Indian Company School A Caparisoned Horse & Groom, Possibly Skinner's Horse

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An original early 19th-century gouache painting – Indian Company School, A Caparisoned Horse & Groom, Possibly Skinner's Horse.

A magnificent Indian Company School painting showing a horse richly decorated and caparisoned, held by its attendant groom. Painted in opaque pigment and gold on cream paper with original handpainted border.

This unusual subject falls outside the conventional ethnographic 'types' of Patna Kalam, being relatively three-dimensional and naturalistic, and more courtly in subject than everyday. There is a sales record for a Company School painting of the same subject (very similar but not identical), depicting the same horse and groom, which auctioned with a swordsman subject that was a copy after painting titled 'Kala with Sabre Drawn' commissioned by the brothers James and William Fraser in around 1815. By extension it is quite probable that the horse and groom subject relates to the Delhi 'court' of the Fraser brothers.

Specifically, the finely detailed caparison in red with green chevron border and gold edging appears in two paintings recording ceremonial events connected to the famous Irregular Cavalry Corps known as Skinner's Horse: 'Colonel James Skinner holding a Regimental Durbar', 1827 and 'The 1st Regiment of Skinner's Horse returning from a General Review', 1828, both by Ghulam Ali Khan (now in the National Army Museum, London). It seems likely that the caparisoned horse in the present painting is a horse related to Skinner's regiment at Hansi, Haryana, north-west of Delhi. The white dress of the groom is similar to that of the Mewati horseman recruited to Skinner's regiment from the Mewat region of northwest India.

Col James Skinner (1778–1841) was a close friend and associate of William Fraser (1784–1835); Skinner's Horses were an interesting feature of the British India Army and Skinner himself was a fascinating figure born to a Scottish father and Rajput mother. Formerly an officer in the Maratha Army, he raised two cavalry units for the British, nicknamed 'The Yellow Boys' for their flamboyant saffron-coloured uniforms. William Fraser additionally bred horses for the East India Company on Skinner’s estate and farm at Hansi for the East India Company. Skinner lived in princely style and liked to be addressed by his Moghul title, Nasir-ud-Daula, Colonel James Skinner Bahadur Ghalib Jang - Most Exalted, Victorious in War. He was an important patron of the arts, commissioning paintings in the Company style on a large scale.

In opaque pigment and gold on cream paper with original handpainted border. The paper has a highly burnished, smooth surface, likely coated with a size such as shellac, as was typical for papers prepared for calligraphy and miniatures.

The paper has evidently had historic repairs, including replacement of the border at the right edge with an overlaid strip. The strip itself appears to be original and consistent with the painting, perhaps taken from another painting by the artist of the same type.

Provenance: with Bonhams, London 2011.

+ Read the S&W Collection Research

Indian Company Paintings

'Company School' refers to a variety of hybrid styles that came about through the influence of Western (especially British) patrons on Indian artists in the 18th and early 19th centuries. Finding traditional, stylised Indian painting not to their taste, these patrons began to collect works that, while incorporating traditional elements from Rajput and Mughal painting were given a more 'western' appearance through their use of perspective and rounded modelling, as opposed to the more decorative, 'flatter' styles that had gone before.

The Company style evolved to meet this demand: as many of their collectors worked for the East India Company, these paintings became associated with the name. Leading centres of the Company style were the main British settlements of Calcutta, Madras (Chennai), Delhi, Lucknow and Patna.

Europeans commissioned sets of images depicting festivals and scenes from Indian life, with people of different castes or trades being particular favourite subjects, as well as dancers and musicians. Collectors were particularly attracted to what were perceived to be the exotic customs, costumes and architecture of their adopted—and in many cases temporary—homeland. Paintings were mostly on paper, and most were small, reflecting the Indian miniature tradition and the intention that they would be kept in portfolios or albums.

Sadly there is little information about the identity of the numerous and flourishing ‘Company School’ artists; indeed Company School (or Kampani kalam) has been criticised as a term for defining a diverse body of works by the identity of its patrons rather than the talented Indian artists by which they are painted. These paintings resonate with fascinating and important questions and contradictions of cultural exchange.

+ Artwork Details

Dimensions: Height: 16.6cm (6.54") Width: 21.4cm (8.43")

Presented: Unframed.

Medium: Gouache

Age: Early 19th-century

Signed: No.

Inscribed: No.

Dated: --

Condition: In very good condition in the image. Some slight wrinkling to the paper at the lower left. Marks and wear to the margins, including a repaired loss and tear to the lower edge, which has historically been shored up on the verso. Small paper loss to the lower right corner. Overlaid strip repair to the right margin. Please see photos for detail.

Stock number: KD-274