Pierre-Georges Jeanniot Le Rire No.194 Belle Epoque Illustration

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An original 1906 lithograph print, Pierre-Georges Jeanniot, Le Rire No.194 Belle Epoque Illustration.

A fabulous Belle Epoque artist's print proof, in lithograph with watercolour and gouache, by Pierre-Georges Jeanniot (1848–1934). Jeanniot was a very successful illustrator and a close friend of Edgar Degas (1834–1917).

This image was designed for the cover of the French satirical magazine Le Rire number 194, October 1906. The print comes with an original copy of the sixteen-page magazine where the image is reproduced.

The hand colouring on the original proof (which is printed only in black) is particularly vibrant and shows the artist's original colour intent, along with a handwritten annotation: 'ne pas oblier le trait noir de la bouche du même rouge que la robe' ('do not forget the black line of the mouth the same red as the dress'). The colouring is less vibrant when translated into printed lithographic colour on the final magazine.

In Jeanniot's image we see an attractive society woman and her 'Psychologist'. Titled on the magazine cover 'Vie de Chateau', the artist satirises the bourgeois lifestyle of fashionable appearances above substance. Below the image on the cover is the humorous caption: 'Le Psychologue: Mon avis, a moi, est qu'en amour l'homme doit apporter autre chose que sa figure... Le femme aussi, d'ailleus!' ('The Psychologist: My opinion is that in love the man must bring something other than his face... The woman too, by the way!').

This is one of a pair of print proofs by Jeanniot that we have for sale (see stock number KB-195).

+ Read the Artist Research

Pierre-Georges Jeanniot (1848–1934)

Born in Geneva to French parents, Pierre-Georges Jeanniot (1848–1934) was the son of the wealthy director of the Ecole des Beaux-Arts of Dijon. He began his career as an infantry officer, but spent his spare time painting and drawing, and was encouraged by Manet and Degas, the former reportedly saying ‘My friend, you are one of us.' Although he was first known for military subjects, he was highly receptive to Impressionism and soon began specialising in elegant Parisian genre scenes. He exhibited regularly at the Salons of the Société des Artistes Français in Paris and the Société Nationale des Beaux-Arts in Nantes, as well as at the Munich Secession between 1893 and 1903.

Jeanniot developed a close friendship with Edgar Degas, who was a frequent guest at Jeanniot’s estate, Dienay près Is-sur-Tille in the Cote d'Or region of Burgundy. It was during a visit in 1892 that Degas borrowed Jeanniot's printing press and made his first landscape monographs in oil paint.

Jeanniot worked extensively as an illustrator, working on more than thirty books between 1884 and his death, including works by Maupassant, Zola, Molière and Balzac. He also collaborated on contemporary publications such as La Vie Moderne and later directed the Journal amusant. Shortly after his death in 1934, a retrospective exhibition was held at the Galerie Georges Charpentier in Paris. Today his works can be found in the collections of the British Museum, National Gallery of Art Washington and Metropolitan Museum of Art, New York, as well as numerous public collections in France amongst others.

+ Artwork Details

Dimensions: Height: 27.4cm (10.79") Width: 22.3cm (8.78")

Presented: Unframed.

Medium: Lithograph

Age: Early 20th-century

Signed: Signed in the plate lower left.

Inscribed: Pencil inscribed by the artist below the image. 'Le Rire' stamp lower right.

Dated: --

Condition: Some minor creasing. Marks and pinholes to the margins. Hinging tape to the upper edge as shown. These could be successfully mounted out. Please see photos for detail.

Stock number: KB-194