Anon. Chinese Carp Fish

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An original mid-19th-century chinese painting on pith Chinese Carp Fish.

A beautiful small Chinese painting in watercolour on pith.

Delicate pith paintings by local Chinese artists were collected by Western travellers and merchants from around 1825 onwards. By 1833 the monopoly of trade by the English East India Company had come to an end, opening the China trade to dozens of British companies and seeing the number of merchants and volume of trade flourish. Paintings on pith were produced in port cities to meet the Western demand for local Chinese souvenirs. Relatively inexpensive and conveniently portable, they were often glued into albums to provide protection on the long voyage home.

Typically the paintings would depict attractive local subjects such as cultivated flora, indigenous birds and insects, and local trades, customs and costumes. The painting style would combine a traditional Chinese approach of flattened sweeps of colour with aspects of Western influence in detail and realism.

Pith paper behaves very differently from conventional rag or woodpulp paper. Rather than being plant fibres matted together into a layer, pith is composed of plant cells sliced directly from the inner tissue of the Tetrapanex papyrifera plant, native to Southern China and Taiwan. This unique composition makes it extremely vulnerable to damage by moisture and other environmental factors, becoming very brittle over time and subject to distinctive cracking. It is rare, therefore, that such paintings survive in pristine condition. Being routinely tipped onto album pages, they also often bear glue marks and related discolouration.

Pith also behaves unlike conventional paper as a painting support. Watercolour and gouache paint readily absorb into the plant cells of the pith to create a rich, velvety depth of colour, and then paint pools in relief on the surface, producing exquisitely vibrant raised details, of sparkling, jewel-like intensity.

On pith laid down on backing paper. Please note the small size of this artwork.

+ Read the S&W Collection Research

Chinese Watercolours, Pith Paintings & Herbarium: Minnie Wight 1858

This painting forms part of a beautiful collection of Chinese works that were preserved in an album belonging to a Minnie Wight of Newhaven. Little is known about Minnie Wright, but she was evidently English and her address is 'Newhaven' in 1858. Annotations accompanying the collection indicate that her grandson was called Philip Orford.

She was likely connected to the British community living in China around the main trade ports of the Yangtze Delta after the 1842 Treaty of Nanking. As well as beautiful examples of Chinese paintings on pith and floral watercolours, the collection includes a watercolour of a Chinese schoolmaster, inscribed 'Morton sends to Minnie', and there are a number of herbarium specimens collected at locations around the 'Great Canal' and Hangzhou, the southern terminus of the Grand Canal, between 1859 and 1862. There are also two specimens collected at 'Hogg Farm, England' in 1863. As a whole, the collection is a fascinating record of the history, activities and socio-cultural exchanges taking place between China and the West in the 19th century.

+ Artwork Details

Dimensions: Height: 6.6cm (2.6") Width: 10.1cm (3.98")

Presented: Unframed.

Medium: Chinese Painting on Pith

Age: Mid-19th-century

Signed: No.

Inscribed: No.

Dated: --

Condition: Vivid colours and good condition within the image. Some edge staining due to historical mounting glue. The upper edge of the pith is uneven. Please see photos for detail.

Stock number: KB-198