Attrib. John Leech A Gathered Crowd with Horse & Carriage

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An original mid-19th-century pen & ink drawing, Attrib. John Leech, A Gathered Crowd with Horse & Carriage.

An animated Victorian coaching scene with a mixed crowd of characters, attributed to the celebrated Punch illustrator John Leech (1817–1864).

Born in London, John Leech initially studied medicine at St Bartholomew's Hospital, but showing promise as an artist from a very early age, he gradually moved towards an artistic profession. In the 1840s he produced etchings for various magazines, including Bentley's Miscellany, Shilling Magazine and notably, the first illustrations for Charles Dickens' 1843 novella A Christmas Carol. In 1841 Leech's lifelong connection with Punch began. His drawings for Punch, reproduced as wood engravings, the work for which he is most celebrated. He also became well known for hunting and sporting subjects, many of which were produced for The Illustrated London News.

Ink on wove paper. Laid down on mounting card with window cut verso.

Provenance: William Drummond (Covent Garden Gallery, London).

+ Read the S&W Collection Research

Equestrian Collection: Loraine-Smith & Charles Cooper Henderson

This work is one of a fascinating collection of equestrian pictures we have for sale connected with two highly regarded horse painters: Charles Loraine-Smith (1751–1835), a keen horseman known for his early hunting and sporting scenes; and Charles Cooper Henderson (1803–1877), the preeminent painter of Victorian horses and coaches. Both artists were instrumental in developing the genre of horse painting, and achieved fame and popularity through print reproductions after their work. At a time when animal painting was seen as a ‘lower’ form of art, these artists were pioneering in establishing the respectability and status of the genre.

The collection includes signed works by both these artists, as well a number of interesting works by other members of the Loraine-Smith family: Charles’s son, Reverend Loraine Loraine-Smith (1784–1857), and daughter-in-law, Isabella—who were both keen horse-riders, and produced personal studies of horses and hunting subjects under Charles’s influence.

This collection also includes horse pictures by other notable names, such as Jules Léon Montigny, Henry Thomas Alken, Anthony Devis and Frank L. Emanuel.

The story behind why these equestrian pictures have come together is a mystery, but it is possible that the collection was at one time owned by Charles Cooper Henderson. Our collection includes a watercolour by William James Müller—and, interestingly, Charles’s brother, the distinguished art collector John Henderson, was an avid collector of Müller’s works. Together, these pictures, spanning the late 18th into the early 19th century, show the ever increasing British obsession with all things equine.

+ Artwork Details

Dimensions: Height: 19.8cm (7.8") Width: 24.9cm (9.8")

Presented: Unframed.

Medium: Pen & Ink

Age: Mid-19th-century

Signed: No.

Inscribed: Inscribed on backing card with historic attribution upper right and annotations lower right.

Dated: --

Condition: In good condition for its age. The picture may have minor imperfections such as slight marks, toning, foxing, creasing or pinholes, commensurate with age. Please see photos for detail.

Stock number: JZ-181