Picturesque views in Maharashtra and Gujarat by Sir James Braithwaite Peile (1833–1906), at Thana, Ghogha, the Kathiawar peninsula and the Gulf of Khambhat
We have been foraging in the porous world of 19th-century mycology this week, with a beautiful collection of wild mushroom studies drawn from life at Malvern and Grasmere in 1858–9
Agnes Clara Tatham (1893–1972) excelled at portraiture, depicting female sitters in particular, characteristically painting in a restrained palette with a consciousness of colour, pattern and form
This exquisite watercolour painted in 1835 by the German artist Carl Ludwig Rundt (1802–1868) depicts the decorated interior at the Monastery of Saint Benedict near Subiaco, Rome
Two rare and poignant Italianate works by the young architect John Harper (1809–1842) who died of malaria on his way to Naples in 1842 aged just thirty-two
Newly listed this week is this elegant trio of 19th-century French frieze designs—hunting scenes in the style of Flemish tapestries of the 16th century
A brooding landscape by interesting Slade School artist Philip Hugh Padwick ROI RBA, whose work has a timeless quality inspired by classical compositions by 18th-century masters, combined with a rootedness in the British landscape, particularly that around his home in Sussex
The sublime 'Alpine' slopes pictured here are not European but rather in the Chamba district in the northern Indian state of Himachal Pradesh, named 'Alpine Beauty' by British officers
School's out and my thoughts inevitably turn to the far south-western reaches of the British Isles at this time of year, so here are some bright and breezy evocative depictions of Porthleven and St Michael's Mount in Cornwall, from our recent sell-out collection by S
Amidst all the brown paper and stories (which we love!), it is sometimes refreshing to list pictures that are purely a visual delight of colour and form!
Further Chinese works from the Minnie Wright 1858 collection include unusual plant specimens collected at locations around Hangzhou, the southern terminus of the Grand Canal
This fabulous pair of artist's print proofs for the French satirical magazine Le Rire bring us the colour, opulence and acerbic wit of the Belle Epoque
This delightful drawing shows John Sell Cotman's influence as a teacher in the early decades of the 19th century—drawn by the daughter of one of his important patrons
William Neave Parker (1910–1961) spent much of his career working for the Natural History Museum in London and his illustrations were regularly reproduced in the London Illustrated News