We have enjoyed listing some charming pictures this week spanning four female generations of the Waller-Bridge family—of inimitable Fleabag writer and actress Phoebe Waller-Bridge fame
We're loving our new collection of Edwardian cartoons capturing a slice of life on the North Wales coast around Anglesey, Llandudno and Rhyl in 1912–13
This interesting view at Etna around 1837, by landscape painter James Bridges (1799–1865), shows the crater 'La Cisternazza', which formed dramatically when the top part of Etna collapsed during the 1797 eruption
We have enjoyed this week listing a fabulously stylish collection of ex libris relating to the Vienna Secession movement, featuring designs by some of the leading graphic artists of the Austro-Hungarian Empire at the beginning of the 20th century
Maria Hampshire Eaton (1862–1944) was a woman seemingly ahead of her time: awarded a medal by the South Kensington Schools, relocating to Canada for a period in the 1880s and by 1901 describing herself as an 'artist photographer [on her] own acc[ount]'
From our new collection of works, 'Souvenir of Naples', are these jewel-like renderings of the frescoes at Pompeii by a local early 19th-century artist
The subject may be southern European but this small gem of a painting by Scottish artist Middleton Alexander Jameson (1851–1919) bears the influence of his time spent in the northern French artist colonies at Grez-sur-Loing and Etaples, and later St Ives in Cornwall
A gorgeous trio of new (200-year-old) Chinese paintings on pith this week—the watercolour pooling atop the spongy tissue of the Tetrapanex papyrifera plant to assert their existence with age-defying vibrancy
The Valley of the Rocks at Watcombe near Torquay—once part of the Watcombe Park estate belonging to Isambard Kingdom Brunel—in the mid-19th-century played host to two open-air music fetes, attended by thousands
Autumn is officially here, and this week we are musing on the cyclical passing of time and the iconography of the seasons, so engrained in the British psyche, with our new collection of nature illustrations
Learning about the English eccentric, 'wayward philosopher' George John Cayley (1826–1878) this week, through his vibrant snapshot sketches at Algiers, 1874–5
Newly listed, this charming and quirky watercolour, showing a charitable home 'supported by voluntary contributions', captures an essence of Victorian England
From what at first appears an unassuming sketch unfolds a story of one of the 18th century's most important feminists and a home at the centre of an alternative, bohemian social milieu of Regency England
Our Conway collection records a number of English country houses in the late 19th century—often buildings that have since been demolished or much changed
New this week, a vivid collection of miniature mid-19th-century sketches in watercolour and bodycolour on blue paper after Masters such as Turner, Constable, Gainsborough and Rembrandt
This gorgeous watercolour is a rare example of the work of Erskine Edward Nicol (1868–1926), who had connections with 'The Glasgow Boys' and whose paintings recall the North African subjects of Scottish painter Arthur Melville (1855–1904)
John Hall Thorpe's joyful decorative style is instantly recognisable: think Mary Delany, pared back and infused with flattened forms of modernity for the interwar era
The naturalism with which George Cattermole RWS (1800–1868) rendered his historical subjects is quite breathtaking—our newly listed 'Grace at the Refectory' by Cattermole this week has allowed us to get up close and personal with his technique, combining watercolour and bodycolour to give the scene real depth