Louisa Hare Autumn Leaves, Byron's Manfred

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An original c.1832 watercolour painting – Louisa Hare, Autumn Leaves, Byron's Manfred.

An outstanding large botanical painting, dating from around the 1830s, depicting autumn leaves accompanied by beautifully transcribed lines from Lord Byron's poem Manfred. The subject has a Romantic sensibility, elevating the dying leaves with the words of Byron's hero who finds solace in the natural world: 'The forest gloom / For me had a holy charm'.

The sheet is in wonderfully clean and bright condition, due to having been well preserved in a Victorian album.

The artist is believed to be Louisa Hare (1776–1853), who resided at Whittern, a large estate at Lyonshall in Herefordshire. Louisa Hare was sister of Catherine Johnstone née Brome (1775–1833), who commissioned the pictures in our collection Sublime Landscapes: Peak District & North Wales 1832.

Interestingly, in 1839, the young naturalist Alfred Russel Wallace OM FRS (1823–1913) lived for a time at Kington, less than three miles from Lyonshall. It was at Kington, inspired by the natural landscape and flora around him, that Wallace began to develop an interest in natural history subjects—especially geology, astronomy, and botany—and he became associated with the newly formed Kington Mechanics' Institution.

+ Read the S&W Collection Research

Flowers Foliage & Butterflies: Watercolours of Louisa Hare (1776–1853)

This exquisite watercolour forms part of an impressive collection of natural history works by Louisa Hare née Brome (1776–1853). Louisa was the daughter of a Staffordshire landowner, Thomas Selleck Brome of Cowich. In 1803 she married Captain James Hare (1772–1826) of Whittern, a large estate at Lyonshall in Herefordshire. She had twelve children, at least two of whom became notable surgeons: Edward Selleck Hare, and Henry Woodroffe Hare, who emigrated to South Africa (where his grandson, Harry Leighton Hare, became a distinguished ornithologist).

Interestingly, in 1839, the young naturalist Alfred Russel Wallace OM FRS (1823–1913) lived for a time at Kington, less than three miles from Lyonshall. (There is a drawing of Whittern house by Wallace's brother in the collection of the Natural History Museum). It was at Kington, inspired by the natural landscape and flora around him, that Wallace began to develop an interest in natural history subjects—especially geology, astronomy, and botany—and he became associated with the newly formed Kington Mechanics' Institution. Wallace went on to become one of the leading evolutionary thinkers of the 19th century.

The beautiful watercolours in our collection—depicting flowers, leaves, butterflies and other insects—are a mixture of subjects observed locally from nature and what appear to be decorative compositions combining native and more exotic species. As such, the paintings reflect the varied threads of popular naturalism in the early 19th century. Interpreted through the female domestic sphere, where natural history was learnt alongside literature and the arts, some of the paintings also incorporate quotations from Romantic poetic verse.

+ Artwork Details

Dimensions: Height: 37.3cm (14.69") Width: 28.1cm (11.06")

Presented: Unframed.

Medium: Watercolour

Age: Early 19th-century

Signed: No.

Inscribed: Yes.

Dated: --

Condition: In good condition for its age. The picture may have minor imperfections such as slight marks, toning, foxing, creasing or pinholes, commensurate with age. Please see photos for detail.There are historical adhesive marks and/or paper remnants to the verso, from previous mounting.

Stock number: KD-603