Pickford Robert Waller Victorian Girl in Hammock

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An original c.1890s etching print – Pickford Robert Waller, Victorian Girl in Hammock.

This charming etching is one of a group of female subjects by Pickford Waller, which show fascinating connections with painter James Abbott McNeill Whistler and his depictions of women at this time. Waller was an early patron of Whistler and became an avid collector of Whistleriana. Waller presents his women in Whistlerian pose—employing devices such as sweeping folds of drapery, sinuous rear profile views and compositions with mantelpiece, Chinese vases and Japanese fans. There is also strong influence of the Pre-Raphaelite depiction of women in his work, reflecting the cross-over of artistic groups and influences working towards the end of the 19th century.

Please note the small size of this artwork.

+ Read the Artist Research

Pickford Robert Waller (1849–1930)

Distinguished designer and collector Pickford Robert Waller (1849–1930) was a leading member of the Aesthetic Movement and an early supporter of James Abbott McNeill Whistler (1834–1903). An artist of great versatility, he produced floral designs for wallpaper and fabrics, but he is best known as a prolific designer of books and bookplates: he produced book designs for authors including Hans Christian Andersen, the Brothers Grimm and the poet and dramatist Laurence Binyon.

The Aesthetic Movement championed 'art for art's sake,' emphasising the sensual qualities of art and design rather than any practical, moral or narrative purpose it might have. For a late 19th-century aesthete, though, Waller's background was unusual: he was the son of a builder. Robert John Waller ran a thriving building firm from Lyall Street in London, and when he died in 1892, Pickford Waller continued to run the business. Eventually, though, the arts came to hold more of his attention than bricks and mortar.

As well as being a practising artist himself, Pickford Waller was also an important collector and patron of the arts. In particular, he was an early supporter of James Abbott McNeill Whistler (1834–1903), who he first met as a young man when he visited Whistler's studio with the artist Matthew White Ridley. Waller became an avid collector of Whistleriana, and Whistler's influence can be seen in much of his work.

+ Artwork Details

Dimensions: Height: 5.9cm (2.32") Width: 10.1cm (3.98")

Presented: Unframed. Image size: 6.7 x 10.7cm; Sheet size: 7.7 x 11.3cm.

Medium: Etching

Age: Late 19th-century

Signed: No.

Inscribed: No.

Dated: --

Condition: Some minor toning. The paper is trimmed very close to the plate at the upper edge. Please see photos for detail. There are historical adhesive marks and/or paper remnants to the verso, from previous mounting.

Stock number: KD-512