This fine pair of drawings after the 18th-century Italian painter and engraver Giovanni Battista Cipriani RA (1727–1785) depict Hebe, the ancient Greek goddess of youth, and a Bacchante, a priestess or female followers of the god Bacchus
This light-filled back street view in Port Isaac, on Cornwall's north coast, shows the celebrated St Ives painter John Anthony Park RBA ROI (1880–1962) working in a post-impressionistic style
There is mystery and mystique around the relocation of British artist Frank Hind to Granada, Spain in 1905 and his change of name to Francis Wallis-Markland—a curious story that adds to the other-worldly quality of his Symbolist inspired pastel renderings of Granada's gardens
Two rare works depicting Pembrokeshire landmarks by antiquarian Charles Norris (1779–1858), whose work is of importance in recording buildings that have subsequently been lost
This elegant portrait sketch of a boy in profile by George Dance the Younger RA (1741–1825) is possibly the artist's youngest son, Charles Webb (1785–1844), aged thirteen
Newly listed (and quickly sold), this wonderful Kosa school illustration, featuring the remarkable Japanese pigment 'gofun' or shell white: a form of calcite, calcium carbonate, made of crushed seashells, usually oyster shells
Vibrant yet ethereal pictures that tell of the 'golden' age of British sea trade; a time when Britain was China's leading trading partner and had ambitions to push westwards from Shanghai up the Yangtze River
Researching our John Thomas Serres sketch I got diverted by the story of his wife, Olivia Serres (1772–1834): also an artist but most famous—or infamous—for being 'an imposter'
A beautiful—at once austere yet intimate—interior glimpse at Schönbrunn Palace in Vienna, the main summer residence at the time of Franz Joseph I, head of the Austrian Empire
Enjoyed discovering the riotous world of Richard Doyle's horses this week, galloping through his fantastical fantastical visions of fairydom, nostrils flared and hooves aloft
John White Abbott (1763–1851) tirelessly transcribed the landscapes of South Devon local to his home at Fordlands near Exeter—even, in this vital sepia work, at the grand old age of 80
Rare depictions of 19th-century Palestine by Anna Julia Grant-Duff (1839–1915), who in the 1880s spent a winter at Haifa in a house owned by the British author and traveller Laurence Oliphant (1829–1888)
Our new collection of drawings by Exeter artist John White Abbott (1763–1851) is a tour de force from this gentleman amateur, who never sold a painting but whose oils were praised more highly those of his friend and teacher Francis Towne