James Duffield Harding OWS Chalet in the Swiss Alps

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An original mid-19th-century watercolour painting, James Duffield Harding OWS, Chalet in the Swiss Alps.

A beautiful Continental landscape by James Duffield Harding OWS (1798–1863), painted in watercolour and heightened with touches of bodycolour and gum arabic. The archetypal Swiss view, with old Swiss chalet and chapel before majestic mountain peaks, exemplifies the contemporary taste for the picturesque. Harding was taught by Samuel Prout, master of the architectural picturesque, and early in his career he would establish himself as a successful and influential teacher.

One of the first to practice lithography, he capitalised on the new technique to produce good examples for the use of students, with often repeated subjects and motifs. He was the author of numerous drawing manuals, and was further influential in his use of tinted papers and opaque paints in watercolour.

Swiss subjects featured prominently in Harding's 1861 'Picturesque Selections'—the artist's finest achievement in lithography—with the picturesque chalets at Brunnen a particular focus.

The paper is blindstamped with Harding's collector's mark JDH (Lugt. 1448) at the lower right corner. It appears that this stamp was in some cases used on his own work as well as denoting works in his collection. See for example, Harding's Lynmouth watercolour in the collection of The Fitzwilliam Museum, PD.18-1981.

There is a small additional portrait sketch on the verso of the paper.

+ Read the Artist Research

James Duffield Harding (1798–1863)

James Duffield Harding OWS (1798–1863) was born at Deptford, the son of a drawing-master who had been a pupil of Paul Sandby. He was taught perspective by his father and had lessons in watercolour from Samuel Prout. At the age of thirteen he exhibited two drawings of buildings in the style of Prout at the Royal Academy. After a period apprenticed to the engraver Charles Pye, he moved on to concentrate on watercolour and in 1818 began exhibiting at the Society of Painters in Water Colours. He was elected an associate of the society in 1820 and a full member in 1821.

Harding was a passionate drawing-master and wrote instructional books. He was one of the first to practice lithography and he used the new technique to produce examples for the use of his students. In 1836 he published Sketches at Home and Abroad, printed in tints with two stones, and then he further developed a technique he called 'lithotint', where he drew on the stone with a brush instead of the crayon. His other lithographic works included A Series of Subjects from the Works of R.P. Bonington (1829–30); The Park and the Forest (1841); Recollections of India (1847, from drawings by C.S. Hardinge) and Picturesque Selections (1861).

Harding's use of tinted papers and opaque paints in watercolour also proved influential. In 1830 he exhibited a series of Italian views sketched on papers of various colours and textures, the style of which was widely imitated. A range of papers under the name of 'JDH pure drawing paper' were produced for Winsor and Newton, in shades of cream, buff, grey and white, which proved popular amongst both amateur and professional artists. Winsor and Newton also produced pencils under Harding's name.

John Ruskin (1819–1900) was amongst Harding's pupils and became his sketching partner. Ruskin wrote of Harding as being 'after Turner, unquestionably the greatest master of foliage in Europe'.

+ Artwork Details

Dimensions: Height: 25.8cm (10.16") Width: 37cm (14.57")

Presented: Unframed.

Medium: Watercolour

Age: Mid-19th-century

Signed: James Duffield Harding collector's mark blindstamp (Lugt. 1448) at lower right corner.

Inscribed: Inscribed indistinctly verso.

Dated: --

Condition: Minor age toning, with light mount burn towards the periphery. There is a barely visible repaired tear extending into the image approximately 7cm at the centre of the lower edge. Please see photos for detail.

Stock number: KA-190