{"title":"Arti e mestieri","description":"","products":[{"product_id":"ellen-m-murray-thomson-original-1910s-arts-crafts-calligraphy-alphabets-pair-jw-149","title":"Ellen M. Murray Thomson, coppia di alfabeti calligrafici originali Arts \u0026amp; Crafts degli anni '10","description":"\u003cp\u003e Una coppia originale di alfabeti calligrafici Arts \u0026amp; Crafts degli anni '10 di Ellen M. Murray Thomson.\u003c\/p\u003e\n\u003cp\u003e Due impressionanti alfabeti calligrafici manoscritti di grandi dimensioni, uno in nero e uno in rosso, dell'artista scozzese Ellen May Murray Thomson (1889–1984). Ellen Murray Thomson realizzò dipinti e decorazioni commerciali in stile Art Nouveau negli anni '10. Questi esempi di calligrafia mostrano l'influenza del movimento Arts and Crafts e il suo gusto per la tipografia preindustriale.\u003c\/p\u003e\n\u003cp\u003e Entrambi i fogli sono di grandi dimensioni (44 x 29 cm ciascuno); il foglio nero con le lettere è piegato in modo da formare due fogli con calligrafia su tutti e quattro i lati. Anche il foglio rosso con le lettere presenta calligrafia su entrambi i lati.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52017869553993,"sku":"JW-149","price":88.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/JW-149_7c3eb626-2d0a-4be8-98f0-739aad393f49.jpg?v=1777476496"},{"product_id":"philip-j-marvin-yaverland-church-isle-of-wight-1871-architectural-drawing-ka-423","title":"Philip J. Marvin, Chiesa di Yaverland, Isola di Wight – disegno architettonico del 1871","description":"\u003cp\u003e Disegno originale a penna e inchiostro del 1871, Philip J. Marvin, Prospetto architettonico, Arco del presbiterio, Chiesa di Yaverland, Isola di Wight.\u003c\/p\u003e\n\u003cp\u003e Un prospetto architettonico di grande e splendida precisione, abbozzato dal talentuoso architetto tardo-vittoriana Philip J. Marvin (1849–1931).\u003c\/p\u003e\n\u003cp\u003e Marvin nacque sull'Isola di Wight e questo studio è uno dei primi lavori del giovane architetto.\u003c\/p\u003e\n\u003cp\u003e Su carta J Whatman filigranata.\u003c\/p\u003e\n\u003cp\u003e Si prega di notare che questa immagine verrà spedita arrotolata in un tubo.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020388135241,"sku":"KA-423","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-423.jpg?v=1743514250"},{"product_id":"philip-j-marvin-arts-crafts-house-design-isle-of-wight-c-1880s-watercolour-ka-425","title":"Philip J. Marvin, Arts \u0026amp; Crafts House Design, Isola di Wight – acquerello del 1880 circa","description":"\u003cp\u003e Dipinto ad acquerello originale del 1880 circa, Philip J. Marvin, Proposta Arts \u0026amp; Crafts House, Isola di Wight.\u003c\/p\u003e \u003cp\u003eUno straordinario progetto architettonico originale per una casa progettata dal talentuoso architetto tardo-vittoriana Philip J. Marvin (1849-1931). L'ubicazione della casa non è nota, ma Marvin proveniva dall'Isola di Wight e vi tornò più avanti nella sua carriera, quindi è probabile che la posizione costiera si trovi sull'isola. Si presume che questo progetto sia rimasto allo stato di proposta e non sia mai stato realizzato.\u003c\/p\u003e \u003cp\u003eL'imponente proprietà con sette camere da letto è concepita nel nuovo stile Arts and Crafts. Nella parte superiore del disegno sono presenti due piccole planimetrie che mostrano come le stanze principali siano situate nella parte anteriore, insieme alle ampie verande curve e al balcone della torretta, per godere della magnifica vista sul mare. Il bagno, lo spogliatoio, la camera da letto della servitù e la cucina (segno dei tempi) si trovano sul retro. Lo stile Arts and Crafts prevede l'inserimento di numerosi elementi artigianali e storici nel design, come la banderuola e la meridiana in stile chiesa, le finestre piombate e le piastrelle rosse che ricoprono le pareti del primo piano, molto in voga all'epoca per conferire un tocco vernacolare.\u003c\/p\u003e \u003cp\u003eGran parte dell'opera architettonica di Philip Marvin era in stile neogotico, quindi è interessante considerare il modo in cui lo storicismo ha profondamente influenzato il design Arts and Crafts moderno. Anche la potenziale ubicazione dell'Isola di Wight è interessante, nel contesto della vita culturale dell'isola a quel tempo: Alfred Tennyson a Farringford, la famiglia Prinsep, la fotografa Julia Margaret Cameron e l'artista George Frederic Watts, per il quale il pioniere dell'architettura Arts and Crafts Philip Webb progettò The Briary a Freshwater.\u003c\/p\u003e\n\u003cp\u003e Ad acquerello con grafite.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52020389282121,"sku":"KA-425","price":480.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/ka-425.jpg?v=1743514254"},{"product_id":"anthony-van-dyck-stained-glass-design-original-late-19th-century-watercolour-painting-kb-309","title":"Disegno di vetrate di Anthony Van Dyck – dipinto ad acquerello di fine Ottocento","description":"\u003cp\u003e Un acquerello originale della fine del XIX secolo, disegnato da Anthony Van Dyck su vetrata.\u003c\/p\u003e\n\u003cp\u003e Una straordinaria opera decorativa in stile Arts \u0026amp; Crafts.\u003c\/p\u003e\n\u003cp\u003e Questo è uno dei due esemplari che abbiamo in vendita (vedi KB-308).\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52021419639113,"sku":"KB-309","price":68.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-309.jpg?v=1743520570"},{"product_id":"philip-j-marvin-cabinet-in-great-hall-haddon-hall-original-1877-watercolour-painting-kb-915","title":"Philip J. Marvin, Cabinet in Great Hall, Haddon Hall – 1877 watercolour painting","description":"\u003cp\u003eAn original 1877 watercolour painting – Philip J. Marvin, Cabinet in Great Hall, Haddon Hall.\u003c\/p\u003e\u003cp\u003eA beautifully precise sheet of architectural details sketched by talented late-Victorian architect Philip J. Marvin (1849–1931). The drawing shows a wooden cabinet in the medieval Great Hall at Haddon Hall in Derbyshire.\u003c\/p\u003e\u003cp\u003eIn graphite with watercolour wash.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948275626313,"sku":"KB-915","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-915.jpg?v=1757941204"},{"product_id":"philip-j-marvin-architectural-woodwork-detail-chester-original-1877-graphite-drawing-kb-918","title":"Philip J. Marvin, Architectural Woodwork Detail, Chester – 1877 graphite drawing","description":"\u003cp\u003eAn original 1877 graphite drawing – Philip J. Marvin, Architectural Woodwork Detail, Chester.\u003c\/p\u003e\u003cp\u003eA beautifully precise sheet of architectural details sketched by talented late-Victorian architect Philip J. Marvin (1849–1931). The drawings show medieval woodwork in the city of Chester in northwest England.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948276117833,"sku":"KB-918","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-918.jpg?v=1757941205"},{"product_id":"philip-j-marvin-iron-work-palazzo-pubblico-siena-italy-1876-ink-drawing-kb-921","title":"Philip J. Marvin, Iron Work, Palazzo Pubblico, Siena, Italy – 1876 ink drawing","description":"\u003cp\u003eAn original c.1876 pen \u0026amp; ink drawing – Philip J. Marvin, Iron Work Architectural Detail, Palazzo Pubblico, Siena, Italy.\u003c\/p\u003e\u003cp\u003eA beautiful detail of architectural ironwork at the Palazzo Pubblico, Siena, Italy, sketched by talented late-Victorian architect Philip J. Marvin (1849–1931).\u003c\/p\u003e\u003cp\u003eFifteen years later Charles Rennie Mackintosh sketched the same ironwork.\u003c\/p\u003e\u003cp\u003eIn brown ink. On paper laid down on card.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948276379977,"sku":"KB-921","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-921.jpg?v=1757941214"},{"product_id":"philip-j-marvin-iron-work-palazzo-pubblico-siena-italy-1876-ink-drawing-kb-922","title":"Philip J. Marvin, Iron Work, Palazzo Pubblico, Siena, Italy – 1876 ink drawing","description":"\u003cp\u003eAn original c.1876 pen \u0026amp; ink drawing – Philip J. Marvin, Iron Work Architectural Detail, Palazzo Pubblico, Siena, Italy.\u003c\/p\u003e\u003cp\u003eA beautiful detail of architectural ironwork at the Palazzo Pubblico, Siena, Italy, sketched by talented late-Victorian architect Philip J. Marvin (1849–1931).\u003c\/p\u003e\u003cp\u003eFifteen years later Charles Rennie Mackintosh sketched the same ironwork.\u003c\/p\u003e\u003cp\u003eIn brown ink. On paper laid down on card.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948276478281,"sku":"KB-922","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-922.jpg?v=1757941214"},{"product_id":"philip-j-marvin-cabinet-ornament-haddon-hall-original-1877-graphite-drawing-kb-916","title":"Philip J. Marvin, Cabinet Ornament, Haddon Hall – Original 1877 graphite drawing","description":"\u003cp\u003eAn original 1877 graphite drawing – Philip J. Marvin, Cabinet Ornament, Haddon Hall.\u003c\/p\u003e\u003cp\u003eA beautiful architectural detail sketched by talented late-Victorian architect Philip J. Marvin (1849–1931). The drawing shows carved ornament on a small cabinet in the medieval Great Hall at Haddon Hall in Derbyshire.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948277297481,"sku":"KB-916","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kb-916.jpg?v=1757941220"},{"product_id":"pickford-robert-waller-decorative-art-nouveau-design-c-1890s-pen-ink-drawing-kc-590","title":"Pickford Robert Waller, Decorative Art Nouveau Design –c.1890s pen \u0026 ink drawing","description":"\u003cp\u003eAn original c.1890s pen \u0026amp; ink drawing – Pickford Robert Waller, Decorative Art Nouveau Design.\u003c\/p\u003e\u003cp\u003eA stylish decorative design by distinguished designer and collector Pickford Robert Waller (1849–1930). Waller was a leading member of the Aesthetic Movement.\u003c\/p\u003e\u003cp\u003eAdditionally, there are studies of feet on the verso of the paper.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":52948565950793,"sku":"KC-590","price":41.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/kc-590.jpg?v=1757941699"},{"product_id":"alfred-george-stevens-design-for-a-decorative-frieze-original-mid-19th-century-chalk-drawing-kd-299","title":"Alfred George Stevens, Design for a Decorative Frieze – Mid-19th-century chalk \u0026 wash drawing","description":"\u003cp\u003eAn original mid-19th-century chalk drawing – Alfred George Stevens, Design for a Decorative Frieze.\u003c\/p\u003e\u003cp\u003eA wonderful neoclassical design for part of a decorative frieze by the celebrated British sculptor Alfred George Stevens (1817–1875).\u003c\/p\u003e\u003cp\u003eAlfred Stevens is regarded as a foundational figure for the 'New Sculpture' movement in late 19th-century Britain, recognised as a master who bridged Renaissance principles with modern sculpture and design.\u003c\/p\u003e\u003cp\u003eAged sixteen he travelled to Italy, where he spent nine formative years, studying Renaissance painting and receiving some formal training at the Accademia di Belle Arti in Florence. In 1841–2 he worked in Rome as an assistant to the major neoclassical sculptor Bertel Thorvaldsen. Steven's own work was strongly influenced by Italian High Renaissance style; this neoclassical frieze design features a winged putto, classical pedestals, scrolls and laurel wreath, along with ribbon festoons.\u003c\/p\u003e\u003cp\u003eExecuted in black chalk with black wash, the design is inscribed 'Black Panel[?]', suggesting that it is possibly the design for a cast iron fire surround or chimney piece; highlights in white bodycolour mimic the sheen on black cast iron. In 1850 Stevens became chief designer to a Sheffield firm, Messrs. Hoole and Robson, who specialised in metalwork and won renown for metalwork exhibited at the Great Exhibition of 1851. He also did work for the Coalbrookdale Iron Company. The festoon ribbons in this design are similar to a cast iron fire surround designed by Stevens for Colebrookdale, now in Colebrookdale Museum of Iron. Stevens' most famous commissions include the chimneypiece for the dining room of Dorchester House in London, and the monument to the Duke of Wellington in St Paul's Cathedral. His work was highly influential to sculptors of the New Sculpture movement, Frederic Leighton, George Frederic Watts and Hamo Thornycroft.\u003c\/p\u003e\u003cp\u003eThis design is perhaps particularly interesting as evidence of the artist's working process, given the fragmented, composite nature of the piece. The paper appears to have been repeatedly recomposed and extended, consisting of at least four separate segments, which have been laid down on a backing—apparently by the artist himself. The backing sheet has a further sculptural head sketch on the verso, along with the artist's signature. As a result, it very much has a feel of a work in progress, a design most likely never realised, and a snapshot of the creative mind of a man whom Thornycroft described as one of ‘the greatest sculptors this country has ever seen’.\u003c\/p\u003e\u003cp\u003eIn black chalk with black and brown wash and white bodycolour, on multiple fragments of wove paper. Laid down on pale blue backing paper with further graphite sketch on verso.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54050481078601,"sku":"KD-299","price":480.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-299.jpg?v=1773922653"},{"product_id":"eric-gill-jesus-of-nazareth-the-king-of-the-jews-from-the-four-gospels-of-the-lord-jesus-christ-original-1988-lithograph-print-kd-482","title":"Eric Gill, Jesus of Nazareth The King of the Jews from The Four Gospels of the Lord Jesus Christ  – 1988 facsimile","description":"\u003cp\u003eAn original 1988 lithograph print – Eric Gill, Jesus of Nazareth The King of the Jews from The Four Gospels of the Lord Jesus Christ.\u003c\/p\u003e\u003cp\u003eThis striking work is a facsimile folio from The Four Gospels of the Lord Jesus Christ illustrated by Eric Gill (1882–1940). The folio is folded, creating two leaves \/ four pages, with Gill's full page illustration 'Jesus of Nazareth The King of the Jews' on the first page, and text to the other three.\u003c\/p\u003e\u003cp\u003eThe original edition, comprising the first four books of the New Testament accompanied by 65 illustrations by Gill, was published by the Golden Cockerel Press in 1931. It is seen as one of the finest books to be produced by the press, exhibiting the ideals of the private press movement, and was published in a run of 500.\u003c\/p\u003e\u003cp\u003eThis sheet is a later facsimile, likely the 1988 September Press, Wellingborough edition. That reproduction was produced using photo-lithography in run of 600 copies. The publisher was careful to note: 'This book is a reproduction version of The Four Gospels published in 1931. I call it a reproduction version rather than a facsimile because that is what it is, a copy produced by photo-lithography with no attempt to simulate the paper or binding of the original. From the outset, the spirit of the book was what I was aiming at. The original is a marvelous book .. .and rightly regarded as one of the glories of modern book-making .... If a reproduction could demonstrate something of the excitement, simplicity and ingenuity of the original, I would be well pleased.'\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290462179657,"sku":"KD-482","price":44.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-482.jpg?v=1777476282"},{"product_id":"eric-gill-the-canterbury-tales-by-geoffrey-chaucer-vol-iv-golden-cockerel-press-original-1931-wood-engraving-kd-481","title":"Eric Gill, The Canterbury Tales by Geoffrey Chaucer, Vol IV, Golden Cockerel Press – 1931 wood engraving","description":"\u003cp\u003eAn original 1931 wood engraving – Eric Gill, The Canterbury Tales by Geoffrey Chaucer, Vol IV, Golden Cockerel Press.\u003c\/p\u003e\u003cp\u003eThis striking work is the opening folio from Volume IV of The Canterbury Tales by Geoffrey Chaucer, illustrated by Eric Gill (1882–1940) and published by the Golden Cockerel Press 1928–1931. The section is the Introduction and opening to The Squire's Tale. The Squire is the Knight's son, a novice warrior and lover with more enthusiasm than experience. His tale, which ultimately gets interrupted, is an unfinished epic romance.\u003c\/p\u003e\u003cp\u003eThe folio is folded, creating two leaves \/ four pages, with Gill's opening illustration on the first page, and marginal illustrations on the other three.\u003c\/p\u003e\u003cp\u003eWood engraving on handmade paper with GCP [Golden Cockerel Press] watermark. Initial in red on the second page. Deckle edges to the side and lower edges of the sheet.\u003c\/p\u003e\u003cp\u003eThe Canterbury Tales was seen as one of the finest books to be produced by the Golden Cockerel Press, exhibiting the ideals of the private press movement, and published in a run of 485 copies plus 15 copies on vellum. The publication of the work was a major literary event and was widely covered in the press throughout the four-year publication period. A review in The Times Literary Supplement compared the edition to the Kelmscott Chaucer.\u003c\/p\u003e","brand":"Somerset \u0026 Wood","offers":[{"title":"Default Title","offer_id":54290495308105,"sku":"KD-481","price":410.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/files\/KD-481.jpg?v=1777476480"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/4306\/5161\/collections\/SC13-JK-122.jpg?v=1755885863","url":"https:\/\/somersetandwood.com\/it\/collections\/arts-crafts.oembed","provider":"Somerset \u0026 Wood Fine Art","version":"1.0","type":"link"}