Blockade of Callao by the Chilean Fleet - Original 1881 watercolour painting
is on back order
An original 1881 watercolour painting, Blockade of Callao by the Chilean Fleet.
A fine small painting in brown watercolour. On 10 April, 1880 the Chilean Navy fleet began a light blockade of the Peruvian port of Callao. With the Chilean Army also advancing, Callao finally surrendered on 18 January 16, 1881. The painting is accompanied by an inscription on a separate fragment of paper: "Blockade of Callao by the Chilean Fleet, 1880 'Graphic' (1881)".
In good condition for its age.
7.2cm x 22.4cm.
This painting is from a larger collection of fine nautical works by a single hand dating from around 1880-1882. They demonstrate a wide-ranging knowledge and interest in British Naval, merchant, fishing and passenger vessels, in the latter part of the 19th-century. The paintings, meticulous in their detail, are a celebration of Britain’s long history as a maritime nation and, specifically, its industrialisation in the Victorian era. They represent a time when Britain led the world in industrial production, and in shipbuilding in particular.
By the 1860s and 1870s the British Navy was by far the most powerful in the world, bigger than the next three (USA, France, Russia) combined. Britain’s shipbuilding prowess was vital in protecting its Empire and far-flung trade.These paintings depict an array of vessels including tall ships, steamships and paddle-steamers, steam-tugs, naval troopers, gun brigs, White Star Line passenger ships, fishing and pleasure yachts, Thames barges, and old hulks. They date from an interesting time in maritime engineering history, when ships still used a combination of steam and sail, requiring essentially two crews – one to sail the ship and another to man the machinery.
Mainly dating from 1880-1882, the paintings pre-date the “naval scare” of the latter 1880s, as the growth of the navies of Russia, the United States, Italy and, in particular, France, began to pose a challenge to Britain’s supremacy.
Some of the paintings are copies after photographs, such as those by Portsmouth military photographer Symonds & Co, or after illustrations, from the Illustrated London News. Other paintings are termed “original”, presumably drawn from life or memory. Once compiled together in an album but now loose, some have an accompanying inscription on a separate fragment of paper, including the descriptions: “Original”, “Copied from I.L.N.”, “From a photograph” or “From Symonds photograph”.
Text copyright © 2016 Somerset & Wood Fine Art Ltd. All rights reserved.
Product code: JB-904