{"title":"Aguafuerte","description":"","products":[{"product_id":"bennett-old-town-antibes-cote-d-azur-early-20th-century-etching-print-jk-655","title":"Bennett, Casco antiguo, Antibes, Costa Azul – Grabado al aguafuerte de principios del siglo XX","description":"\u003cp\u003e Un grabado al aguafuerte original de principios del siglo XX, Bennett, Ciudad Vieja, Antibes, Costa Azul.\u003c\/p\u003e \u003cp\u003eUn interesante grabado que muestra dos figuras junto a antiguos edificios en Antibes, en la Costa Azul francesa. Sobre papel verjurado con marca de agua FG Head \u0026amp; Co.\u003c\/p\u003e\n\u003cp\u003e Placa: 25 x 27,5cm. Hoja: 29 x 23cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51994407338313,"sku":"JK-655","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jk-655.jpg?v=1743166068"},{"product_id":"francesco-bartolozzi-ra-after-cipriani-four-putti-original-1787-etching-print-jl-677","title":"Francesco Bartolozzi RA según Cipriani, Four Putti – Grabado original de 1787","description":"\u003cp\u003e Un grabado original de 1787, Francesco Bartolozzi RA, Four Putti.\u003c\/p\u003e \u003cp\u003eHermoso grabado de Francesco Bartolozzi RA (1728-1815) basado en un dibujo de Giovanni Battista Cipriani (1727-1785). Inscripción en la placa: «GB Cipriani inv. F. Bartolozzi sculp. London Pub as the act directs Mar.h 1.t 1787 by F. Bartolozzi». Aguafuerte y grabado puntillista.\u003c\/p\u003e\n\u003cp\u003e La hoja se ha colocado sobre cartulina, adherida en las esquinas y el centro. Presenta inscripciones a lápiz en el reverso que parecen estar relacionadas con el enmarcado, así como inscripciones parciales visibles en el borde inferior, como se muestra.\u003c\/p\u003e\n\u003cp\u003e Hoja: 25,2 x 31,3cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":51994978713929,"sku":"JL-677","price":78.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jl-677.jpg?v=1743169530"},{"product_id":"amand-durand-after-sir-george-reid-highland-landscape-c19th-heliogravure-jt-428","title":"Amand-Durand según Sir George Reid, Paisaje de las Tierras Altas –Heliograbado del siglo XIX","description":"\u003cp\u003e Un grabado al aguafuerte original de finales del siglo XIX, de Charles Amand-Durand según Sir George Reid RSA, Paisaje de las Tierras Altas.\u003c\/p\u003e\n\u003cp\u003e Un magnífico heliograbado de Charles Amand-Durand (1831-1905) inspirado en el artista escocés Sir George Reid PPRSA (1841-1913). Amand-Durand fue pionero en Francia en la creación y publicación de reproducciones de grabados y aguafuertes en fotograbado (héliogravure).\u003c\/p\u003e\n\u003cp\u003e Sobre papel verjurado Arches con marca de agua.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017205117257,"sku":"JT-428","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-428.jpg?v=1743497560"},{"product_id":"arthur-pond-after-parmigianino-holy-family-with-st-john-original-1734-etching-print-jt-555","title":"Arthur Pond según Parmigianino, Sagrada Familia con San Juan – Grabado al aguafuerte de 1734","description":"\u003cp\u003e Un grabado original de 1734, de Arthur Pond según Parmigianino, Sagrada Familia con San Juan.\u003c\/p\u003e\n\u003cp\u003e Un fino aguafuerte en tinta marrón realizado por el pintor y grabador inglés Arthur Pond (c. 1705-1758) a partir de un dibujo del siglo XVI de Francesco Mazzola, también conocido como Parmigianino (1503-1540). Pond visitó Italia entre 1725 y 1727 con el pintor George Knapton, el pintor y poeta John Dyer y el anticuario Daniel Wray. Este grabado pertenece a la serie de Pond de 1734 «Grabados a imitación de dibujos», que realizó en colaboración con el hermano de George, Charles Knapton, también artista.\u003c\/p\u003e\n\u003cp\u003e La obra gráfica de Parmigianino fue muy codiciada y elogiada en Inglaterra a finales del siglo XVIII. Sir Joshua Reynolds y Benjamin West eran ávidos coleccionistas de los dibujos y grabados originales de Parmigianino.\u003c\/p\u003e \u003cp\u003eUna inscripción asociada (ver foto) indica la procedencia de este dibujo: Donado a Mary Twopenny por su primo David en Little Casterton en 1832. David Twopenny, plebeyo del Oriel College de Oxford y vicario vitalicio de Stockbury en Kent, era coleccionista de arte (una venta de su colección en Christie's incluyó una extensa colección de finos grabados de Turner).\u003c\/p\u003e\n\u003cp\u003e Recortado según la imagen y colocado sobre papel soporte con borde de línea de lavado.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017232871753,"sku":"JT-555","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jt-555.jpg?v=1743497628"},{"product_id":"gustave-fraipont-woman-in-a-feathered-hat-original-late-19th-century-etching-print-jy-679","title":"Gustave Fraipont, Mujer con sombrero de plumas – grabado al aguafuerte de finales del siglo XIX","description":"\u003cp\u003e Un grabado al aguafuerte original de finales del siglo XIX, Gustave Fraipont, Mujer con sombrero de plumas.\u003c\/p\u003e\n\u003cp\u003e Un elegante tema finisecular del pintor, escultor, ilustrador y cartelista francés Gustave Fraipont (1849-1923). Fraipont es especialmente conocido por sus diseños de carteles ferroviarios franceses con estética Art Nouveau.\u003c\/p\u003e\n\u003cp\u003e Gustave Fraipont (1849-1923) nació en Bélgica, pero se nacionalizó francés. Fue profesor de dibujo en la Casa de Educación de la Legión de Honor y autor de numerosos libros sobre el arte del dibujo. En las décadas de 1880 y 1890, pintó numerosos carteles para compañías ferroviarias, como Chemins de fer de l'Ouest y Compagnie des chemins de fer du Nord. También ilustró libros sobre París y las regiones francesas. En 1905, fue nombrado pintor de la Marina. Durante la Primera Guerra Mundial, realizó varias composiciones para el periódico L'Illustration.\u003c\/p\u003e\n\u003cp\u003e Grabado al aguafuerte coloreado a mano. Numerado 26\/100.\u003c\/p\u003e \u003cp\u003eTamaño de la hoja: 48,5 x 30,5 cm. Tamaño de la placa: 32,7 x 15,6 cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019006308681,"sku":"JY-679","price":110.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jy-679.jpg?v=1743507813"},{"product_id":"vienna-secession-ex-libris-bookplate-by-franz-von-bayros-c-1910s-etching-jz-656","title":"Ex libris de la Secesión de Viena, de Franz von Bayros (grabado de la década de 1910)","description":"\u003cp\u003e Un grabado al aguafuerte original de la década de 1910 aproximadamente, de Franz von Bayros, Ex Libris de la Secesión de Viena para Franz Winter.\u003c\/p\u003e\n\u003cp\u003e Un elegante ex libris original de estilo Art Nouveau, o ex libris, que data de alrededor de la década de 1910 y está asociado con el movimiento de Secesión de Viena.\u003c\/p\u003e\n\u003cp\u003e El diseño muestra a un soldado romano con casco emplumado de pie detrás de una bella sentada, vertiéndole una libación. La imagen parece representar la Virtus romana reprimiendo la frivolidad erótica vienesa.\u003c\/p\u003e \u003cp\u003eEl ex libris fue diseñado para Franz Winter por el artista comercial e ilustrador austriaco Franz von Bayros (1866-1924). Bayros se formó en la Academia de Viena. Se relacionó con la alta sociedad y formó parte del círculo de amigos de Johann Strauss II, con cuya hijastra, Alice, se casó en 1896. Bayros perteneció al movimiento decadentista, utilizando a menudo temas eróticos e imágenes fantasmagóricas. En 1911, creó su obra más famosa y controvertida, \"Cuentos del tocador\", por la que posteriormente fue arrestado y exiliado de Alemania. Su obra se puede admirar en el Museo Metropolitano de Arte de Nueva York.\u003c\/p\u003e\n\u003cp\u003e Franz Winter (1861-1930) fue un especialista en historia del arte griego y romano que vivió en Viena.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019762037065,"sku":"JZ-656","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-656.jpg?v=1743510860"},{"product_id":"vienna-secession-ex-libris-bookplate-by-franz-von-bayros-c-1910s-etching-jz-657","title":"Ex libris de la Secesión de Viena, de Franz von Bayros (grabado de la década de 1910)","description":"\u003cp\u003e Un grabado al aguafuerte original de la década de 1910, de Franz von Bayros, ex libris de la Secesión de Viena para Emma Steigleder.\u003c\/p\u003e \u003cp\u003eUn elegante ex libris original de estilo Art Nouveau, o ex libris, que data de alrededor de la década de 1910 y está asociado con el movimiento de Secesión de Viena.\u003c\/p\u003e\n\u003cp\u003e El diseño muestra a una mujer y dos niños con trajes del siglo XVIII, con la inscripción 'Si vis amari, ama! Seneca' (Ama, si quieres ser amado).\u003c\/p\u003e\n\u003cp\u003e El ex libris fue diseñado para Emma Steigleder por el artista comercial e ilustrador austriaco Franz von Bayros (1866-1924). Bayros se formó en la Academia de Viena. Se relacionó con la alta sociedad y formó parte del círculo de amigos de Johann Strauss II, con cuya hijastra, Alice, se casó en 1896. Bayros perteneció al movimiento decadentista, utilizando a menudo temas eróticos e imágenes fantasmagóricas. En 1911, creó su obra más famosa y controvertida, \"Cuentos del tocador\", por la que posteriormente fue arrestado y exiliado de Alemania. Su obra se puede admirar en el Museo Metropolitano de Arte de Nueva York.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019762135369,"sku":"JZ-657","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-657.jpg?v=1743510862"},{"product_id":"vienna-secession-ex-libris-bookplate-by-alfonso-bosco-c-1910s-etching-jz-658","title":"Ex libris de la Secesión de Viena, obra de Alfonso Bosco (grabado de la década de 1910)","description":"\u003cp\u003eGrabado al aguafuerte original de la década de 1910, Alfonso Bosco, Ex Libris de la Secesión de Viena para Armida Quilico.\u003c\/p\u003e\n\u003cp\u003e Un elegante ex libris original de estilo Art Nouveau, o ex libris, que data de alrededor de la década de 1910 y está asociado con el movimiento de la Secesión vienesa.\u003c\/p\u003e\n\u003cp\u003e El diseño presenta una mujer y un bebé, junto con un arpa, un ramo de rosas y un libro.\u003c\/p\u003e\n\u003cp\u003e El ex libris fue diseñado para Armida Quilico, música y actriz italiana, por Alfonso Bosco (1858-1921), grabador, diseñador gráfico e ilustrador argentino de ascendencia italiana. Vivió y trabajó en Buenos Aires desde 1882, donde fue director artístico de la imprenta del Banco Central de Argentina y diseñador del papel moneda argentino. Bosco es considerado el inventor del grabado en color en Argentina.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019762495817,"sku":"JZ-658","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-658.jpg?v=1743510868"},{"product_id":"a-p-f-the-rat-catcher-after-rembrandt-original-1825-etching-print-jz-911","title":"APF, El cazador de ratas según Rembrandt – Grabado original de 1825","description":"\u003cp\u003e Un grabado al aguafuerte original de 1825, APF, El cazador de ratas según Rembrandt.\u003c\/p\u003e\n\u003cp\u003e Un interesante grabado basado en el grabado El cazador de ratas de Rembrandt de 1632.\u003c\/p\u003e \u003cp\u003eEste grabado proviene de una colección relacionada con la familia Waller-Bridge. En el borde superior, una inscripción borrosa indica que fue grabado para Maunsell, que un miembro de la familia...\u003c\/p\u003e\n\u003cp\u003e Tamaño de la placa: 17 x 12 cm. Tamaño de la hoja: 28,5 x 22 cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52019776356681,"sku":"JZ-911","price":68.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/jz-911.jpg?v=1743511032"},{"product_id":"robert-dighton-henry-ford-a-view-from-magdalen-hall-oxford-1808-etching-ka-389","title":"Robert Dighton, Henry Ford 'Una vista desde Magdalen Hall, Oxford' – Grabado de 1808","description":"\u003cp\u003e Un grabado original de 1808, de Robert Dighton, Henry Ford 'Una vista desde Magdalen Hall, Oxford'.\u003c\/p\u003e \u003cp\u003eUn grabado coloreado a mano, dibujado, grabado y publicado por Robert Dighton (c. 1752–1814) en 1808. El personaje es Henry Ford (c. 1753–1813), quien ocupó los cargos de profesor de árabe de Lord Almoner (1780–1813) y director de Magdalen Hall, Oxford (1788–1813).\u003c\/p\u003e\n\u003cp\u003e Un obituario en The Gentleman's Magazine elogió los «grandes y variados conocimientos de Ford en ciencias en general», su «profundo conocimiento de la literatura oriental» y su «piedad, gentileza y benevolencia sin afectación». También lo describió como «un esposo afectuoso y un padre tierno».\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020379418953,"sku":"KA-389","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-389.jpg?v=1743514219"},{"product_id":"joseph-pennell-st-martins-bridge-toledo-spain-original-1903-etching-print-ka-592","title":"Joseph Pennell, Puente de San Martín, Toledo, España – Grabado original de 1903","description":"\u003cp\u003e Grabado al aguafuerte original de 1903, de Joseph Pennell, Puente de San Martín, Toledo, España.\u003c\/p\u003e\n\u003cp\u003e Un magnífico grabado de Joseph Pennell (1857-1926) que muestra el Puente de San Martín en Toledo, España. Impreso en tinta marrón sobre papel verjurado, The Studio lo publicó en una edición de solo treinta ejemplares.\u003c\/p\u003e \u003cp\u003eHay copias en el V\u0026amp;A y en The Morgan Library \u0026amp; Museum, Nueva York.\u003c\/p\u003e\n\u003cp\u003e Sobre papel verjurado con marca de agua.\u003c\/p\u003e\n\u003cp\u003e Tamaño de la imagen: 20 x 24,5 cm. Tamaño de la hoja: 22,6 x 27,6 cm.\u003c\/p\u003e\n\u003cp\u003e Joseph Pennell (1857–1926) fue un grabador y escritor nacido en Estados Unidos, uno de los principales ilustradores de libros de su época. Nacido en Filadelfia, tras asistir a la Academia de Bellas Artes de Pensilvania, Pennell encontró trabajo grabando monumentos históricos e ilustrando artículos y libros de viajes para editoriales estadounidenses. En 1884 viajó a Europa y se estableció en Londres. Allí, los Pennell formaron parte de un grupo de artistas que rodeaban al pintor vanguardista estadounidense James McNeill Whistler. El estilo de Whistler influyó en la obra de Pennell, y cuando Whistler se mudó a París en 1892, Pennell lo siguió en 1893 y pasó un tiempo trabajando con Whistler en su estudio. En este círculo también se encontraban escritores como H.G. Wells, Robert Louis Stevenson, Henry James y George Bernard Shaw.\u003c\/p\u003e \u003cp\u003eA lo largo de su vida, Pennell produjo más de 900 aguafuertes y mezzotintas, y más de 600 litografías sobre temas arquitectónicos y paisajísticos, desde el Canal de Panamá hasta las fábricas de Inglaterra y los templos de Grecia. Contribuyó a impulsar el resurgimiento del grabado y el coleccionismo de grabados durante las dos primeras décadas del siglo XX. Pennell regresó a Estados Unidos durante la Primera Guerra Mundial.\u003c\/p\u003e\n\u003cp\u003e Estuvo casado con la escritora y compatriota filadelfiana Elizabeth Robins Pennell, quien era su igual en términos de intelecto y ambición.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020434436425,"sku":"KA-592","price":210.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-592.jpg?v=1743514364"},{"product_id":"robert-houston-rws-castle-stalker-argyll-scotland-early-c20th-etching-print-ka-826","title":"Robert Houston RWS, Castle Stalker, Argyll, Escocia – grabado al aguafuerte de principios del siglo XX","description":"\u003cp\u003e Un grabado al aguafuerte original de principios del siglo XX, Robert Houston RWS, Castle Stalker, Argyll, Escocia.\u003c\/p\u003e\n\u003cp\u003e Una imagen de una belleza serena de Robert Houston RSW (1881-1942). Como es característico, Houston utiliza un marcado sentido de la forma, tanto en la oscuridad como en la luz, para dotar de fuerza a su tema.\u003c\/p\u003e \u003cp\u003eRobert Houston RSW (1881-1942) nació en Kilbirnie, Ayrshire, y estudió en la Escuela de Arte de Glasgow. Se especializó en paisajes de las costas y lagos del oeste de Escocia y las islas occidentales. También fue un destacado aguatinta y diseñó y ejecutó carteles ferroviarios, que encajaban especialmente con su sentido del diseño y el uso del color sólido.\u003c\/p\u003e\n\u003cp\u003e Houston fue elegido miembro de la Real Sociedad Escocesa de Pintores en Acuarela en 1936. Expuso ampliamente, mostrando en la Real Academia, la Real Academia Escocesa, la Real Sociedad Escocesa de Pintores en Acuarela y el Real Instituto de Bellas Artes de Glasgow.\u003c\/p\u003e\n\u003cp\u003e Sobre papel verjurado.\u003c\/p\u003e\n\u003cp\u003e Tamaño de la placa: 9,7 x 13,8 cm. Tamaño de la hoja: 14,4 x 23 cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020489748809,"sku":"KA-826","price":52.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-826.jpg?v=1743514556"},{"product_id":"walter-edwin-law-pearce-lodge-university-avenue-glasgow-c-1900-etching-print-ka-827","title":"Walter Edwin Law, Pearce Lodge, University Avenue, Glasgow – grabado al aguafuerte c.1900","description":"\u003cp\u003e Un grabado original de c.1900, Walter Edwin Law, Pearce Lodge, University Avenue, Glasgow.\u003c\/p\u003e \u003cp\u003eUn interesante grabado de Walter Edwin Law (1865-1942) que muestra una vista desde el noreste de Pearce Lodge, parte de la Universidad de Glasgow. El edificio tiene una gran importancia histórica para la universidad, ya que, aunque se construyó en estilo baronial escocés entre 1885 y 1888, incorporó mampostería del Old College del siglo XVII. El edificio fue diseñado por Alexander George Thomson, con la ayuda financiera del constructor naval y político Sir William Pearce.\u003c\/p\u003e\n\u003cp\u003e Walter Edwin Law (1865-1942) fue un prolífico grabador, cuyos temas principales fueron los monumentos arquitectónicos históricos de Londres, especialmente Westminster. También pintó varios temas escoceses. Expuso en la Royal Academy en 1904.\u003c\/p\u003e\n\u003cp\u003e Las obras de Law se pueden encontrar en las colecciones de los Museos de Glasgow y en las Colecciones Especiales de la Biblioteca de la Universidad de Glasgow.\u003c\/p\u003e\n\u003cp\u003e Sobre papel tejido liso.\u003c\/p\u003e\n\u003cp\u003e Tamaño de la placa: 9,5 x 17,5 cm. Tamaño de la hoja: 21 x 14 cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020492304713,"sku":"KA-827","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-827.jpg?v=1743514557"},{"product_id":"john-sell-cotman-norfolk-church-architecture-set-of-3-etching-prints-1816-kb-762","title":"John Sell Cotman, Arquitectura de la iglesia de Norfolk – Conjunto de tres grabados al aguafuerte, 1816","description":"\u003cp\u003eUn conjunto de tres grabados al aguafuerte originales, John Sell Cotman, Arquitectura de la iglesia de Norfolk, West Barsham, Frenze, Maddermarket, 1805 y 1816.\u003c\/p\u003e\n\u003cp\u003e Un hermoso conjunto de tres grandes grabados de la obra \"Arquitectura de Norfolk\" de Cotman. Representan detalles arquitectónicos heráldicos de las iglesias de West Barsham, Frenze y Maddermarket.\u003c\/p\u003e\n\u003cp\u003e Dibujado, grabado y publicado por John Sell Cotman (1782-1842). El grabado de Maddermarket data de 1805; los otros dos, de 1816.\u003c\/p\u003e\n\u003cp\u003e Cada hoja mide aprox.: 38,5 x 27,5cm.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021498708297,"sku":"KB-762","price":210.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-762.jpg?v=1743521125"},{"product_id":"the-hon-booth-grey-thatched-cottage-with-chickens-late-18th-century-etching-kb-871","title":"El Honorable Booth Grey, Cabaña con techo de paja y gallinas – grabado de finales del siglo XVIII","description":"\u003cp\u003e Un grabado original del siglo XVIII, El Honorable Booth Grey, Cabaña con techo de paja y gallinas.\u003c\/p\u003e \u003cp\u003eEl Honorable Booth Grey está catalogado como parte del \"Círculo de Mary Delany\", y existe una serie de noventa collages de plantas realizados por el Honorable Booth Grey (actualmente se encuentran principalmente en el Centro de Arte Británico de Yale, New Haven, con algunos ejemplos en otros lugares, en particular el Museo Metropolitano de Nueva York).\u003c\/p\u003e\n\u003cp\u003e La identidad exacta de Booth Grey es incierta, ya que varios miembros de la familia en esa época llevaban el mismo nombre. El Museo Británico sugiere que podría tratarse de William Booth Grey (nacido en 1773), nieto materno de la segunda duquesa de Portland, quien fue gran amigo de Mary Delany (1700-1788). Sin embargo, Yale lo cataloga como Booth Grey (1740-1802). Existen dos grabados de Booth Grey en Yale similares al presente. Además, existía otro honorable Booth Grey (político) que era tío de William. Su hijo, también Booth Grey, se casó con la hermana de William, Sophia.\u003c\/p\u003e\n\u003cp\u003e Sobre papel verjurado. Tenga en cuenta el pequeño tamaño de esta obra.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021513650505,"sku":"KB-871","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-871.jpg?v=1743521276"},{"product_id":"loren-holmwood-sami-with-reindeer-hostflytning-northern-norway-original-c-1936-etching-print-kc-979","title":"Loren Holmwood, Sámi with Reindeer 'Höstflytning', Northern Norway – c.1936 etching print","description":"\u003cp\u003eAn original c.1936 etching print – Loren Holmwood, Sámi with Reindeer 'Höstflytning', Northern Norway.\u003c\/p\u003e\n\u003cp\u003eA compelling portrait of a Sámi woman and children, engaged in the Höstflytning, or 'autumn flight', when reindeer herding families in Northern Norway move from coastal pastures to inland mountains and plateaus for winter.\u003c\/p\u003e\n\u003cp\u003eAmerican portrait artist Loren Holmwood (1892–1985), a member of the Laguna Beach artist colony, is known in particular for his depiction of children, in a manner evocative of his contemporary Norman Rockwell (1894–1978).\u003c\/p\u003e\n\u003cp\u003eRemarkably, in November 1936, Holmwood travelled from California to Hammerfest and North Cape in North Norway in search of source material; this etching is undoubtedly a result of this trip. Holmwood left his Berkeley studio in June 1936, travelling by motorcar to New York where he took the Swedish liner Drottningholm to Gothenburg. From Gothenburg he went to Oslo and subsequently travelled up the west coast of Norway, visiting Bergen, Aalesund and Trondheim on the way to the far north, then on to Stockholm and Copenhagen before returning to the United States.\u003c\/p\u003e\n\u003cp\u003eWhat prompted this adventurous mission we do not know, but it is interesting to note that later in life Loren Holmwood settled at Tahoe City, where he gifted fifty-two acres of his land along Ward Creek to the Washoe community in Nevada. His experiences amongst the Sámi were perhaps formative in a wider affinity for the cultures of indigenous peoples.\u003c\/p\u003e\n\u003cp\u003eHolmwood's large etching is both charming and impactful; the Sámi confront the viewer's gaze head-on and the cropped 'snapshot' composition creates a dynamic sense of reality beyond the artist's lens.\u003c\/p\u003e\n\u003cp\u003eEtching with colour.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":53534545674569,"sku":"KC-979","price":380.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KC-979.jpg?v=1766161662"},{"product_id":"f-cottinck-vienna-secession-ex-libris-bookplate-for-eugene-may-original-c-1910s-etching-print-kd-501","title":"Vienna Secession Ex Libris Bookplate for Eugene May – c.1910s etching","description":"\u003cp\u003eAn original c.1910s etching print – F. Cottinck, Vienna Secession Ex Libris Bookplate for Eugene May.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around the 1910s and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe design features a winged nymph playing a harp.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by F. Cottinck for Eugene May.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290441044297,"sku":"KD-501","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-501.jpg?v=1777476126"},{"product_id":"ferdinand-gotting-vienna-secession-ex-libris-bookplate-art-nouveau-original-c-1910-etching-print-kd-504","title":"Vienna Secession Ex Libris Bookplate by Ferdinand Götting – c.1910 etching","description":"\u003cp\u003eAn original c.1910 etching print – Ferdinand Götting, Vienna Secession Ex Libris Bookplate Art Nouveau.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around 1910 and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by Ferdinand Götting.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290442781001,"sku":"KD-504","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-504.jpg?v=1777476135"},{"product_id":"erhard-amadeus-dier-vienna-secession-ex-libris-bookplate-for-joe-kramer-original-c-1910-etching-print-kd-502","title":"Vienna Secession Ex Libris Bookplate by Erhard Amadeus-Dier – c.1910 etching","description":"\u003cp\u003eAn original c.1910 etching print – Erhard Amadeus-Dier, Vienna Secession Ex Libris Bookplate for Joe Kramer.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around 1910 and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by Erhard Amadeus-Dier for Joe Kramer.\u003c\/p\u003e\u003cp\u003eErhard Amadeus-Dier (1893–1969) was an Austrian painter, graphic artist, designer and composer who fought in the underground resistance movement during World War II. He was the designer of the Austrian Schilling banknotes from 1949 to 1954.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290465096009,"sku":"KD-502","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-502.jpg?v=1777476307"},{"product_id":"leopold-drexler-vienna-secession-ex-libris-bookplate-for-emma-bacher-original-c-1910-etching-print-kd-493","title":"Vienna Secession Ex Libris Bookplate by Leopold Drexler – c.1910 wood engraving","description":"\u003cp\u003eAn original c.1910 etching print – Leopold Drexler, Vienna Secession Ex Libris Bookplate for Emma Bacher.\u003c\/p\u003e\u003cp\u003eA stylish original Art Nouveau bookplate, or ex libris, dating from around 1910 and associated with the Viennese Secession movement.\u003c\/p\u003e\u003cp\u003eThe bookplate was designed by Leopold Drexler for Emma Bacher.\u003c\/p\u003e\u003cp\u003eLeopold Drexler (b.1888) was an Austrian designer and artist associated with the Vienna Secession and Wiener Werkstätte in the early 20th century. He is known for designing jewelry (c.1905–1925) for Oscar Dietrich. Lithographs by Drexler are in the Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eThe photographer and gallerist Emma Bacher (1868–1953) was a friend of Gustav Klimt.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290466767177,"sku":"KD-493","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-493.jpg?v=1777476319"},{"product_id":"pickford-robert-waller-whistlerian-portrait-of-a-woman-original-c-1890s-etching-print-kd-511","title":"Pickford Robert Waller, Whistlerian Portrait of a Woman – c.1890s etching print","description":"\u003cp\u003eAn original c.1890s etching print – Pickford Robert Waller, Whistlerian Portrait of a Woman.\u003c\/p\u003e\u003cp\u003eThis charming etching is one of a group of female portraits by Pickford Waller, which show fascinating connections with painter James Abbott McNeill Whistler and his depictions of women at this time. Waller was an early patron of Whistler and became an avid collector of Whistleriana. Waller presents his women in Whistlerian pose—employing devices such as sweeping folds of drapery, sinuous rear profile views and compositions with mantelpiece, Chinese vases and Japanese fans. There is also strong influence of the Pre-Raphaelite depiction of women in his work, reflecting the cross-over of artistic groups and influences working towards the end of the 19th century.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290470797641,"sku":"KD-511","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-511.jpg?v=1777476345"},{"product_id":"pickford-robert-waller-victorian-girl-in-hammock-original-c-1890s-etching-print-kd-512","title":"Pickford Robert Waller, Victorian Girl in Hammock – c.1890s etching print","description":"\u003cp\u003eAn original c.1890s etching print – Pickford Robert Waller, Victorian Girl in Hammock.\u003c\/p\u003e\u003cp\u003eThis charming etching is one of a group of female subjects by Pickford Waller, which show fascinating connections with painter James Abbott McNeill Whistler and his depictions of women at this time. Waller was an early patron of Whistler and became an avid collector of Whistleriana. Waller presents his women in Whistlerian pose—employing devices such as sweeping folds of drapery, sinuous rear profile views and compositions with mantelpiece, Chinese vases and Japanese fans. There is also strong influence of the Pre-Raphaelite depiction of women in his work, reflecting the cross-over of artistic groups and influences working towards the end of the 19th century.\u003c\/p\u003e\u003cp\u003ePlease note the small size of this artwork.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290472501577,"sku":"KD-512","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-512.jpg?v=1777476357"},{"product_id":"william-hayes-carolina-wood-duck-drake-bird-original-c-1780-etching-print-kd-676","title":"William Hayes, Carolina Wood Duck Drake Bird – c.1780 hand-coloured etching","description":"\u003cp\u003eAn original c.1780 etching print – William Hayes, Carolina Wood Duck Drake Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting a male wood duck, or Carolina duck, native to North America. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines on watermarked Whatman laid paper. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. This included birds belonging to one of Hayes's early patrons, the Earl of Sandwich.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609180164425,"sku":"KD-676","price":148.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-676.jpg?v=1781601285"},{"product_id":"william-hayes-ruff-bird-original-c-1779-etching-print-kd-677","title":"William Hayes, Ruff Bird – c.1779 hand-coloured etching","description":"\u003cp\u003eAn original c.1779 etching print – William Hayes, Ruff Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting a male ruff, a sandpiper native to northern Eurasia. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines on laid paper. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. This included birds belonging to one of Hayes's early patrons, the Earl of Sandwich.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609180590409,"sku":"KD-677","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-677.jpg?v=1781601308"},{"product_id":"william-hayes-female-yellow-knobbed-curassow-bird-original-c-1780s-etching-print-kd-678","title":"William Hayes, Female Yellow-knobbed Curassow Bird – c.1780s hand-coloured etching","description":"\u003cp\u003eAn original c.1780s etching print – William Hayes, Female Yellow-knobbed Curassow Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting a female curassow, native to Central and South America. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines on watermarked Whatman laid paper. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. This included birds belonging to one of Hayes's early patrons, the Earl of Sandwich.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609180754249,"sku":"KD-678","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-678.jpg?v=1781601318"},{"product_id":"william-hayes-male-yellow-knobbed-curassow-bird-original-c-1780s-etching-print-kd-679","title":"William Hayes, Male Yellow-knobbed Curassow Bird – c.1780s hand-coloured etching","description":"\u003cp\u003eAn original c.1780s etching print – William Hayes, Male Yellow-knobbed Curassow Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting a male curassow, native to Central and South America. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines watermarked laid paper. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. This included birds belonging to one of Hayes's early patrons, the Earl of Sandwich.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609180819785,"sku":"KD-679","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-679.jpg?v=1781601327"},{"product_id":"william-hayes-sea-pie-oystercatcher-bird-original-c-1775-etching-print-kd-680","title":"William Hayes, Sea Pie Oystercatcher Bird – c.1775 hand-coloured etching","description":"\u003cp\u003eAn original c.1775 etching print – William Hayes, Sea Pie Oystercatcher Bird.\u003c\/p\u003e\u003cp\u003eA rare ornithological study by William Hayes (1735–1802) et al. depicting an oystercatcher, historically known as a Sea Pie, native to the UK. Large and striking, the work is hand-coloured in watercolour and bodycolour over etched lines on laid paper watermarked 'GR'. The rendering is typical of its time, isolating a single bird on a small patch of ground, with a focus on bold colouring, tending towards decorative appeal rather than strict scientific accuracy.\u003c\/p\u003e\u003cp\u003eThis picture forms part of a collection of five birds by Hayes that we have for sale.\u003c\/p\u003e\u003cp\u003eWilliam Hayes was an 18th-century bird illustrator, known as the first artist to record a single private collection of live birds. Seven members of his family or 'pupils' collaborated on the etching and hand-colouring of his bird subjects: his wife Anne and children Charles, William, Annette, Emily, Maria and Matilda.\u003c\/p\u003e\u003cp\u003eHayes is best-known for two publications, 'A Natural History of British Birds', 1775 and 'Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Osterly Park [sic]', 1794–1799. The pictures in our collection do not appear to relate to a single publication. One of the plates (Sea Pie) is from 'A Natural History of British Birds', 1775; one (Ruff) is after a known watercolour by Hayes dated 1779; one (Carolina Duck) matches an engraving by Hayes signed and dated 1780; the final two (male and female Curassow) are subjects that feature in 'Portraits of Rare and Curious Birds' but the poses of the birds differ.\u003c\/p\u003e\u003cp\u003eHayes evidently produced illustrations that did not ultimately end up in his publications. It is also possible that the pictures relate to another extremely rare compilation by Hayes, 'The Portraits of British and Exotic Birds Coloured from Nature', 1778, of which only a single copy is known. This included birds belonging to one of Hayes's early patrons, the Earl of Sandwich.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54609180885321,"sku":"KD-680","price":180.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-680.jpg?v=1781601339"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/collections\/M7-d-JD-915.jpg?v=1742291823","url":"https:\/\/somersetandwood.com\/es\/collections\/etching.oembed","provider":"Somerset \u0026 Wood Fine Art","version":"1.0","type":"link"}