Indian Company School Pietra Dura Ornament on Cenotaph Screen, Taj Mahal, Agra

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An original early 19th-century watercolour painting – Indian Company School, Pietra Dura Ornament on Cenotaph Screen, Taj Mahal, Agra.

A beautiful Indian Company painting showing precious stone ornamentation inlaid into the white marble at the Taj Mahal mausoleum.

This specific floral motif features on the delicate jali screen surrounding the most sacred part of the mausoleum: the cenotaphs of the Emperor Shah Jahan (d.1666) and that of his beloved wife Mumtaz Mahal (d.1632), for whom Shah Jahan built the Taj Mahal. The actual tombs of Shah Jahan and Mumtaz Mahal are in a chamber directly beneath their cenotaphs.

Flowers were central to the decorative scheme of the Taj Mahal because they symbolised the verdant flora of the Paradise that Mumtaz Mahal would find herself after her death. The Italian 'pietra dura' (hard stone) technique of ornamentation was adapted into the local Mughal style and came to be known as 'parchin kari', meaning 'driven in'. To complete the designs, semi-precious stones such as lapis-lazuli, agate, bloodstone, carnelian, jade and quartz were used alongside clay-slate, variegated yellow limestone and marble.

This painting is a fine example of an Indian Company painting, produced for Western (especially British) patrons in India in the 19th century, many of whom were working for the East India Company. It displays the striking hybrid techniques which led to the categorisation of the ‘Company’ style as a School. While incorporating traditional elements from Rajput and Mughal painting, they were given a more 'western' appearance through their use of perspective and rounded modelling, as opposed to the more decorative, 'flatter' styles that had gone before.

In watercolour with touches of opaque pigment on cream wove paper, with hand drawn black border.

There is a faint inscription in Persian script on the verso.

+ Read the S&W Collection Research

Indian Company Paintings

'Company School' refers to a variety of hybrid styles that came about through the influence of Western (especially British) patrons on Indian artists in the 18th and early 19th centuries. Finding traditional, stylised Indian painting not to their taste, these patrons began to collect works that, while incorporating traditional elements from Rajput and Mughal painting were given a more 'western' appearance through their use of perspective and rounded modelling, as opposed to the more decorative, 'flatter' styles that had gone before.

The Company style evolved to meet this demand: as many of their collectors worked for the East India Company, these paintings became associated with the name. Leading centres of the Company style were the main British settlements of Calcutta, Madras (Chennai), Delhi, Lucknow and Patna.

Europeans commissioned sets of images depicting festivals and scenes from Indian life, with people of different castes or trades being particular favourite subjects, as well as dancers and musicians. Collectors were particularly attracted to what were perceived to be the exotic customs, costumes and architecture of their adopted—and in many cases temporary—homeland. Paintings were mostly on paper, and most were small, reflecting the Indian miniature tradition and the intention that they would be kept in portfolios or albums.

Sadly there is little information about the identity of the numerous and flourishing ‘Company School’ artists; indeed Company School (or Kampani kalam) has been criticised as a term for defining a diverse body of works by the identity of its patrons rather than the talented Indian artists by which they are painted. These paintings resonate with fascinating and important questions and contradictions of cultural exchange.

+ Artwork Details

Dimensions: Height: 18.1cm (7.13") Width: 14.3cm (5.63")

Presented: Unframed.

Medium: Watercolour

Age: Early 19th-century

Signed: No.

Inscribed: Inscribed verso.

Dated: --

Condition: Some age toning and foxing as shown. There are historical adhesive marks to the edges on the verso, from previous mounting, which have caused some additional toning. Please see photos for detail.

Stock number: KE-061