Circle of James Holland OWS, Flower Posy with Morning Glory & Rose – Mid-19th-century watercolour painting
Circle of James Holland OWS, Flower Posy with Morning Glory & Rose – Mid-19th-century watercolour painting
Circle of James Holland OWS, Flower Posy with Morning Glory & Rose – Mid-19th-century watercolour painting

Circle of James Holland OWS Flower Posy with Morning Glory & Rose

£225.00
£225.00
Esaurito
View the full Collection: Holland OWS, James (1799–1870)

An original mid-19th-century watercolour painting – Circle of James Holland OWS, Flower Posy with Morning Glory & Rose.

This beautiful flower painting is by an artist from the circle of James Holland OWS (1799–1870) named J. Hodgson. Hodgson is clearly working in the style of Holland, who was one of the finest colourists of the English school and produced many botanical designs for pottery in the mid-to-late 19th century.

Holland's floral works often have a distinctive decorative quality, in which the posy is 'readable' from various angles without a clear top and bottom. James Holland was employed at the pottery works of William Davenport in Longport from a young age and he came to excel at realistic floral designs for pottery and porcelain—where designs for plates, for example, were required to work from different angles.

This watercolour shows Holland's influence in its composition, incorporating flowers, leaves and tendrils of different shapes and scales. Hodgson uses Holland's favoured device of depicting water droplets on the leaves and petals, bringing a heightened sense of temporal realism to the design.

With gum arabic to intensify the colour. On card.

+ Read the Artist Research

James Holland OWS (1799–1870)

James Holland OWS (1799–1870) was born in Burslem, Staffordshire, where his father and other members of his family—including his brother Thomas, also an artist—were employed at the pottery works of William Davenport in Longport. James was employed there from the young age of twelve, for seven years, painting flowers on pottery and porcelain.

In 1819, Holland came to London where he continued to work as a pottery painter, but also gave lessons in drawing landscapes, architecture, and marine subjects. He first exhibited at the Royal Academy in 1824, became an associate exhibitor of The Society of Painters in Water Colours in 1835 and joined the Society of British Artists in 1843. In 1858 he was elected a full member of the Old Water Colour Society.

Holland travelled extensively on the Continent between the 1830s and the 1850s, and he became known for his topographical works which were reproduced in the illustrated travel annuals of the day. He visited Venice, Milan, Geneva, and Paris, Portugal, Normandy and North Wales—sketching their architecture and working up compositions in beautifully coloured watercolours. His pictures of Portugal were published in the book 'The Tourist in Portugal'.

He exhibited prolifically during his lifetime: thirty-two pictures at the Royal Academy, ninety-one at the British Institution, and 108 at the Society of British Artists. His reputation grew further after his death and his works, particularly those of Venice, became much sought after.

COA
+ Artwork Details

Dimensions: Height: 14.5cm (5.71") Width: 19.7cm (7.76")

Presented: Unframed.

Medium: Watercolour

Age: Mid-19th-century

Signed: Signed lower left.

Inscribed: No.

Dated: --

Condition: Some age toning as shown. Note that toning below the flowers in intentional painted shadow. There are historical adhesive marks and/or paper remnants to the verso, from previous mounting.

Stock number: KD-152