants was a pastime and method of learning. She was likely connected to the British community living in China around the main trade ports of the Yangtze Delta after the 1842 Treaty of Nanking.\u003c\/p\u003e\u003cp\u003eOn watermarked laid paper with blindstamp upper centre.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541777371465,"sku":"KD-586","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-586.jpg?v=1780569944"},{"product_id":"chinese-school-chinese-persimmon-fruit-original-mid-19th-century-chinese-painting-on-pith-kd-569","title":"Chinese School, Chinese Persimmon Fruit – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Persimmon Fruit.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541791756617,"sku":"KD-569","price":52.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-569.jpg?v=1780570114"},{"product_id":"chinese-school-chinese-carrot-original-mid-19th-century-chinese-painting-on-pith-kd-570","title":"Chinese School, Chinese Carrot – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Carrot.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541791953225,"sku":"KD-570","price":52.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-570.jpg?v=1780570126"},{"product_id":"chinese-school-chinese-loquat-fruit-original-mid-19th-century-chinese-painting-on-pith-kd-571","title":"Chinese School, Chinese Loquat Fruit – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Loquat Fruit.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541792870729,"sku":"KD-571","price":52.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-571.jpg?v=1780570138"},{"product_id":"chinese-school-chinese-pomelo-fruit-original-mid-19th-century-chinese-painting-on-pith-kd-573","title":"Chinese School, Chinese Pomelo Fruit – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Pomelo Fruit.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541793329481,"sku":"KD-573","price":52.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-573.jpg?v=1780570150"},{"product_id":"chinese-school-chinese-lotus-root-plant-original-mid-19th-century-chinese-painting-on-pith-kd-575","title":"Chinese School, Chinese Lotus Root Plant – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Lotus Root Plant.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541794312521,"sku":"KD-575","price":52.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-575.jpg?v=1780570163"},{"product_id":"chinese-school-chinese-rice-field-workers-original-mid-19th-century-watercolour-painting-kd-582","title":"Chinese School, Chinese Rice Field Workers – Mid-19th-century watercolour painting","description":"\u003cp\u003eAn original mid-19th-century watercolour painting – Chinese School, Chinese Rice Field Workers.\u003c\/p\u003e\u003cp\u003eA beautiful miniature Chinese watercolour painting dating from the mid-19th century.\u003c\/p\u003e\u003cp\u003eOn paper laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541796475209,"sku":"KD-582","price":64.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-582.jpg?v=1780570229"},{"product_id":"chinese-school-chinese-fisherman-with-lift-net-original-mid-19th-century-watercolour-painting-kd-583","title":"Chinese School, Chinese Fisherman with Lift Net – Mid-19th-century watercolour painting","description":"\u003cp\u003eAn original mid-19th-century watercolour painting – Chinese School, Chinese Fisherman with Lift Net.\u003c\/p\u003e\u003cp\u003eA beautiful miniature Chinese watercolour painting dating from the mid-19th century.\u003c\/p\u003e\u003cp\u003eOn paper laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541796966729,"sku":"KD-583","price":64.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-583.jpg?v=1780570240"},{"product_id":"anon-chinese-herbarium-pressed-wildflowers-original-c-1859-mixed-media-kd-587","title":"Anon., Chinese Herbarium Pressed Wildflowers – c.1859","description":"\u003cp\u003eAn original c.1859 mixed media – Chinese Herbarium Pressed Wildflowers.\u003c\/p\u003e\u003cp\u003eThis unusual sheet of plant specimens were collected in China in the mid-19th century and preserved in an album belonging to a Minnie Wight of Newhaven. Little is known about Minnie Wright, but she was evidently English and her address is 'Newhaven' in 1858. Annotations accompanying the collection indicate that her grandson was called Philip Orford.\u003c\/p\u003e\u003cp\u003eHer herbarium specimens date from between 1859 and 1862 and were collected at locations around the 'Great Canal' and Hangzhou, the southern terminus of the Grand Canal. There are also two specimens collected at 'Hogg Farm, England' in 1863.\u003c\/p\u003e\u003cp\u003eWhilst extant plant samples from China during this period exist as part of collections compiled by travelling botanists, these rare examples were apparently collected by or for a young female, for whom the collecting of dried plants was a pastime and method of learning. She was likely connected to the British community living in China around the main trade ports of the Yangtze Delta after the 1842 Treaty of Nanking.\u003c\/p\u003e\u003cp\u003eOn thin paper laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541797228873,"sku":"KD-587","price":68.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-587.jpg?v=1780570249"},{"product_id":"chinese-school-chinese-mandarin-orange-original-mid-19th-century-chinese-painting-on-pith-kd-574","title":"Chinese School, Chinese Mandarin Orange – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Mandarin Orange.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541798244681,"sku":"KD-574","price":78.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-574.jpg?v=1780570269"},{"product_id":"chinese-school-chinese-grouper-fish-original-mid-19th-century-chinese-painting-on-pith-kd-580","title":"Chinese School, Chinese Grouper Fish – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Grouper Fish.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541798965577,"sku":"KD-580","price":98.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-580.jpg?v=1780570298"},{"product_id":"chinese-school-chinese-silver-carp-fish-original-mid-19th-century-chinese-painting-on-pith-kd-581","title":"Chinese School, Chinese Silver Carp Fish – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Chinese Silver Carp Fish.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in iridescent paint on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541799424329,"sku":"KD-581","price":98.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-581.jpg?v=1780570310"},{"product_id":"anon-chinese-herbarium-pressed-wildflowers-from-the-grand-canal-original-1859-mixed-media-kd-588","title":"Anon., Chinese Herbarium Pressed Wildflowers from the Grand Canal – 1859","description":"\u003cp\u003eAn original 1859 mixed media – Chinese Herbarium Pressed Wildflowers from the Grand Canal.\u003c\/p\u003e\u003cp\u003eThis unusual sheet of plant specimens were collected in China in the mid-19th century and preserved in an album belonging to a Minnie Wight of Newhaven. Little is known about Minnie Wright, but she was evidently English and her address is 'Newhaven' in 1858. Annotations accompanying the collection indicate that her grandson was called Philip Orford.\u003c\/p\u003e\u003cp\u003eHer herbarium specimens date from between 1859 and 1862 and were collected at locations around the 'Great Canal' and Hangzhou, the southern terminus of the Grand Canal. There are also two specimens collected at 'Hogg Farm, England' in 1863.\u003c\/p\u003e\u003cp\u003eWhilst extant plant samples from China during this period exist as part of collections compiled by travelling botanists, these rare examples were apparently collected by or for a young female, for whom the collecting of dried plants was a pastime and method of learning. She was likely connected to the British community living in China around the main trade ports of the Yangtze Delta after the 1842 Treaty of Nanking.\u003c\/p\u003e\u003cp\u003eOn Waterlow and Sons watermarked laid envelope paper with blindstamp upper centre laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541800407369,"sku":"KD-588","price":98.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-588.jpg?v=1780570319"},{"product_id":"chinese-school-yellow-crested-cockatoo-bird-on-pine-branch-original-mid-19th-century-chinese-painting-on-pith-kd-578","title":"Chinese School, Yellow-crested Cockatoo Bird on Pine Branch – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Yellow-crested Cockatoo Bird on Pine Branch.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541800866121,"sku":"KD-578","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-578.jpg?v=1780570339"},{"product_id":"chinese-school-cabots-tragopan-pheasant-bird-on-flowering-branch-original-mid-19th-century-chinese-painting-on-pith-kd-579","title":"Chinese School, Cabot's Tragopan Pheasant Bird on Flowering Branch – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Cabot's Tragopan Pheasant Bird on Flowering Branch.\u003c\/p\u003e\u003cp\u003eA beautiful small Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. Please note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541801587017,"sku":"KD-579","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-579.jpg?v=1780570350"},{"product_id":"chinese-school-prisoner-his-captors-original-mid-19th-century-chinese-painting-on-pith-kd-584","title":"Chinese School, Prisoner \u0026 His Captors – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Prisoner \u0026amp; His Captors.\u003c\/p\u003e\u003cp\u003eAn interesting Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541805420873,"sku":"KD-584","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-584.jpg?v=1780570362"},{"product_id":"chinese-school-lily-flowers-with-butterfly-original-mid-19th-century-chinese-painting-on-pith-kd-585","title":"Chinese School, Lily Flowers with Butterfly – Mid-19th-century chinese painting on pith","description":"\u003cp\u003eAn original mid-19th-century chinese painting on pith – Chinese School, Lily Flowers with Butterfly.\u003c\/p\u003e\u003cp\u003eA beautiful Chinese painting in watercolour on pith.\u003c\/p\u003e\u003cp\u003eDelicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.\u003c\/p\u003e\u003cp\u003eTypically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.\u003c\/p\u003e\u003cp\u003ePith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.\u003c\/p\u003e\u003cp\u003ePith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.\u003c\/p\u003e\u003cp\u003eOn pith laid down on backing paper. There is an additional pith painting on the verso.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54541807649097,"sku":"KD-585","price":128.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-585.jpg?v=1780570390"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/collections\/AA22-KA-209.jpg?v=1742301396","url":"https:\/\/somersetandwood.com\/es\/collections\/chinese-watercolours-pith-paintings-and-herbarium-minnie-wright-1858.oembed","provider":"Somerset \u0026 Wood Fine Art","version":"1.0","type":"link"}