Circle of John White Abbott Godstow Abbey, Oxfordshire

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An original c.1827 watercolour painting, Circle of John White Abbott, Godstow Abbey, Oxfordshire.

A beautiful ink and wash drawing depicting Godstow Abbey in Oxfordshire. We acquired this work alongside another by John White Abbott (1763–1851); this drawing also displays the delicacy of line and clarity of flat wash characteristic of the artist.

Abbott studied art under his friend Francis Towne (1739/1740–1816) and he assimilated Towne’s style so closely that their works are at times almost indistinguishable.

Abbott rarely ventured outside his home county of Devon, and the majority of his landscapes are in the Exeter area, but he did complete a small number of tours in his lifetime. His most extensive was in 1791, taking in Scotland, the Lake District, Lancashire, Derbyshire and Warwickshire. In 1797 he toured Monmouthshire, and again in 1827 when he also visited Gloucestershire and Wiltshire.

Ink and wash on cream wove paper.

+ Read the Artist Research

John White Abbott (1763–1851)

John White Abbott (1763–1851) was born in Exeter, Devon, where he practiced as an apothecary and surgeon. A keen amateur artist, he socialised in the same genteel Exeter circles inhabited by Francis Towne (1739 or 1740–1816), who was a close friend of Abbott's uncle, James White. Abbott took lessons from Towne from a young age and became an important friend and patron of Towne. He closely emulated Towne's style, producing topographical drawings with precise ink outlines and flat and clear washes of colour.

The majority of Abbott's subjects were local to his native Devon. In 1791 he made his only extended journey outside the West Country, a sketching tour of Scotland, the Lake District, Lancashire, Derbyshire and Warwickshire, and in 1797 he toured Monmouthshire.

Between 1793 and 1812, Abbott exhibited intermittently at the Royal Academy, as an honorary exhibitor, and his oils were more highly praised than those of Towne. But it is said that he never sold a picture, all works remaining in the family and Abbott living the life of a gentleman amateur. Abbott was also a connoisseur of Old Master prints and this study informed the composition and figures that he used in his landscapes.

In 1825 Abbott inherited Fordland, a Devon estate, from his uncle James White. From this time on he was able to devote himself solely to drawing. In 1827 he again visited Monmouthshire, and also Gloucestershire and Wiltshire. In 1831 he was appointed a deputy lieutenant of Devonshire.

His work can be found in numerous public collections, including the British Museum, Victoria and Albert Museum, Ashmolean Museum, Fitzwilliam Museum, the Royal Albert Memorial Museum, Exeter, and the National Gallery of Scotland.

+ Artwork Details

Dimensions: Height: 14.7cm (5.79") Width: 31cm (12.2")

Presented: Unframed.

Medium: Watercolour

Age: Early 19th-century

Signed: No.

Inscribed: Inscribed verso with location.

Dated: --

Condition: In good condition for its age. Minor age toning and the odd tiny spot of foxing. There is a slight crease to the upper right corner. There are historic adhesive marks and/or paper remnants to the corners on the verso, from previous mounting. Please see photos for detail.

Stock number: JY-314