Alfred André Géniole La Bouquetière from Les Femmes de Paris

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An original 1850 lithograph print, Alfred André Géniole, La Bouquetière from Les Femmes de Paris.

This vibrant hand-coloured lithograph is one of thirty-nine fine hand-coloured plates by the French genre painter, portrait artist and lithographer Alfred André Géniole (1813–1861). The series from which this derives was published as 'Les Femmes de Paris' by Bauger & Cie., Imp. d'Aubert & Cie, in 1850. The prints elegantly depict Parisian women going about their daily duties in their different professions.

A copy of the full published series can be found in the Morgan Library & Museum, New York. The Fine Arts Museum of Mulhouse in Alsace retains many of Géniole's drawings.

Alfred-André Géniole was a student of Antoine-Jean Gros, aka. Baron Gros (1771–1835). He started at the Salon de Paris in 1839 and contributed illustrations to Le Charivari (1841) and six plates for Les Français Peints par Eux-Mêmes. Paris: 1841–1843. He lived in Spain from 1848 to 1852 and painted many portraits of rural and urban fashion.

With gum arabic to intensify the colour. Trimmed to the image as shown. One of a pair that we have for sale (see JU-448).

+ Read the S&W Collection Research

French Hand-coloured Lithographs of the Mid-19th-century

This print forms part of a beautiful collection of mid-19th century hand-coloured lithographs that we have for sale. The lithographs are principally French in origin and include a number of works by important French lithographers of the day, such as Célestin Nanteuil (1813–1873), Théodore Valério (1819–1879) and Alfred André Géniole (1813–1861).

The invention of lithography by Bavarian chemist Alois Senefelder in 1796 revolutionised printing, allowing prints to be made faster, cheaper and more plentiful than ever before. The technique became successfully established in Paris by 1816, one year after the fall of Napoleon. In 1839 printer Pierre Benoiste declared that 'Lithography is painting for the people. Oil paintings … are for the rich; engraving is for the bourgeoisie'. It was used to print all manner of paper material, including sheet music, newspaper illustrations, posters, maps, timetables, menus and more. Although not intended as an artist’s medium, fine artists were also quick to explore the potential of the new medium.

This collection of prints features extensive hand-colouring, bringing the monochrome lithography to life with real vividness; gum arabic and coating varnish often further heighten the colour. The art of hand-colouring prints is a little-studied but distinct discipline, requiring skill and flair to be done successfully.

+ Artwork Details

Dimensions: Height: 20.1cm (7.91") Width: 15.9cm (6.26")

Presented: Unframed.

Medium: Lithograph

Age: Mid-19th-century

Signed: Signed lower right.

Inscribed: --

Dated: --

Condition: In good condition for its age. The picture may have minor imperfections such as slight marks, toning, foxing, creasing or pinholes, commensurate with age. Please see photos for detail.There are historic adhesive marks and/or paper remnants to the verso, from previous mounting.

Stock number: JU-447